Herzlich Willkommen zurück bei photography by tea-cup-pic, mein heutiger Beitrag dreht sich komplett um Bokeh. Ich war jahrelang von Bokeh begeistert ohne überhaupt zu wissen was es ist oder wie es funktioniert. Bokeh kommt ursprünglich aus dem japanischen und bedeutet verschwommen bzw. unscharf. Damit ist schon klar, dass es sich auf die unscharfen Bereiche in…
lana del rey wallpaper ×^)-♡
Boba story ~ Spooky coffee
Boba story ~ The french fox 🥖
The monkey orchid (Orchis simia)
Tambang Nikel
Exhibition. Dec 23, 2009–Jul 25, 2010. In the 1920s and 1930s, the so-called New Typography movement brought graphics and information design to the forefront of the artistic avant-garde in Central Europe. Rejecting traditional arrangement of type in symmetrical columns, modernist designers organized the printed page or poster as a blank field in which blocks of type and illustration (frequently photomontage) could be arranged in harmonious, strikingly asymmetrical compositions. Taking his lead from currents in Soviet Russia and at the Weimar Bauhaus, the designer Jan Tschichold codified the movement with accessible guidelines in his landmark book Die Neue Typographie (1928). Almost overnight, typographers and printers adapted this way of working for a huge range of printed matter, from business cards and brochures to magazines, books, and advertisements. This installation of posters and numerous small-scale works is drawn from MoMA’s rich collection of Soviet Russian, German, Dutch, and Czechoslovakian graphics. They represent material from Tschichold’s own collection, which supported his teaching and publication from around 1927 to 1937.
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"A diversidade de costumes e crenças; a multiplicidade de raças, que vão dos índios, aos negros e brancos; o encanto das lendas, que são mág...
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