From Getty’s Premium Collection. Catherine Wilke joins the topless sunbathers at the Hotel Punta Tragara on the island of Capri, Italy, 1980. (Photo by Slim Aarons/Getty Images) Open Edition Print - An embossed Getty Images Archive stamp is applied to the lower right margin. Accompanied by a Certificate of Authenticity from Getty. Limited Edition Print - Limited to an edition run of only 150, these are hand numbered in the lower left margin and embossed with a Slim Aarons Signature Stamp in the lower right margin. Accompanied by a Certificate of Authenticity from Getty. All chromogenic photographic prints are scanned from the original negatives and printed on Fujicolor Crystal archival paper. Please allow approximately 3 weeks for delivery as these are printed to order. The Darkroom Society offers premium quality photographic prints from the Slim Aarons Archive, owned and housed by Getty Images. All photographs are printed and authorized by the Getty Images Gallery, London. Framing options are available. Please contact us directly for details.
48 unnumbered pages including color frontispiece : 32 cm
2021 Skull Collection Number 1. Ten different skull images taken from old anatomy texts. Practically a skull for every occasion, certainly one for every day of the week and more. These images are taken from old anatomy texts ranging from the 1600's-1900's. The images are scanned either by us or by an archive sight. We clean them up digitally and present them to you! The cards are printed on warm white 80 lb. cover stock and come in three sizes- 3.5" x 4.5" when folded, 4.5" x 5.5" when folded, and 5" x &" when folded. You can ad a custom message, use one of ours, or leave them blank. Now available in Postcards printed on 4" x 6" 100 lb. warm white cover stock. Postcards do not come with envelopes. They make great invites.
Identifier: miscellaneousmoo00vedd Title: Miscellaneous moods in verse : one hundred and one poems with illustrations. -- Year: 1914 (1910s) Authors: Vedder, Elihu, 1836-1923 Subjects: Publisher: Boston : P. E. Sargent Contributing Library: Scott - York University Libraries Digitizing Sponsor: Ontario Council of University Libraries and Member Libraries View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: ll his sunny day. And then that short-lived day was through, And now he rests,—his folded hands Holding a faded flower or two. XXIV. The Comic Infection When the comical microbe Once tickles your brain, You must write it all out Or youll go quite insane ; For your brain is like wheat With a great deal of chaff, So the great complications Turn off with a laugh; For the great complications Remain complicated, And solutions, if any. Arrive much belated. You will find these grave matters Are just as Ive stated. XXV. In Lucca In the lovely town of LuccaOne sunny afternoon,I stood sketching this old symbol,Trusting I would finish soon.But its many circlings endlessTired my eye and tired my brain,So I did no longer linger,Hoping to return again. But like many things projected,(Leaving as I did next day),The sketch unfinished and the puzzleStill unsolved I bore away. Solved is now that mazy puzzle.But not solved is that of Fate.Can we ever living solve it?After,—is it then too late? XXVI. Text Appearing After Image: )^V tcllavTtiU U seems 1*q be CI^Z--- VQ/- w^Vtl- tflc S
"Flayed Human Head (Table 12)," by Govard Bidloo and Gerard de Laireese (1685) DIMENSIONS • 9" x 12" (Image: 6.5" x 10.5") • 12" x 16" (Image: 8.69" x 14") • 16" x 20" (Image: 10.5" x 17") • 20" x 30" (Image: 16" x 25.88") • 24" x 36" (Image: 19" x 30.75") Archival Inkjet on Fine Art Paper Smooth Surface - Matte Finish - Inset Borders ABOUT THE ARTWORK ----------------------------- "Anatomia humani corporis" was a landmark anatomical atlas published in 1685 by the Dutch anatomist Govard Bidloo. Among its innovations were microscopic descriptions of human hair and skin, including the papillary ridges on the fingertips, which became the basis for modern forensic fingerprinting. It is widely recognized for the artistic sophistication of its 107 plates, designed by Gerard de Lairesse. According to Christie's, Lairesse's designs represented "a total departure from the idealistic tradition inaugurated by Vesalian woodcuts." He "displayed his figures with everyday realism and sensuality, contrasting the raw dissected parts of the body with the full, soft surfaces of undissected flesh surrounding them; placing flayed, bound figures in ordinary nightclothes or bedding; setting objects such as a book, a jar, a crawling fly in the same space as a dissected limb or torso. He thus brought the qualities of Dutch still-life painting into anatomical illustration, and gave a new, darker expression to the significance of dissection." The large and expensive atlas having not achieved great commercial success, Bidloo's publisher sold 300 copies—or perhaps the original plates themselves—to the English anatomist William Cowper, who plagiarized them for his own work, "The anatomy of humane bodies" (1698). A vitriolic public exchange ensued, with numerous pamphlets published in each anatomist's defense. ART-CENTRIC DESIGN ----------------------------- Vintage art is not standardized. The original works are usually too long, or too short, to neatly fill a store-bought frame. Most shops arbitrarily crop the artwork to match, leading to claustrophobic prints with missing or partial elements. These modifications — sometimes trivial, sometimes ludicrous — are not always shown in the product photos. We believe that the purpose of art is not to fill a frame; it is the purpose of a frame to showcase the art. Our prints have inset borders that make up any differences in proportion between the artwork and a standard frame, so that you can experience the art as the artist intended. They look sharp in beveled mats, may be float mounted, or inserted directly into standard frames; the borders providing a mat-like accent around the image. There are many styles from which to choose. Framing is a fun, creative process that enhances the artwork and livens your space for years to come. Should you like any advice, feel free to reach out. CUSTOMIZATION AND IMAGE REQUESTS ----------------------------- We are happy to customize our prints to fit your frame. Borderless prints may require the artwork to be cropped to fit a new aspect ratio. In such cases, we will provide a mockup to ensure that the final product meets with your approval. If you’re looking for an artwork that is not in our catalog, feel free to ask if we can provide it. We will print any public domain or openly licensed image that is available in high resolution. MUSEUM QUALITY ----------------------------- Giclée process prints are the gold standard in fine art reproduction. We use a matte finish, cotton fiber paper to maximize detail while eliminating glare. Our prints display a wide color gamut, deep blacks and beautiful tonal transitions. Produced using only archival materials, they will not fade or yellow, but maintain their original quality for as long as you own them. HANDMADE DECLARATION ----------------------------- To assure artistic quality, all of our production and design is strictly in-house. Every print has been proofed, calibrated and inspected for defects. We do not drop ship, resell or make use of third-party production partners. SHIPPING AND PACKAGING ----------------------------- All orders ship within one business day via USPS First Class, Priority Mail or Priority Mail Express. Sizes 9” x 12” and 12” x 16” ship in a flat configuration, unless combined with larger prints, which require tubes. We will replace any lost or damaged items at no expense to you. HAPPINESS GUARANTEE ----------------------------- We will promptly address any issues that may arise with your order. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.
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Title: A conchological manual Identifier: conchologicalman1839sowe Year: 1839 (1830s) Authors: Sowerby, G. B. (George Brettingham), 1812-1884 Subjects: Mollusks Publisher: London : G. B. Sowerby Contributing Library: Harvard University, Museum of Comparative Zoology, Ernst Mayr Library Digitizing Sponsor: Harvard University, Museum of Comparative Zoology, Ernst Mayr Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: cy'/0.-577 S?S 3SI.i^j3-9y. :3S3 c/(. ///£ ne^vC Text Appearing After Image: Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Byte Magazine Volume 12 Issue 02: Image Processing
See powerful images of the conflict from the archives of the news agency
2021 Skull Collection Number 1. Ten different skull images taken from old anatomy texts. Practically a skull for every occasion, certainly one for every day of the week and more. These images are taken from old anatomy texts ranging from the 1600's-1900's. The images are scanned either by us or by an archive sight. We clean them up digitally and present them to you! The cards are printed on warm white 80 lb. cover stock and come in three sizes- 3.5" x 4.5" when folded, 4.5" x 5.5" when folded, and 5" x &" when folded. You can ad a custom message, use one of ours, or leave them blank. Now available in Postcards printed on 4" x 6" 100 lb. warm white cover stock. Postcards do not come with envelopes. They make great invites.
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Title: A conchological manual Identifier: conchologicalman1839sowe Year: 1839 (1830s) Authors: Sowerby, G. B. (George Brettingham), 1812-1884 Subjects: Mollusks Publisher: London : G. B. Sowerby Contributing Library: Harvard University, Museum of Comparative Zoology, Ernst Mayr Library Digitizing Sponsor: Harvard University, Museum of Comparative Zoology, Ernst Mayr Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: -//xf. s/s a? S4S Text Appearing After Image: Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
"Title Print with a Skull and an Hourglass," by Hendrick Hondius (1626) DIMENSIONS • 9" x 12" (Image: 6.75" x 10.5") • 12" x 16" (Image: 9" x 14") • 16" x 20" (Image: 11" x 17") • 20" x 30" (Image: 16" x 24.75") • 24" x 36" (Image: 19" x 29.5") Archival Inkjet on Fine Art Paper Smooth Surface - Matte Finish - Inset Borders ART-CENTRIC DESIGN ----------------------------- Vintage art is not standardized. The original works are usually too long, or too short, to neatly fill a store-bought frame. Most shops arbitrarily crop the artwork to match, leading to claustrophobic prints with missing or partial elements. These modifications — sometimes trivial, sometimes ludicrous — are not always shown in the product photos. We believe that the purpose of art is not to fill a frame; it is the purpose of a frame to showcase the art. Our prints have inset borders that make up any differences in proportion between the artwork and a standard frame, so that you can experience the art as the artist intended. They look sharp in beveled mats, may be float mounted, or inserted directly into standard frames; the borders providing a mat-like accent around the image. There are many styles from which to choose. Framing is a fun, creative process that enhances the artwork and livens your space for years to come. Should you like any advice, feel free to reach out. CUSTOMIZATION AND IMAGE REQUESTS ----------------------------- We are happy to customize our prints to fit your frame. Borderless prints may require the artwork to be cropped to fit a new aspect ratio. In such cases, we will provide a mockup to ensure that the final product meets with your approval. If you’re looking for an artwork that is not in our catalog, feel free to ask if we can provide it. We will print any public domain or openly licensed image that is available in high resolution. MUSEUM QUALITY ----------------------------- Giclée process prints are the gold standard in fine art reproduction. We use a matte finish, cotton fiber paper to maximize detail while eliminating glare. Our prints display a wide color gamut, deep blacks and beautiful tonal transitions. Produced using only archival materials, they will not fade or yellow, but maintain their original quality for as long as you own them. HANDMADE DECLARATION ----------------------------- To assure artistic quality, all of our production and design is strictly in-house. Every print has been proofed, calibrated and inspected for defects. We do not drop ship, resell or make use of third-party production partners. SHIPPING AND PACKAGING ----------------------------- All orders ship within one business day via USPS First Class, Priority Mail or Priority Mail Express. Sizes 9” x 12” and 12” x 16” ship in a flat configuration, unless combined with larger prints, which require tubes. We will replace any lost or damaged items at no expense to you. HAPPINESS GUARANTEE ----------------------------- We will promptly address any issues that may arise with your order. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.
Identifier: opencourt19_590caru Title: The Open court Year: 1887 (1880s) Authors: Carus, Paul, 1852-1919 Open Court Publishing company, Chicago Subjects: Religion Religion and science Publisher: Chicago : The Open Court Pub. Co. Contributing Library: Morris Library, Southern Illinois University Carbondale Digitizing Sponsor: CARLI: Consortium of Academic and Research Libraries in Illinois View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: creen panel, bearinga double headed eagle—the Austrian coat of arms—surmounting alarge cabinet of costumes occupying so much space on the stage.The programme does not explain that this screen panel is transpar-ent from behind and that an accomplice with a strong magnifyinglens reads every move made by Svengali and repeats his signals tothe pretty girl at the piano and the impersonator at the cabinet. the systems explained. Here is an illustration of how the figure system can be worked.As explained above, the famous personages, popular songs and THE SECRETS OF SECOND SIGHT. 405 operas are on numbered lists. Svengali in the aisle, with his codeof signals, has all these numbers committed to memory. When a spectator whispers Dickens Svengali knows it is No. 4, and he signals accordingly. But how? By touching his head, chin, or breast, or that particular partof his body designated in the signal code of the Svengali Company.The diagram given herewith illustrates the svstem of communica- Text Appearing After Image: \-T/ tion by numbers, nine figures and a cipher (o), by which all thewealth of the world may be measured, and any number of wordsmay be communicated without a word of speech. One has but tomap out a square on his face, breast or body, and number it withthese nine figures, with an extra space for the cipher, to be readyfor the Svengali business. That is, when he has memorized thenames and the numbers representing them. Say the human head is used for this purpose. Imagine thetop of the head, right hand side, as No. i. the right ear as No. 2.the jaw as No. 3, and the neck as the cipher; the forehead No. 4, thenose No. 5, the chin No. 6, the top of the head on the left side asNo. 7, the left ear No. 8, and the left side of the jaw No. 9. Thus you have the code system by which operators can com-municate volumes by using a codified list of numbered words or sen-tences. If you label the Lords Prayer No. 4, and the Declaration ofIndependence No. 5, you may instantly telegraph the mighty liter Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Art and criticism : monographs and studies" (1892) (via Internet Archive Book Images)
"Flayed Human Head (Table 12)," by Govard Bidloo and Gerard de Laireese (1685) DIMENSIONS • 9" x 12" (Image: 6.5" x 10.5") • 12" x 16" (Image: 8.69" x 14") • 16" x 20" (Image: 10.5" x 17") • 20" x 30" (Image: 16" x 25.88") • 24" x 36" (Image: 19" x 30.75") Archival Inkjet on Fine Art Paper Smooth Surface - Matte Finish - Inset Borders ABOUT THE ARTWORK ----------------------------- "Anatomia humani corporis" was a landmark anatomical atlas published in 1685 by the Dutch anatomist Govard Bidloo. Among its innovations were microscopic descriptions of human hair and skin, including the papillary ridges on the fingertips, which became the basis for modern forensic fingerprinting. It is widely recognized for the artistic sophistication of its 107 plates, designed by Gerard de Lairesse. According to Christie's, Lairesse's designs represented "a total departure from the idealistic tradition inaugurated by Vesalian woodcuts." He "displayed his figures with everyday realism and sensuality, contrasting the raw dissected parts of the body with the full, soft surfaces of undissected flesh surrounding them; placing flayed, bound figures in ordinary nightclothes or bedding; setting objects such as a book, a jar, a crawling fly in the same space as a dissected limb or torso. He thus brought the qualities of Dutch still-life painting into anatomical illustration, and gave a new, darker expression to the significance of dissection." The large and expensive atlas having not achieved great commercial success, Bidloo's publisher sold 300 copies—or perhaps the original plates themselves—to the English anatomist William Cowper, who plagiarized them for his own work, "The anatomy of humane bodies" (1698). A vitriolic public exchange ensued, with numerous pamphlets published in each anatomist's defense. ART-CENTRIC DESIGN ----------------------------- Vintage art is not standardized. The original works are usually too long, or too short, to neatly fill a store-bought frame. Most shops arbitrarily crop the artwork to match, leading to claustrophobic prints with missing or partial elements. These modifications — sometimes trivial, sometimes ludicrous — are not always shown in the product photos. We believe that the purpose of art is not to fill a frame; it is the purpose of a frame to showcase the art. Our prints have inset borders that make up any differences in proportion between the artwork and a standard frame, so that you can experience the art as the artist intended. They look sharp in beveled mats, may be float mounted, or inserted directly into standard frames; the borders providing a mat-like accent around the image. There are many styles from which to choose. Framing is a fun, creative process that enhances the artwork and livens your space for years to come. Should you like any advice, feel free to reach out. CUSTOMIZATION AND IMAGE REQUESTS ----------------------------- We are happy to customize our prints to fit your frame. Borderless prints may require the artwork to be cropped to fit a new aspect ratio. In such cases, we will provide a mockup to ensure that the final product meets with your approval. If you’re looking for an artwork that is not in our catalog, feel free to ask if we can provide it. We will print any public domain or openly licensed image that is available in high resolution. MUSEUM QUALITY ----------------------------- Giclée process prints are the gold standard in fine art reproduction. We use a matte finish, cotton fiber paper to maximize detail while eliminating glare. Our prints display a wide color gamut, deep blacks and beautiful tonal transitions. Produced using only archival materials, they will not fade or yellow, but maintain their original quality for as long as you own them. HANDMADE DECLARATION ----------------------------- To assure artistic quality, all of our production and design is strictly in-house. Every print has been proofed, calibrated and inspected for defects. We do not drop ship, resell or make use of third-party production partners. SHIPPING AND PACKAGING ----------------------------- All orders ship within one business day via USPS First Class, Priority Mail or Priority Mail Express. Sizes 9” x 12” and 12” x 16” ship in a flat configuration, unless combined with larger prints, which require tubes. We will replace any lost or damaged items at no expense to you. HAPPINESS GUARANTEE ----------------------------- We will promptly address any issues that may arise with your order. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.
Identifier: storyofsunmoonst00gibe Title: The story of the sun, moon, and stars Year: 1898 (1890s) Authors: Giberne, Agnes, 1845- [from old catalog] Subjects: Astronomy Publisher: Cincinnati, National book company Contributing Library: The Library of Congress Digitizing Sponsor: The Library of Congress View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: s place with marvelousquickness. A deadly chill creeps over all around. Awhole fortnight of earth-time must pass before thesuns rays will again touch this spot. Verily the con-trasts of climate in the moon, during the twelve longdays and nights which make up her year, are startlingto human notions. But though the sun is gone we are not in darkness.The stars shine with dazzling brightness, and the hugebody of the earth, always seeming to hang motionlessat one fixed point in the sky, gives brilliant light,though at present only half her face is lit up and halfis in shadow. Still her shape is plainly to be seen,for she has ever round her a ring of light, caused bythe gathered shining of stars as they pass behind herthick atmosphere. She covers a space on the skymore than a dozen times as large as that covered bythe full moon in our sky. It would be worth while to stay here and watch thehalf-earth grow into magnificent full-earth. But thecold is becoming fearful—too intense for even the Text Appearing After Image: THE EARTH AS SEEN FROM THE MOON, 7i 72 STORY OF THE SUN, MOON, AND STARS. imagination to endure longer. What must be the stateof things on the other side of the moon, where thereis no bright earth-light to take the place of the sunsshining, during the long two weeks night of awfulchill and darkness? It seems probable that a building on the moonwould remain for century after century just as it wasleft by the builders. There need be no glass in thewindows, for there is no wind and no rain to keepout. There need not be fireplaces in the rooms, forfuel can not burn without air. Dwellers in a city inthe moon would find that no dust can rise, no odorsbe perceived, no sounds be heard. Man is a creatureadapted for life in circumstances which are very nar-rowly limited. A few degrees of temperature, moreor less; a slight variation in the composition of air,the precise suitability of food, make all the differencebetween health and sickness, between life and death.Looking beyond the moon, into t Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
A small print for a small space... Size: 9.5x13 Image size: varied. The image floats comfortably with typeset title underneath, a 7pt. rule and then Will's signature under title. Printed on archival watercolor paper with archival inks. Typeset titled and hand-signed by Will Bullas Sorry, no framing available.
Explore GLORY. The largest archive of german WWII images' 3604 photos on Flickr!
Joshua L Jones, USF School of Architecture, Class of 2011 Class: “A House for Two Orphans” - Spring 2011, Dr. Levant Kara Architectural drawing of Eisenstein's The Return.
Title: Anthropogenie; oder, Entwickelungsgeschichte des menschen, Keimes- und stammesgeschichte Identifier: anthropogenieode00haec Year: 1877 (1870s) Authors: Haeckel, Ernst Heinrich Philipp August, 1834-1919 Subjects: Publisher: Leipzig, W. Engelmann Contributing Library: MBLWHOI Library Digitizing Sponsor: MBLWHOI Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: Länyenschnittt Taf.V. Text Appearing After Image: , Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Russian artist Philipp Igumnov revives the vintage sci-fi aesthetic of photo collaging highly popular from the 50's to the 80's by sourcing old images off of the archives.
Aerial view of mid-town Manhattan, New York, looking downtown, towards the Rockefeller Centre and Empire State Building.
Buy 3 Get 20% Off Old Astronomy Illustration. SIA6 This vintage style print features an illustration of the Orbits of Venus and Mercury around Earth. Originally from an educational school book this is a great gift for an astronomy lover. DETAILS • Printed on a smooth enriched archival paper with a matte finish. • Printed to order using archival pigmented inks on acid free materials. PRINT SIZE + CUSTOMIZATION • If you require a size not listed please don't hesitate to ask. • Our goal is to provide you with a beautiful full-scale image printed to the size you desire. For each order the original image is adjusted to fit the size you have requested exactly. ABOUT THE ARTWORK •This print is a reprint of a vintage artwork, while we retouch each image; some blemishes, age marks and other imperfections are left intact to preserve the originality of the piece. •Colors may slightly vary depending on the settings of your computer monitor. Shipping •Large prints ship rolled in a durable photo tube. •Small (8x10) prints ship flat in a sturdy cardboard mailer. •Everything within the USA is shipped via USPS mail with tracking. •Everything outside the USA is shipped via USPS 1st Class International Mail.
"Ophelia," by Paul Steck (19th century) DIMENSIONS • 9" x 12" (Image: 6.19" x 10.5") • 12" x 16" (Image: 8.25" x 14") • 16" x 20" (Image: 10" x 17") • 20" x 30" (Image: 15.13" x 26") • 24" x 36" (Image: 18.25" x 31") Archival Inkjet on Fine Art Paper Smooth Surface - Matte Finish - Inset Borders ART-CENTRIC DESIGN ----------------------------- Vintage art is not standardized. The original works are usually too long, or too short, to neatly fill a store-bought frame. Most shops arbitrarily crop the artwork to match, leading to claustrophobic prints with missing or partial elements. These modifications — sometimes trivial, sometimes ludicrous — are not always shown in the product photos. We believe that the purpose of art is not to fill a frame; it is the purpose of a frame to showcase the art. Our prints have inset borders that make up any differences in proportion between the artwork and a standard frame, so that you can experience the art as the artist intended. They look sharp in beveled mats, may be float mounted, or inserted directly into standard frames; the borders providing a mat-like accent around the image. There are many styles from which to choose. Framing is a fun, creative process that enhances the artwork and livens your space for years to come. Should you like any advice, feel free to reach out. CUSTOMIZATION AND IMAGE REQUESTS ----------------------------- We are happy to customize our prints to fit your frame. Borderless prints may require the artwork to be cropped to fit a new aspect ratio. In such cases, we will provide a mockup to ensure that the final product meets with your approval. If you’re looking for an artwork that is not in our catalog, feel free to ask if we can provide it. We will print any public domain or openly licensed image that is available in high resolution. MUSEUM QUALITY ----------------------------- Giclée process prints are the gold standard in fine art reproduction. We use a matte finish, cotton fiber paper to maximize detail while eliminating glare. Our prints display a wide color gamut, deep blacks and beautiful tonal transitions. Produced using only archival materials, they will not fade or yellow, but maintain their original quality for as long as you own them. HANDMADE DECLARATION ----------------------------- To assure artistic quality, all of our production and design is strictly in-house. Every print has been proofed, calibrated and inspected for defects. We do not drop ship, resell or make use of third-party production partners. SHIPPING AND PACKAGING ----------------------------- All orders ship within one business day via USPS First Class, Priority Mail or Priority Mail Express. Sizes 9” x 12” and 12” x 16” ship in a flat configuration, unless combined with larger prints, which require tubes. We will replace any lost or damaged items at no expense to you. HAPPINESS GUARANTEE ----------------------------- We will promptly address any issues that may arise with your order. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.
Plum Blossoms in Snow (Setchû ume) (1936) by Takahashi Shotei Hiroaki (1871-1945), FINE ART PRINT, high quality reproduction of the vintage antique japanese woodblock print. Pink plum blossoms peek out from the snow covered branches. All fine art prints produced on large wide-format printer, using archival pigment inks, providing the vibrant colors and ultimate image quality. Materials: acid free heavyweight fine art paper, archival pigment inks. Please select the print size before adding item to cart. The art print is sold unframed. !!!!!! Shipping of any additional prints and originals in the same order at no extra charge !!!!!! More People & Scenes paintings and woodblock prints: https://www.etsy.com/shop/ArtPink?ref=seller-platform-mcnav§ion_id=15700271 ARTPINK homepage: https://www.etsy.com/shop/ArtPink
See a spectacular collection of Butterfly & Bug Ephemera Book Pages Printables! Moths, Butterflies, Beetles, Bees, Caterpillars, Hornet, etc.
All of our fine art prints are produced with acid-free archival papers or heavyweight Exhibition Gallery Canvas (stretched or unstretched) with archival inks to guarantee that our prints last a lifetime without fading or loss of color. Our Decal prints are backed with a repositionable adhesive that removes cleanly and easily with no residue. CUSTOMIZATION Please feel free to contact us for custom print sizes. We are able to print just about any size. SHIPPING AND INTERNATIONAL ORDERS All prints are shipped USPS in a flat envelope or sturdy tube, depending on the size of the print. Allow a minimum of two to several weeks for delivery and customs processing for international orders. Please note: Color of the image can vary slightly from one computer monitor to another due to monitor color restrictions. Mount/matte and frame are for demonstration purposes only and are not included. For postal issues (damage or otherwise) please send us an email and we will be happy to work out a solution for you. All of our prints are made and shipped from our studio in North Carolina. If you have any questions, please do not hesitate to contact us. RETURNS • If you are not happy with the print you receive, let us know within 7 days for a refund. We want you to be happy with your purchase and will work with you to make sure you get the print you want. • All special order prints and custom frame orders are final and may not be returned. Let us know within 7 days if your order arrives damaged and we will exchange the order. • The most efficient way to contact us concerning your order is with the contact form available on the site. Please leave a message with your e-mail address and the details of your order. We will get back to you within an hour or so. Thank you for shopping at Fine Art USA!
Heart anatomy, 19th Century illustration Item # 1410936 Heart anatomy, 19th Century illustration. Historical hand coloured lithographic print showing the internal anatomy of the human heart. The heart is composed of four chambers. Two upper chambers, the atria, and two lower chambers, the ventricles. The left and right side of the heart are separated by the septum. Between each atrium and ventricle and between the chambers and the major blood vessels are valves (centre) that prevent the backflow of blood. Image from 'Traite complet de l'anatomie de l'homme, comprenant la medecine operatoire' Vol. 4 (1836), by Jean-Baptiste Marc Bourgery and illustrated by Nicolas-Henri Jacob. Elevate any room with our handcrafted stretched canvas gallery wraps. Printed with archival inks and wrapped around a 1.25” inch solid wood stretcher bar, our giclée big canvas art prints are a timeless option for any décor style or space. Long-Lasting Color and Detail Our giclée canvas art prints are produced with high quality, UV-resistant, environmentally-friendly, latex inks and artist grade, polycotton canvas. We pride ourselves on color accuracy and image clarity to ensure your new canvas wall art lasts for years to come. Handcrafted Gallery Wraps Assembled in the USA, each of our 1.25” inch gallery wrapped canvas art prints is stretched and stapled by our highly skilled craftspeople. Each canvas print is carefully handcrafted to ensure taut canvas wraps and clean corners for outstanding quality and durability. Easy to Install Our handcrafted stretched canvas prints include sawtooth hangers for an easy and secure installation. History Science Human Anatomy Cardiovascular System Illustrations
Woman after bath (1920), FINE ART PRINT, high quality digitally restored reproduction of the antique japanese woodblock print, beautiful masterpiece by Goyō Hashiguchi (1880 - 1921). All fine art prints produced on large wide-format printer, using archival pigment inks, providing the vibrant colors and ultimate image quality. Materials: acid free heavyweight fine art paper, archival pigment inks. Please select the print size before adding item to cart. !!!!!! Shipping of any additional prints and originals in the same order at NO EXTRA CHARGE !!!!!! This art print is sold unframed. Geishas and Beauties Art section: https://www.etsy.com/shop/ArtPink?section_id=16052442&ref=shopsection_leftnav_3
The hilarious images from a 1911 book are part of a landmark archive of 12million pictures uploaded to the internet by Kalev Leetaru from Georgetown University, Washington D.C.
Buy 3 Get 20% Off Fossil Poster, Paleontology Chart Featuring Many Species Of Fossils. Circa 1800s AM51 DETAILS • Available in 5 color options: Vintage, Classic, Timeless, Midnight Blue and Charcoal. • Printed on a smooth enriched archival paper with a matte finish. • Printed to order using archival pigmented inks on acid free materials. PRINT SIZE + CUSTOMIZATION • If you require a size not listed please don't hesitate to ask. • Our goal is to provide you with a beautiful full-scale image printed to the size you desire. For each order the original image is adjusted to fit the size you have requested exactly. ABOUT THE ARTWORK •This print is a reprint of a vintage artwork, while we retouch each image; some blemishes, age marks and other imperfections are left intact to preserve the originality of the piece. •Colors may slightly vary depending on the settings of your computer monitor. Shipping •Large prints ship rolled in a durable photo tube. •Small (8x10) prints ship flat in a sturdy cardboard mailer. •Everything within the USA is shipped via USPS mail with tracking. •Everything outside the USA is shipped via USPS 1st Class International Mail.
Art.com | We Are Art We exist so you can have the art you love. Art.com gives you easy access to incredible art images and top-notch craftsmanship. High-Quality Framed Art Prints Our high-end framed wall art is printed on premium paper using non-toxic, archival inks that protect against UV light to resist fading. Experience unmatched quality and style as you choose from a wide range of designs to enhance your room décor. Professionally Crafted Framed Wall Art Attention to detail is at the heart of our process, as we exclusively use 100% solid wood frames that include 4-ply white core matboard and durable, frame-grade clear acrylic for clarity, long-lasting protection of the artwork and unrivaled quality. With a thoughtfully selected frame and mat combination, this piece is designed to complement your art and create a visually appealing display. Easy-to-Hang & Ready-to-Display Artwork Each framed art piece comes with hanging hardware affixed to the back of the frame, allowing for easy and convenient installation. Ready to display right out of the box. Handcrafted in the USA. The Print This photographic print leverages sophisticated digital technology to capture a level of detail that is absolutely stunning. The colors are vivid and pure. The high-quality archival paper, a favorite choice among professional photographers, has a refined luster quality. Paper Type: Photographic Print Finished Size: 8" x 12" Arrives by Sat, Apr 27 Product ID: 53615789665A
What vintage nurse uniforms have to do with Darwin’s studies of animal emotions and Chinese war propaganda.
Supervision Item # 1985158 Rob Dobi Rob Dobi's conceptual, intensely simple yet intriguing art is truly one-of-a-kind. His refreshingly creative and boldly colored designs are often a play on words and certainly make his fans stop and think. His style is so unique that he has been commissioned by several world famous bands for album and merchandise designs. Elevate any room with our handcrafted stretched canvas gallery wraps. Printed with archival inks and wrapped around a 1.25” inch solid wood stretcher bar, our giclée big canvas art prints are a timeless option for any décor style or space. Long-Lasting Color and Detail Our giclée canvas art prints are produced with high quality, UV-resistant, environmentally-friendly, latex inks and artist grade, polycotton canvas. We pride ourselves on color accuracy and image clarity to ensure your new canvas wall art lasts for years to come. Handcrafted Gallery Wraps Assembled in the USA, each of our 1.25” inch gallery wrapped canvas art prints is stretched and stapled by our highly skilled craftspeople. Each canvas print is carefully handcrafted to ensure taut canvas wraps and clean corners for outstanding quality and durability. Easy to Install Our handcrafted stretched canvas prints include sawtooth hangers for an easy and secure installation. Conceptual Art Contemporary Art Rob Dobi Illustrations
2 volumes : 39 cm
Title: A conchological manual Identifier: conchologicalma00sowe Year: 1842 (1840s) Authors: Sowerby, G. B. (George Brettingham), 1812-1884 Subjects: Shells Publisher: London : Henry G. Bohn Contributing Library: Smithsonian Libraries Digitizing Sponsor: Biodiversity Heritage Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: Text Appearing After Image: Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Title: A conchological manual Identifier: conchologicalman1839sowe Year: 1839 (1830s) Authors: Sowerby, G. B. (George Brettingham), 1812-1884 Subjects: Mollusks Publisher: London : G. B. Sowerby Contributing Library: Harvard University, Museum of Comparative Zoology, Ernst Mayr Library Digitizing Sponsor: Harvard University, Museum of Comparative Zoology, Ernst Mayr Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: 6a.-/07Xo V2o. /^.^ (/y //,, /,y.,/ Text Appearing After Image: Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Title: A conchological manual Identifier: conchologicalman1839sowe Year: 1839 (1830s) Authors: Sowerby, G. B. (George Brettingham), 1812-1884 Subjects: Mollusks Publisher: London : G. B. Sowerby Contributing Library: Harvard University, Museum of Comparative Zoology, Ernst Mayr Library Digitizing Sponsor: Harvard University, Museum of Comparative Zoology, Ernst Mayr Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: ^//7 Si3 39S/
1930 9 x 13.9 cm. Black and white postcard. Unidentified man holding a rifle posed with his bag - a 3 foot grasshopper. Trick photography. Reproductions: Negative available. To obtain high quality and larger reproductions of this image please visit the Galt Museum & Archives website: www.galtmuseum.com/archives.htm and include thIs number in your request: P19730056000
𝗦𝗘𝗘 𝗦𝗜𝗭𝗜𝗡𝗚 𝗘𝗫𝗔𝗠𝗣𝗟𝗘𝗦 𝗢𝗡 𝗗𝗜𝗦𝗣𝗟𝗔𝗬 𝗕𝗘𝗙𝗢𝗥𝗘 𝗣𝗨𝗥𝗖𝗛𝗔𝗦𝗘 *(ᴴʜ)S͟t͟o͟r͟e͟ ͟w͟a͟t͟e͟r͟m͟a͟r͟k͟ ͟l͟o͟g͟o͟s͟ ͟a͟r͟e͟ ͟n͟o͟t͟ ͟o͟n͟ ͟o͟r͟d͟e͟r͟e͟d͟ ͟p͟r͟i͟n͟t͟s. ✧ Produced on archival matte paper with premium ink for brilliant color reproduction and longevity. ✻ Matte paper finish affords much greater detail and clarity compared to canvas made prints. ✻ Please note, prints pictured with margins will be reproduced as they are shown in displays. Margin size may be inconsistent on vintage print reproductions. ✦✦ 𝗦𝗣𝗘𝗖𝗜𝗔𝗟 𝗢𝗙𝗙𝗘𝗥 𝗔𝗩𝗔𝗜𝗟𝗔𝗕𝗟𝗘: Purchase any 4 prints to receive a 5th print free after e-mailing seller a request (must contact seller before purchase to receive offer). Please check spam messages if a reply from us is not seen in your e-mail. ✦✦ ✧ Prints are shipped in a protective cardboard tube. --------------------------------------------------------------------------- This print is a giclée reproduction of a Japanese woodblock print from the 19th century. Acid-free 230gsm (10 mil thick) archival matte paper and pigment inks are used. Variations between actual print color tones and those displayed on various computer monitors may differ. Colors are matched to the printed reproduction against the original art image. The paper dimensions not shown in standard or A3 sizes are approximate measurements. These approximate sizes are hand cut and based on original print dimensions. Most approximate sizes are 1/4 to 1 inch from the dimensions given. Please do not buy a frame until you have received your print as some customization may be necessary to ensure a proper fit. 𝗜𝗳 𝘀𝘁𝗮𝗻𝗱𝗮𝗿𝗱 𝘀𝗶𝘇𝗲𝗱 𝗳𝗿𝗮𝗺𝗲𝘀 𝗮𝗿𝗲 𝗽𝗹𝗮𝗻𝗻𝗲𝗱 𝘁𝗼 𝗯𝗲 𝘂𝘀𝗲𝗱 𝗮𝗻𝗱 𝗲𝘅𝗮𝗰𝘁 𝗳𝗶𝘁𝘁𝗶𝗻𝗴 𝗶𝘀 𝗻𝗲𝗲𝗱𝗲𝗱 𝗳𝗼𝗿 𝗱𝗶𝘀𝗽𝗹𝗮𝘆𝗲𝗱 𝗶𝗺𝗮𝗴𝗲𝘀, 𝗽𝗹𝗲𝗮𝘀𝗲 𝗰𝗼𝗻𝘁𝗮𝗰𝘁 𝘂𝘀 𝘄𝗶𝘁𝗵 𝗮 𝗰𝘂𝘀𝘁𝗼𝗺𝗶𝘇𝗮𝘁𝗶𝗼𝗻 𝗼𝗿 𝗽𝗲𝗿𝘀𝗼𝗻𝗮𝗹𝗶𝘇𝗮𝘁𝗶𝗼𝗻 𝗿𝗲𝗾𝘂𝗲𝘀𝘁. --------------------------------------------------------------------------- 𝗦𝗶𝘇𝗶𝗻𝗴 Please Note: print images are not cropped and will be reproduced in their entirety as shown in the listing displays. 𝗖𝗼𝗻𝘁𝗮𝗰𝘁 𝘂𝘀 𝗶𝗳 𝗮𝗻 𝗲𝘅𝗮𝗰𝘁 𝗳𝗶𝘁𝘁𝗶𝗻𝗴 𝗶𝘀 𝗻𝗲𝗲𝗱𝗲𝗱. S͟t͟a͟n͟d͟a͟r͟d͟ p͟a͟p͟e͟r͟ ͟s͟i͟z͟e͟s: (*all standard paper sizes include varying white margins/borders around the image) - 8.5" x 11" - A3 (11.7" x 16.5") - 11" x 17" - 13" x 19" A͟p͟p͟r͟o͟x͟i͟m͟a͟t͟e͟ ͟p͟r͟i͟n͟t͟ ͟s͟i͟z͟e͟s: - 11" x 16" - 13" x 19" Visit our shin hanga pinterest page to see more prints by this artist and others. 🌟 https://www.pinterest.com/HangaHarbor/ Anything there is available here via contact request, https://www.etsy.com/people/HangaHarbor
