En esta entrada quiero mostraros unos cuantos detalles de la maravillosa arquitectura islámica... Asia Central. Fotos: Iñaki Caperochipi
La pittura islamica Dalle origini alla fine del Trecento di Maria Vittoria Fontana pp. 280, € 20,00 ( Acquista online con i...
Essendo una religione aniconica, che non ammette cioè la rappresentazione figurativa della divinità, l’Islam ha portato ai massimi livelli l’arte della decorazione geometrica astratta, andando a pescare dalle tradizioni più antiche — quella greca (vedi appunto le greche), quella romana, quella persiana, quella indiana — e complicandone ulteriormente gli schemi anche grazie all’apporto dei grandi matematici ed astronomi arabi, ed inserendovi elementi calligrafici (la matematica, dopotutto, è il linguaggio della natura, così come la scrittura nastaliq, cioè l’adattamento persiano della […]
The Museum of Islamic Art, MIA, in Doha, Qatar, was designed by I.M. Pei Architect with Jean-Michelle Wilmotte and Leslie E. Robertson Associates
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Vols. 11-12, 13-14, 15-16 issued combined
Litografia-1---Fondazione-Scienza-e-tecnica.
Le moschee in tutto il mondo musulmano hanno alcune delle architetture più intricate e sensazionali mai create dall'uomo. C'è troppa architettura
For over a millenium, plant motifs in the form of vines, leaves, flowers, fruits, and trees were among those most frequently used in the art of the Islamic world. Many of these works were created in the hot, barren regions of the Middle East, and the lush Paradise as described in the Qur'an would have appealed to the Muslim artists.
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Imen è in Parlamento con Ennhada: “L’Islam non c’entra, i giovani sognano il Califfato per disperazione”. Ma Lina attacca: “Volete islamizzare la nazione”
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NEW #ISLAMIC_ART COLLECTION IN #TEXAS Ewer, Iraq, late 8th century, bronze, cast, and engraved, 30 cm. The Keir Collection of Islamic Art on loan to the Dallas Museum of Art
ASPERSOIR EN BRONZE, KHORASSAN, ART SELDJOUKIDE, 12e SIÈCLE
In Iran during the 1000s and 1100s, vessels in the shape of animals gained popularity, especially as incense burners. Felines were favored in Persian art and this piece may represent a caracal, a type of lynx. The head of the creature was cast separately and is removable to fill its body with hot coals and incense. Qur’anic verses on the neck and spine remind worshippers to set work aside, attend prayer, and then disperse to seek God’s bounty. The diffusion of perfumed smoke through the burner’s pierced palmette design may have served as a sensorial reminder of this teaching.
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baños árabes del siglo XIII en Ronda, Málaga.