Art.com | We Are Art We exist so you can have the art you love. Art.com gives you easy access to incredible art images and top-notch craftsmanship. High-Quality Framed Art Prints Our high-end framed wall art is printed on premium paper using non-toxic, archival inks that protect against UV light to resist fading. Experience unmatched quality and style as you choose from a wide range of designs to enhance your room décor. Professionally Crafted Framed Wall Art Attention to detail is at the heart of our process, as we exclusively use 100% solid wood frames that include 4-ply white core matboard and durable, frame-grade clear acrylic for clarity, long-lasting protection of the artwork and unrivaled quality. With a thoughtfully selected frame and mat combination, this piece is designed to complement your art and create a visually appealing display. Easy-to-Hang & Ready-to-Display Artwork Each framed art piece comes with hanging hardware affixed to the back of the frame, allowing for easy and convenient installation. Ready to display right out of the box. Handcrafted in the USA. Travel Art Art is the best way of seeing the world when travel isn’t possible. Explore our curation of travel art for a trip around the globe. See from tourist favorites landmarks–the Eiffel tower– to hidden gems like the breathtaking landscapes of Yosemite National Park. Whether you find a cozy reminder of home, your dream destinations, or even cool maps of the world, our handcrafted frames will give it the perfect finishing touch. The Print This giclée print delivers a vivid image with maximum color accuracy and exceptional resolution. The standard for museums and galleries around the world, giclée is a printing process where millions of ink droplets are “sprayed” onto high-quality paper. With the great degree of detail and smooth transitions of color gradients, giclée prints appear much more realistic than other reproduction prints. The high-quality paper (235 gsm) is acid free with a smooth surface. Paper Type: Giclee Print Finished Size: 18" x 12" Arrives by Wed, Apr 24 Product ID: 56543645431A
Sneak out of your group tour for these top 10 obscure sights in St. Petersburg.
THE KUNSTKAMERA A FINE COLLECTION OF CURIOSITIES, ODDITIES AND RARITIES 2016. Text and images (linocuts) by Dmitry Sayenko, text adaptation by Sarah Bodman. 42 pages with colour linocuts printed on both sides. English text. Format: 9,646 x 13,583 x 0,906 inches (245 x 345x23 mm) Typeface: Franklin Gothic’24, 20th Century Condensed’24 & Baskerville’36 Handmade paper (cotton 100%) by the artist (approx 280-300 gr.) Cover: Linen fabric, special slipcase. Edition of 16 De Luxe Copies, Numbered and Signed by the Author.
Caroline Morse Teel is the Managing Editor for SmarterTravel Media. Follow her on Instagram @TravelWithCaroline. Caroline joined Boston-based SmarterTravel in 2011 after living in Ireland, London, and Manhattan. She's traveled to all seven continents, jumped out of planes, and bungeed off bridges in the pursuit of a good story. She loves exploring off-the-beaten path destinations, anything outdoorsy, and all things adventure. Her stories have also appeared online at USA Today, Business Insider, Huffington Post, Yahoo, Boston.com, TripAdvisor, Buzzfeed, Jetsetter, Oyster, Airfarewatchdog, and others. The Handy Item I Always Pack: "Earplugs. A good pair has saved my sleep and sanity many times!" Ultimate Bucket List Experience: Hiking Mount Kilimanjaro. Travel Motto: "Don't be boring." Aisle, Window, or Middle Seat: "Aisle (when the first class private suite isn't available)." E-mail her at [email protected].
Art.com | We Are Art We exist so you can have the art you love. Art.com gives you easy access to incredible art images and top-notch craftsmanship. High-Quality Framed Art Prints Our high-end framed wall art is printed on premium paper using non-toxic, archival inks that protect against UV light to resist fading. Experience unmatched quality and style as you choose from a wide range of designs to enhance your room décor. Professionally Crafted Framed Wall Art Attention to detail is at the heart of our process, as we exclusively use 100% solid wood frames that include 4-ply white core matboard and durable, frame-grade clear acrylic for clarity, long-lasting protection of the artwork and unrivaled quality. With a thoughtfully selected frame and mat combination, this piece is designed to complement your art and create a visually appealing display. Easy-to-Hang & Ready-to-Display Artwork Each framed art piece comes with hanging hardware affixed to the back of the frame, allowing for easy and convenient installation. Ready to display right out of the box. Handcrafted in the USA. Travel Art Art is the best way of seeing the world when travel isn’t possible. Explore our curation of travel art for a trip around the globe. See from tourist favorites landmarks–the Eiffel tower– to hidden gems like the breathtaking landscapes of Yosemite National Park. Whether you find a cozy reminder of home, your dream destinations, or even cool maps of the world, our handcrafted frames will give it the perfect finishing touch. The Print This giclée print delivers a vivid image with maximum color accuracy and exceptional resolution. The standard for museums and galleries around the world, giclée is a printing process where millions of ink droplets are “sprayed” onto high-quality paper. With the great degree of detail and smooth transitions of color gradients, giclée prints appear much more realistic than other reproduction prints. The high-quality paper (235 gsm) is acid free with a smooth surface. Paper Type: Giclee Print Finished Size: 12" x 18" Arrives by Wed, Apr 17 Product ID: 56420967548A
English transcript of the video presentation belowToday I am going to talk about one particular type of traditional Kazakh clothing: the headdress of a bride, called a saukele.Voronina-Utkina A.A. Watercolor.…
There are many great artists of medical preparations, but perhaps my very favorite, and probably the most bizarre and fascinating to the modern eye, is Dutch anatomist, artist, preparator, and early museologist Frederik Ruysch. I have just been alerted to the launch of a new virtual museum dedicated to the life, art and history of this great anatomical artist. Following is a brief introduction to Ruysch's life and work; if you find this of interest, I urge you to visit this new virtual museum, which promises--once the English version becomes operative--to become a definitive resource for all things Ruysch. Frederik Ruysch (1638-1731) (pictured above, top, dissecting a child) was a true artist of human remains, his works being referred to in his time as "‘Rembrandts of anatomical preparation'" [1]. A high-ranking doctor in Amsterdam, Ruysch was famed far and wide for his uncannily life-like and imaginative preparations, and he used his access as "chief instructor of midwives and 'legal doctor' to the court" [2] to legally obtain scores of cadavers with which to create memorable preparations, including fanciful allegorical tableaux composed of fetal skeletons and other human body parts (as seen above, 2, 3 and 4). As Steven Jay Gould explains in the book Finders, Keepers: Eight Collectors, his excellent collaboration with photographer Rosamond Purcell: Ruysch made about a dozen tableaux, constructed of human fetal skeletons with backgrounds of other body parts, on allegorical themes of death and the transiency of life...Ruysch built the 'geological' landscapes of these tableaux from gallstones and kidneystones, and 'botanical' backgrounds from injected and hardened major veins and arteries for "trees," and more ramified tissue of lungs and smaller vessels for 'bushes' and 'grass.' The fetal skeletons, several per tableau, were ornamented with symbols of death and short life--hands may hold mayflies (which live but a day in their adult state); skulls bemoan their fate by weeping into 'handkerchiefs' made of elegantly injected mesentery or brain meninges; 'snakes' and 'worms,' symbols of corruption made of intestine, wind around pelvis and rib cage. Quotations and moral exhortations, emphasizing the brevity of life and the vanity of earthly riches, festooned the compositions. One fetal skeleton holding a string of pearls in its hand proclaims, 'Why should I long for the things of this world?' Another, playing a violin with a bow made of a dried artery, sings, 'Ah fate, ah bitter fate.' [3] In addition to the spectacular memento mori-themed tableaux detailed above, Ruysch was also renowned for his incredibly life-like and enticingly imaginative wet preparations (above, 9, 10 and 11). To create these extraordinary specimens, Ruysch--using self-developed secret techniques--injected specimens with wax impregnated with pigment and other additives to solve the color-loss issues endemic to wet specimens. With the help of his daughter--still-life artist Rachel Ruysch--he would adorn these specimens with lace and clothing (sometimes even turbans! See 10 down) to hide "unfinished" areas (ie. cuts in the flesh, dissection marks) and add a note of delicacy, grace, and elegance to the whole; he would also often replace native eyes with eyes of glass to complete the illusion of life. The finished work would be immersed in his secret formula of spirits, black pepper, and other additives in a suitable presentation jar, with embellishments sometimes added atop the final piece (see 8 down). The results, as seen in the specimens above, were startlingly lifelike, and still--after many centuries!- have an uncanny, rosy beauty very unlike the dull and pallid specimens seen so often at medical museums. Rusych was a collector and showman as well as artist and anatomist; to showcase his vast--he produced over 2,000 human preparations in the years 1665-1717 alone! [4] --and "spectacular collections of 'Anatomical Treasures'," [5] Rusych established his own cabinet of curiosities, a private museum visited by medics and philosophers, as well as members of the aristocracy and royalty. Here, one could see not only his fantastic tableaux, but also "body part specimens in glass jars, baby skeletons, and preserved organs ... alongside exotic birds, butterflies and plants." [6] Ruysch published several lavishly illustrated guides to his incredible cabinet; 8th down, you can see an allegorical view of his museum as depicted in a frontispiece to one of these guides, Thesaurus animalium primus = Het eerste cabinet der dieren, published in 1710. One visitor to the museum--and one of Ruysch's greatest admirers during his lifetime--was Czar Peter the Great of Russia, who in 1717 purchased the entire cabinet of Dr. Ruysch for 30,000 Dutch guilders, an astronomical fee at the time [7]. He had the entire collection shipped over to St. Petersburg--along with the collection of Amsterdam-based collector and scientist Albertus Seba-- to form the basis for the Academy of Sciences of Russia's first public museum, the Kunstkammer. [8] Very sadly, none of Ruysch's astonishing tableaux are known to exist any longer, and are only known to us via illustrations from books of the time. Many of Ruysch's wet preparations, however, can still be viewed in collections such as the St. Petersburg Kunstkammer (which has 916 of them), Museum Bleulandinum in Utrecht, and the Anatomisch Museum LUMC in Leiden. For people interested in seeing more of Ruysch's amazing work and learning more about the man and the collection, I suggest you visit the new online museum devoted to the man, his art and craft, and his collection. Entitled "The Anatomical Preparations of Frederik Ruysch," the site is organized by a Ruysch Research group formed between the St. Petersburg Kunstkamera the the University of Amsterdam. Although at the moment it is, unfortunately, available only in Dutch, it will eventually have operative English and Russian versions (more on that when these versions launch), and promises to be a great resource, with information about the work, history, collections, and techniques of Frederik Ruysch, and, incredibly, featuring a gallery linking many of the surviving specimens to the artist/anatomist's original descriptions of the objects--a rare museological feat! You can visit the new virtual Ruysch Museum website by clicking here. To find out more about museums that still house Ruysch specimens, you can visit these sites: St. Petersburg Kunstkammer, Museum Bleulandinum, and the Anatomisch Museum LUMC in Leiden. For much more information, please visit the citations in the bibliography for this post, which you will find listed below. Another great resource is Steven Jay Gould and Rosamond Purcell's Finders, Keepers: Eight Collectors, which you can find out more about (and order a copy of) by clicking here; you can also visit this book and others that feature images of or information about Ruysch's work in the Morbid Anatomy Library, which is open by appointment. Bibliography for this post, listed alphabetically: The Anatomical Preparations of Frederik Ruysch, BibliOdyssey, The British Library, Christies Auction House, Dream Anatomy, The St. Petersburg Kunstkammer, Medisch Erfgoed, She-Philosopher, The Smithsonian, University of Amsterdam, Wikipedia: frederik_Ruysch, Wikipedia: Kunstkamera, The Zymoglyphic Museum. Images, top to bottom: Anatomische les van Dr. Frederik Ruysch, 1683; Jan van Neck (ca. 1634/'35 - 1714), Sourced here A skeleton cries into a handkerchief, © The British Library Board, Sourced here Crying skeletons with violin, feathers and fly, © The British Library Board, Sourced here Sourced from the Zymoglyphic Museum Skeleton with puppets, © The British Library Board, Sourced here Body part puppets, © The British Library Board, Sourced here Frederik Ruysch, (1638-1731). Thesaurus anatomicus primus [-decimus]... Het eerste [-tiende] anatomisch cabinet... Amsterdam: Jansson-Waesberg (part I and X), 1721 and 1716, Joannes Wolters (parts II-IX), 1702-1715., Christie's Auction House, Sourced here Frederik Ruysch (1638–1731). Arrangement of wax-injected anatomy specimens, found here Frederik Ruysch, Thesaurus animalium primus = Het eerste cabinet der dieren, 1710, Sourced here Child's Head with Turkish Cap, attributed to Frederik Ruysch, Photo © Rosamond Purcell, Sourced here Één van de anatomische preparaten van Frederik Ruysch, collectie Universiteitsmuseum, Nijmegen, Sourced here Specimen of a child’s arm. Frederik Ruysch, Sourced here Skeleton of Siamese twins. Preparation of Frederik Ruysch, Sourced here
Mammoth ivory female figurine No 4 from Gagarino Upper Paleolithic period, Gravettian culture, c. 23,000 – 21,000 BP Found in 1966 in Gagarino, Russia. Dim.: 12.6 x 4.5 x 3.5 cm Kunstkamera (Peter the Great Museum of Anthropology and Ethnography), Saint Petersburg, Russia.
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As was the vogue in the early 18th century, Peter the Great harboured a partiality for oddities and curiosities; a passion that lead to the establishment of his Kunstkamera, a cabinet of curiosities...
Don't believe the hype.
En mai 2006, le Sainsbury Centre for Visual Arts de Norwich nous conviait à une mémorable exposition : Pacific Encounters: Art and Divinity in Polynesia 1760-1860, présentée ensuite à Paris, au Mus…
1928-33 Kodak Series III camera. From Art Deco, FB.
The oldest museum in Russia is home to a fascinating collection of nearly two million anthropological artifacts and anatomical curiosities.
Morning point of view. Photo by @jackrmoriarty #liveauthentic #livefolk (at Yosemite National Park)
