Date: late 1100s. Culture: Byzantine. Medium: Tempera, black ink and gold on parchment. Dimensions: 8 1/8 x 5 7/8 x 2 in. (20.7 x 14.9 x 5.1 cm)Other (Singl...
Pontifical de Périgueux (c. 1399).
A poem
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Миниатюры из Beatus Escorial, около 950-955, библиотека Эскориала, Испания. Первородный грех. Адам и Ева. El Escorial, Real Biblioteca de San Lorenzo, Ms II. 5, f 18 http://commons.wikimedia.org/wiki/File:B_Escorial_18.jpg По клику - 1,282 1,922 pixels или зайдите…
Maker: Master of François de Rohan (French, Paris, active ca. 1525–1546). Date: 1539–40. Culture: French, Paris or Tours. Medium: Illuminated manuscrip...
Leaf from a Beatus Manuscript: Angels Restrain the Four Winds; the Angel Ascends from the Rising Sun Spanish Date: ca. 1180 The Metropolitan Museum of Art
This historiated initial is illuminated by the Masters of Zweder van Culemborg.
My approach in this paper will be to look at Bouvet’s view on the nature of warfare under these broad guidelines, and to treat them as a part of the greater tradition of medieval thought that was fed simulatenously by both pagan and Christian writings.
The Whore of Babylon illuminated commentary on the Apocalypse by an abbot from Liébana called Beatus ca. 975 AD
from the Walters Art Museum, in Baltimore, Maryland.
from the Walters Art Museum, in Baltimore, Maryland.
It’s Xmas time! Christmas songs and carols everywhere! In this newest instalment of The Adventures of Medieval Killer Bunny we are going to look at what the medieval bunnies are planning for…
from the Walters Art Museum, in Baltimore, Maryland.
Reproductions of Medieval and Renaissance Illuminated Manuscripts Initial P in the Adoration of the Christ Child, 1567 Fra Vincintius a Fundis, Italian Full Size Reproduction: Image: 16.25 x 10.65 inches Fine Art Reproduction This reproduction is a new, individually printed and proofed, superior quality, giclee* process, fine art print using archival pigment inks to ensure permanence. It is printed on 100% cotton rag acid-free, heavyweight fine art paper with a luxurious textured watercolor paper finish and archival pigment inks to ensure permanence. Created for collectors, this reproduction IS NOT A POSTER on low quality, inexpensive paper. Unique to the Middle Ages and early Renaissance, illuminated manuscripts were handcopied books on parchment, vellum or paper. Supplemented by decorated initials, elaborate borders and miniature illustrations in shining gold and colorful brilliant paints they were reserved for special books like prayer books and altar Bibles. Original Medium: Tempera, gold and ink on parchment. Reproduction - Colored inks on Fine Art Paper. Image Size: full - image: 16.25 x 10.65 inches printed on larger 19 x 13 inch paper to allow ample borders for matting and framing Prints ship in a heavy protective cardboard tube. **the giclee process produces a high quality, fine art reproduction from a high-resolution digital file of an image. The file is then printed with a high-resolution photo generation printer on a fine art paper. Most artists and working photographers today use the giclee process to produce reproductions of their original artwork and photographs. As with any original art or fine art reproduction, it is recommended that prints are framed and displayed under glass to prevent color fade or shift over the years.
Оригинал взят у kardiologn в Миниатюры Hercules and Hesione, Raoul Lefvre, Histoires de Troyes, 15 century Franais : 2 octobre 1369 - Remise de lpe de conntable Bertrand du Guesclin (enluminure du XVe sicle) Bibliothque nationale…
from the Walters Art Museum, in Baltimore, Maryland.
from the Walters Art Museum, in Baltimore, Maryland.
This folio from Walters manuscript W.634 is the right side of a double-page illuminated frontispiece in the Safavid style. It precedes the preface (dibachah) of the Divan.
This miniature is illuminated by the Masters of Zweder van Culemborg.
Reproductions of Medieval and Renaissance Illuminated Manuscript Missal, c. 1404 Master of the Brussels Initials, Italian Full Size Reproduction: Image: 15 x 10.75 inches Fine Art Reproduction This reproduction is a new, individually printed and proofed, superior quality, giclee* process, fine art print using archival pigment inks to ensure permanence. It is printed on 100% cotton rag acid-free, heavyweight fine art paper with a luxurious textured watercolor paper finish and archival pigment inks to ensure permanence. Created for collectors, this reproduction IS NOT A POSTER on low quality, inexpensive paper. Unique to the Middle Ages and early Renaissance, illuminated manuscripts were handcopied books on parchment, vellum or paper. Supplemented by decorated initials, elaborate borders and miniature illustrations in shining gold and colorful brilliant paints they were reserved for special books like prayer books and altar Bibles. Original Medium: Tempera, gold and ink on parchment. Reproduction - Colored inks on Fine Art Paper. Image Size: full - image: 15 x 10.75 inches printed on larger 18 x 13 inch paper to allow ample borders for matting and framing Prints ship in a heavy protective cardboard tube. **the giclee process produces a high quality, fine art reproduction from a high-resolution digital file of an image. The file is then printed with a high-resolution photo generation printer on a fine art paper. Most artists and working photographers today use the giclee process to produce reproductions of their original artwork and photographs. As with any original art or fine art reproduction, it is recommended that prints are framed and displayed under glass to prevent color fade or shift over the years.
Medieval and Renaissance Illuminated Manuscripts The Last Supper in the Initial S, c. 1480 Full Size Reproduction Fine Art Reproduction Unique to the Middle Ages and early Renaissance, illuminated manuscripts were handcopied books on parchment, vellum or paper. Supplemented by decorated initials, elaborate borders and miniature illustrations in shining gold and colorful brilliant paints they were reserved for special books like prayer books and altar Bibles. This choir book page depicts the Last Supper in the popular Florentine rendition of Christ and his disciples sitting around a table as Judas in the foreground eats a piece of bread. Many pages found in these choir books are beautiful works of religious art in their own right. They reflect the height of medieval painting in miniature on the eve of the Italian Renaissance. Original Medium: Tempera, gold and ink on parchment. Reproduction - Colored inks on Fine Art Paper. Image Size - full: 15 x 10.5 inches printed on larger 18 x 13 inch paper to allow ample borders for matting and framing PayPal only please. Prints ship in a heavy protective cardboard tube. **the giclee process produces a high quality, fine art reproduction from a high-resolution digital file of an image. The file is then printed with a high-resolution photo generation printer on a fine art paper. Most artists and working photographers today use the giclee process to produce reproductions of their original artwork and photographs. As with any original art or fine art reproduction, it is recommended that prints are framed and displayed under glass to prevent color fade or shift over the years.
Initial from a Choirbook; Italian; 15th century. A duplicate number MS.1587 was assigned to this object in error and was subsequently cancelled.
from the Walters Art Museum, in Baltimore, Maryland.
Hello Everyone, my name is Sue Higginson, and I am a calligrapher from the UK. I'm going to be talking you through the process of creating a beautiful illuminated letter from scratch using real gold. These letters are such fun to make, and the techniques of painting and gilding can…
The Courtauld’s ‘Botticelli and Treasures from the Hamilton Collection’ proves few things are more tantalising than a beautiful manuscript under glass
