In still-life vitrines framed by Art Deco flourishes and in murals splashed throughout the plaza, Emily Mullin's work is suddenly available to all.
…
In still-life vitrines framed by Art Deco flourishes and in murals splashed throughout the plaza, Emily Mullin's work is suddenly available to all.
In still-life vitrines framed by Art Deco flourishes and in murals splashed throughout the plaza, Emily Mullin's work is suddenly available to all.
In still-life vitrines framed by Art Deco flourishes and in murals splashed throughout the plaza, Emily Mullin's work is suddenly available to all.
Do you ever stop to ask yourself if what you create makes you happy? It seems like a silly question since creating is usually passion driven so being able to feed that passion should make you happy…
…
At once minimal and endlessly confounding, the elegant ceramic vessels that Matthew Chambers (previously) creates are precisely scaled iterations of the same shape. His hypnotic sculptures are comprised of individual, wheel-thrown pieces in varying sizes that are embedded within a larger form. Each abstract work is unique in color and position, sometimes displaying single monochromatic rings at incongruent angles or striped colors flush in alignment. In a note to Colossal, Chambers says his most recent pieces are an experiment in allowing the inner pattern to pop from the outer vessel. More
At once minimal and endlessly confounding, the elegant ceramic vessels that Matthew Chambers (previously) creates are precisely scaled iterations of the same shape. His hypnotic sculptures are comprised of individual, wheel-thrown pieces in varying sizes that are embedded within a larger form. Each abstract work is unique in color and position, sometimes displaying single monochromatic rings at incongruent angles or striped colors flush in alignment. In a note to Colossal, Chambers says his most recent pieces are an experiment in allowing the inner pattern to pop from the outer vessel. More
Handcrafted "Sandy Barnacle Sculpture" from Meghan Bergman Ceramics. Hand built with sculpture clay, strontium warm glaze, electric fired. When you want to bring the 'coastal' vibe to your home, office, or beach house, this ocean inspired ceramic barnacle vase will make a fine focal point or accent in your home decor. APPROXIMATE DIMENSIONS: (11"L x 12"W x 19.5"H). Inside is 1.5" at the opening. ✔️ Handmade with sculpture clay ✔️ Larger size makes a beautiful vase / sculpture to add to your home decor ✔️ Inspired by underwater life ✔️ Meticulously handcrafted with dozens of barnacles ✔️ Carefully packaged for delivery; tracking information with every order
In still-life vitrines framed by Art Deco flourishes and in murals splashed throughout the plaza, Emily Mullin's work is suddenly available to all.
Work in progress på Anemone disse dagene... Julen skal ut i butikken! 1. november er vår julestart på Anemone. Vi bruker noen dager nå på å lage julebutikk. På fredag er vi klar med julekoselig butikk og masse julenyheter! Vi åpner julebutikken med gode tilbud og julekos i butikken både fredag og lørdag. En fin mulighet til å få ordnet noen julegaver i god tid... Velkommen til oss på Anemone! Husk allehelgensøndag på søndag! Vi har kranser, hjerter, gran, gravlykter og lys. Bildet i dag er fra julefilmen The Holiday. Verdens koseligste julefilm, og et must når mann vil hente frem julestemningen! Den har allerede vært i dvd spilleren i år... ;) Vi sees på Anemone!
At once minimal and endlessly confounding, the elegant ceramic vessels that Matthew Chambers (previously) creates are precisely scaled iterations of the same shape. His hypnotic sculptures are comprised of individual, wheel-thrown pieces in varying sizes that are embedded within a larger form. Each abstract work is unique in color and position, sometimes displaying single monochromatic rings at incongruent angles or striped colors flush in alignment. In a note to Colossal, Chambers says his most recent pieces are an experiment in allowing the inner pattern to pop from the outer vessel. More
In still-life vitrines framed by Art Deco flourishes and in murals splashed throughout the plaza, Emily Mullin's work is suddenly available to all.
At once minimal and endlessly confounding, the elegant ceramic vessels that Matthew Chambers (previously) creates are precisely scaled iterations of the same shape. His hypnotic sculptures are comprised of individual, wheel-thrown pieces in varying sizes that are embedded within a larger form. Each abstract work is unique in color and position, sometimes displaying single monochromatic rings at incongruent angles or striped colors flush in alignment. In a note to Colossal, Chambers says his most recent pieces are an experiment in allowing the inner pattern to pop from the outer vessel. More
In still-life vitrines framed by Art Deco flourishes and in murals splashed throughout the plaza, Emily Mullin's work is suddenly available to all.
I had to grab this as soon as I saw it, it's such an unusual vase! A larger size piece with a pie crust rim, this vase has been accented with a twist of fabric (probably burlap or similar) around the neck that, soaked in clay and sculpted around the vase, gives a kind of mock Trompe-l'œil effect. Kind of amusing to use fabric to replicate a sculpted imitation of fabric! Height= 31.5 cm (12 1/2 inches) Base diameter= 9.5 cm Max diameter= 17 cm approx In great vintage condition- some light wear along the edges of the sculpted cloth (see pics).
Vase #606 by Karen Gayle Tinney. A petite vase perfectly sized to stand alone in a small space or act as a companion to a larger piece. Each vase is formed by hand, making every piece unique. Stoneware with shiny gray speckled glaze. Gray tencel fringe detail. Inside is glazed white, vessel can hold water. 8”H x 5”W Karen Gayle Tinney is an artist and designer whose work consists of pieces that combine ceramic and fiber, drawing inspiration from the interplay of the materials. Within her work, the two materials never live alone, relying on each other for structure and completeness. The fiber components are incorporated where the ceramics leave off; completing the shape or acting as the physical connection between incomplete parts. Each piece is handmade by the artist in her Vermont studio.
At once minimal and endlessly confounding, the elegant ceramic vessels that Matthew Chambers (previously) creates are precisely scaled iterations of the same shape. His hypnotic sculptures are comprised of individual, wheel-thrown pieces in varying sizes that are embedded within a larger form. Each abstract work is unique in color and position, sometimes displaying single monochromatic rings at incongruent angles or striped colors flush in alignment. In a note to Colossal, Chambers says his most recent pieces are an experiment in allowing the inner pattern to pop from the outer vessel. More
