Los Lumière fueron una familia de apellido premonitorio . La luz en todas sus formas estuvo detrás de sus inventos. Sin embargo, su historia arrancó en una Francia ensombrecida por la invasión prusiana de 1870.
En 1907 los hermanos Lumi�re comercializaron un sistema de fotograf�a en color conocido como placas autocromas. Su ingenio permiti� que la I Guerra Mundial se convirtiese en el primer gran conflicto mostrado a color.
Los hermanos Lumière lograron capturar la vida moderna en París del siglo XIX.
En 1907 los hermanos Lumi�re comercializaron un sistema de fotograf�a en color conocido como placas autocromas. Su ingenio permiti� que la I Guerra Mundial se convirtiese en el primer gran conflicto mostrado a color.
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Colorean y suman sonido a grabaciones de hace más de 100 años de los hermanos Lumière
The Autochrome Lumière is an early color photography process. Patented in 1903 by the Lumière brothers in France and first marketed in 1907 it was the principal color photography process in use before the advent of subtractive color film in the mid-1930s. Autochrome is an additive color "mosaic screen plate" process. The medium consists of a glass plate coated on one side with a random mosaic of microscopic grains of potato starch dyed red-orange, green and blue-violet (an unusual but functional variant of the standard red, green and blue additive colors) which act as color filters. Lampblack fills the spaces between grains, and a black-and-white panchromatic silver halide emulsion is coated on top of the filter layer. Unlike ordinary black-and-white plates, the Autochrome was loaded into the camera with the bare glass side facing the lens, so that the light passed through the mosaic filter layer before reaching the emulsion. The use of an additional special orange-yellow filter in the camera was required, to block ultraviolet light and restrain the effects of violet and blue light, parts of the spectrum to which the emulsion was overly sensitive. Because of the light loss due to all the filtering, Autochrome plates required much longer exposures than black-and-white plates and films, which meant that a tripod or other stand had to be used and that it was not practical to photograph moving subjects. The plate was reversal-processed into a positive transparency — that is, the plate was first developed into a negative image but not "fixed", then the silver forming the negative image was chemically removed, then the remaining silver halide was exposed to light and developed, producing a positive image. Each starch grain remained in alignment with the corresponding microscopic area of emulsion coated over it. When the finished image was viewed by transmitted light, each bit of the silver image acted as a valve, allowing more or less light to pass through the corresponding colored starch grain, recreating the original proportions of the three colors. At normal viewing distances, the light coming through the individual grains blended together in the eye, reconstructing the color of the light photographed through the filter grains. Wikipedia
En 1907 los hermanos Lumi�re comercializaron un sistema de fotograf�a en color conocido como placas autocromas. Su ingenio permiti� que la I Guerra Mundial se convirtiese en el primer gran conflicto mostrado a color.
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The Sorrows of Gin.
hauntedbystorytelling: “Extras on the set of Clepatra, 1963 ”
From the 1950s to the noughties, we revisit the many screen lives of Sean Connery, cinema’s first James Bond, who has died aged 90
Disfruta de las primeras fotografías tomadas desde los orígenes de la fotografías, pero ahora en hermosos colores gracias una innovadora técnica.
Take a look back at the Lumière brothers and their groundbreaking invention, the Cinématographe.
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Los Lumière fueron una familia de apellido premonitorio . La luz en todas sus formas estuvo detrás de sus inventos. Sin embargo, su historia arrancó en una Francia ensombrecida por la invasión prusiana de 1870.