Las dos figuras más emblemáticas del Renacimiento fueron opuestas en casi todo, por eso debes conocer algunos datos de De Vinci y Miguel Ángel que los
The High Renaissance, denoting the pinnacle of the period, is exemplified by iconic works by the likes of Leonardo da Vinci, Michelangelo, and Raphael.
Museum-quality reproduction of iconic masterpiece: ►Salvator Mundi (Savior of the World) by Leonardo da Vinci c. 1499 ►Sold for $450.3 million in 2017 the most expensive painting sold on record ►Original Size: 45.4 × 65.6 cm (26 × 19 in) ►Medium: Oil on Canvas ►Made to Order ►100% hand-painted replica painting by our skilled artist ►Quality guaranteed we will send you a digital copy for confirmation prior to shipment ►Signature: finished painting unsigned ►Rolled canvas with no frame not stretched: rolled and shipped in protective tube additional blank border for easy stretching ►Creation time: about 4-5 weeks ►No watermarks on the finished painting ►Due to lighting effects and screen brightness/contrast settings, the color tones of the listing photos and the finished painting may vary slightly ►Please email to [email protected] if you would like to have custom order/framing ►Free worldwide shipping ►We cannot deliver to PO Box or APO addresses ►Tracking available Indulge in the timeless allure of the art world with our exquisite hand-painted oil reproduction of Leonardo da Vinci's "Salvator Mundi," a masterpiece that transcends the boundaries of time and artistic brilliance. Leonardo da Vinci, renowned as one of the greatest artists of the Italian Renaissance, created "Salvator Mundi" around 1499. This captivating artwork depicts Christ as the Savior of the World, gazing directly at the viewer with a serene countenance and offering a blessing with his right hand while cradling a transparent crystal orb in his left. Our skilled artisans meticulously recreate every nuance of da Vinci's original, ensuring a faithful representation that captures the essence and beauty of this iconic piece. Each brushstroke is carefully applied to bring the composition to life, allowing you to experience the same awe-inspiring presence that captivated audiences during the Renaissance. The painting's divine subject matter is enhanced by da Vinci's mastery of light and shadow, evident in the subtle transitions of color and the exquisite detailing of Christ's flowing hair and intricate robes. The transparent orb, a symbol of the celestial sphere, is rendered with a mesmerizing clarity that reflects the surrounding world and adds an ethereal quality to the artwork. This hand-painted reproduction is more than just a decorative piece; it is an investment in art history. "Salvator Mundi" is a rare and significant work, believed to be one of fewer than 20 known paintings by Leonardo da Vinci. It gained international acclaim when it was rediscovered in 2005 and subsequently sold at auction for a record-breaking sum, making it one of the most expensive artworks ever sold. Whether you are an art connoisseur, a collector, or someone seeking a profound and spiritually evocative piece for your space, this reproduction allows you to bring the magic of "Salvator Mundi" into your home. Display it in your living room, study, or private gallery, and let the aura of this masterpiece create an atmosphere of sophistication and contemplation. Our commitment to quality is reflected in the use of premium materials, ensuring that the reproduction faithfully captures the texture and depth of the original. The canvas is stretched over a sturdy wooden frame, providing durability and longevity to your investment. Each stroke of paint is applied with precision, resulting in a true work of art that stands as a testament to the enduring legacy of Leonardo da Vinci. Embrace the beauty of the Renaissance and invite the enigmatic gaze of Christ into your surroundings with our hand-painted oil reproduction of "Salvator Mundi." Elevate your space with the artistry of one of history's greatest minds, and let the masterpiece become a focal point of inspiration and admiration in your home. www.bcsgallery.com
Leonardo da Vinci left few finished works at his death in 1519, and some were later lost or destroyed. Those that remain show Leonardo’s innovation and skill. Find out which ones are the most famous.
Leonardo Da Vinci The Last Supper Painting Print Poster Museum-quality posters made on thick and durable matte paper. Add a wonderful accent to your room and office with these posters that are sure to brighten any environment. • Paper thickness: 10.3 mil • Paper weight: 5.6 oz/y² (192 g/m²) • Giclée printing quality • Opacity: 94%
This is part 3 of a 3-part post on the works of Leonardo da Vinci (1452-1519). For biographical notes see part 1. For earlier works see parts 1 - 2 also. 1503-04 Study of horses for the Battle of Anghiari black and red chalk, pen and ink, wash on paper 19.6 x 30.8 cm 1503-05 The Battle of Anghiari ( detail ) black chalk, pen and ink, watercolour on paper 45.2 x 63.7 cm 1503-05 The Battle of Anghiari ( detail ) drawing 1505-05 Battle of Anghiari ( Tavola Doria ) oil on panel 85 x 115 cm 1503-05c Mona Lisa ( La Gioconda ) oil on panel 77 x53 cm 1503-07 A Grotesque Head chalk 1503-07 Study for Kneeling Leda chalk and pen and ink on paper 12.6 x 10.9 cm 1503-10 Study of St Anne, Mary and the Christ Child charcoal and pen and ink on paper 10 x 8.5 cm 1503c Head of a Man chalk on paper 1503c Study of St. Anne, Mary, the Christ Child and the Young St. John ink on paper 1504 Study of a Rider ( detail ) chalk on paper 1504-05 Head Studies metal point, black and red chalk on paper 19.1 x 18.8 cm 1504-05 Head of a Warrior ( The Red Head ) red chalk on paper 22.6 x 18.6 cm 1505c Anatomical Studies ink on paper 25.3 x 19.7 cm 1505c Head of Leda chalk and ink on paper 17.7 x 14.7 cm 1505c Old Man with Ivy Wreath and Lion's Head chalk on paper 18.3 x 13.6 cm 1505c Portrait of an Old Man ink on paper 1505c Study of Horses chalk on paper 1506-08 The Virgin of the Rocks oil on panel 189.5 x 120 cm © The National Gallery, London 1506c Star of Bethlehem and other Plants chalk and ink on paper 19.8 x 16 cm 1506c Studies of Legs of Man and the Leg of a Horse chalk and ink on paper 28.5 x 20.5 cm 1506c Study for the Kneeling Leda ink on paper 12.6 x 10.9 cm 1508-10 Study for the Trivulzio Equestrian Monument pen and ink on paper 28 x 19.8 cm 1508-12 The Head of the Virgin in Three-Quarter View Facing Right chalk, charcoal, traces of pen and ink 20.3 x 15.6 cm 1508c Head of a Young Woman with Tousled Hair ( Leda ) gouache on wood 36.2 x 24.7 cm 1509-10 Anatomical Studies of a Male Shoulder pen and ink on paper 29.2 x 19.8 cm 1509-10 Study of Cardiovascular System and Principal Organs of a Woman 1509-14 Study of Embryos chalk, pen and ink wash on paper 30.5 x 22 cm 1510 Leda oil on panel 130 x 77.5 cm 1510c Leda and the Swan oil on panel 69.5 x 73.7 cm ( destroyed ) 1510c Leda and the Swan oil on panel 112 x 86 cm 1530c Leda 1510-11 Anatomical Studies of the Shoulder chalk and pen and ink on paper 28.9 x 19.9 cm 1510-15 St John in the Wilderness ( Bacchus ) oil on panel transferred to canvas 177 x 115 cm 1510c Head of Saint Anne chalk on paper 1510c Madonna and Child with St. Anne oil on wood 168 x 130 cm 1510c Study for Madonna and Child with St. Anne chalk and wash on paper 23 x 24.5 cm 1513-16 St John the Baptist oil on panel 69 x 57 cm 1513c Study Sheet with Cats, Dragon and other Animals chalk and ink on paper 27.1 x 20.4 cm 1513c Study Sheet with Horses chalk and ink on paper 29.8 x 21.2 cm 1517-18 A Deluge chalk and pen and ink on paper 16.2 x 20.3 cm 1517-18 Equestrian Monument chalk on paper 27.8 x 18.4 cm Allegory with Wolf and Eagle chalk on paper 17 x 28 cm Caricature pen and ink on paper Drapery Study for a Seated Figure brush and grey distemper on grey canvas 26.6 x 23.3 cm Drapery for a Seated Figure tempera on canvas 18.1 x 23.4 cm Drapery for a Seated Figure tempera on canvas 31.9 x 21.8 cm Female Head charcoal and chalk on paper Flower Study metalpoint, pen and ink on paper 18.3 x 20.1 cm Various Figure Studies pen and ink on paper 27.8 x 20.8 cm n.d. A Horseman in Combat with a Griffin silverpoint on paper 8.8 x 13.9 cm n.d. Drapery Study gouache on canvas
1513c Portrait of a Bearded Man, possibly a Self Portrait chalk on paper Leonardo da Vinci (1452 – 1519) was born in 1452 near Vinci, Tuscany, Italy. He was apprenticed to the sculptor and painter Andrea del Verrocchio in Florence and in 1478 became an independent master. Around 1483 he moved to Milan to work for the ruling Sforza family as painter, sculptor, engineer and architect. One Da Vinci’s most famous works, The Last Supper mural, was painted in the refectory of the Monastery of Santa Maria delle Grazie, Milan between 1495 and 1497. He was in Milan until the city was invaded by the French in 1499 and the Sforza family was forced to flee. During his time in Florence, he painted several portraits, but the only one that survives is possibly the most famous of his works, the Mona Lisa, painted between 1503-1505. Da Vinci returned to Milan in 1506 and remained there until 1513. This was followed by three years based in Rome. In 1517, at the invitation of the French king Francis I, he moved to the Château of Cloux, near Amboise in France, where he died on 2 May 1519. This is part 1 of a 3-part post on the works of Leonardo da Vinci: 1470-73 Sleeve study for the Annunciation pen and ink on paper 8.5 x 9.5 cm 1472c Annunciation oil on panel 217 x 98 cm The Annunciation: Generally accepted Generally thought to be the earliest extant work by Leonardo. The work was traditionally attributed to Verrocchio until 1869. It is now almost universally attributed to Leonardo. Attribution proposed by Liphart, accepted by Bode, Lubke, Muller-Walde, Berenson, Clark, Goldscheider and others. 1470-76 Head of a Woman pen and ink, white heightening on paper 28.2 x 19.9 cm 1472c Profile of a Warrior in Helmet metalpoint on paper 28.5 x 20.7 cm A silverpoint drawing is made by dragging a silver rod or wire across a surface, often prepared with gesso or primer. Silverpoint is one of several types of metalpoint used by scribes, craftsmen and artists since ancient times. Metalpoint styli were used for writing on soft surfaces (wax or bark), ruling and underdrawing on parchment, and drawing on prepared paper and panel supports. For drawing purposes, the essential metals used were lead, tin and silver. The softness of these metals made them effective drawing instruments. 1473 Landscape drawing for Santa Maria della Neve ink on paper 19 x 28.5 cm 1473c The Madonna of the Carnation oil on panel 62 x 47.5 cm Madonna of the Carnation: Generally accepted It is generally accepted as a Leonardo, but has some over-painting, possibly by a Flemish artist. 1474-78 Portrait of Ginevra de' Benci oil on wood 38.8 x 36.7 cm 1474-78 Reverse side of the portrait of Ginevra de' Benci oil on wood 38.8 x 36.7 cm Ginerva de' Benci: Generally accepted The work was proposed as a Leonardo by Waagen in 1866, and supported by Bode. Early 20th-century scholars were vociferous in their disagreement, but most current critics accept both the authorship and the identity of the sitter. 1475c The Baptism of Christ oil and tempera on panel 151 x 177 cm The Baptism of Christ: Verrocchio and Leonardo Painted by Andrea del Verrocchio, with the angel on the left-hand side by Leonardo. It is generally considered that Leonardo also painted much of the background landscape and the torso of Christ. One of Leonardo's earliest extant works. Vasari's statement that the angel on the left is by Leonardo is confirmed by studies by Bode, Seidlitz and Guthman, and accepted by McCurdy, Wasserman and others. 1478 Study Sheet ink on paper 26.6 x 20.2 cm 1478 Study for the Madonna with the Fruit Bowl pen and ink over silverpoint on paper 35.8 x 25.2 cm 1478-80 Automobile metalpoint, pen and brush on paper 27 x 20 cm 1478-80 Studies for a Madonna with a Cat pen and ink over stylus on paper 13.2 x 9.5 cm 1478-80 Studies for a Madonna with a Cat pen and ink on paper 23.2 x 17.5 cm 1478-80 Studies for a Madonna with a Cat pen and ink over chalk on paper 27.4 x 19 cm 1478-80 Study for the Madonna and Child with a Cat pen and ink on paper 28.1 x 19.9 cm 1478-80 Study for the Virgin and Child pen and ink on paper 1478-81 Study for the Adoration of the Magi pen and ink over silverpoint on paper 28.5 x 21.5 cm 1478-82 Annunciation oil on panel 16 x 60 cm 1478c Madonna with a Flower ( Madonna Benois ) oil on canvas transferred from wood 50 x 32 cm Madonna Benois: Generally accepted Most critics believe it coincides with a Madonna mentioned by Leonardo in 1478. 1478c Study of a Child with a Cat pen and ink on paper 20.6 x 14.3 cm 1480-82 Studies for Saint Mary Magdalene pen and ink on paper 13.8 x 8 cm © The Samuel Courtauld Trust, The Courtauld Gallery, London 1480-85 Designs for a Nativity or Adoration of the Christ Child silverpoint, pen and ink 19.3 x 16.2 cm 1480c Lady with a Unicorn pen and ink 95 x 75 cm 1480c Lily chalk and ink on paper 31.4 x 17.7 cm 1480c St. Jerome in the Wilderness oil on panel 103 x 75 cm 1480c Study of Nursing Madonna and Profile Heads 1480c Study of a Dog and a Cat metalpoint on paper 1480c Study of a Man Blowing a Trumpet in Another's Ear - Two Figures in Conversation pen and ink on paper 1480c Virgin and Child with a Cat pen and wash on paper 12.8 x 10.9 cm © Soprintendenza Speciale per il Polo Museale Fiorentino 1481 Adoration of the Magi oil on panel 246 x 243 cm 1481c Linear Perspective Study for The Adoration of the Magi The Adoration of the Magi: Universally accepted 1481c Study of a Horse and Rider metalpoint on paper 12 x 7.8 cm 1482-83 Cartoon for the Head of the Infant Saint John the Baptist metalpoint, traces of pen, ink and wash heightened with white on paper 16.9 x 14 cm Musée du Louvre, Paris © RMN 1482c Battle between a Rider and a Dragon pen and brush over stylus on paper 13.9 x 19 cm 1483-86 Virgin of the Rocks oil on panel 199 x 122 cm Musée du Louvre, Paris © RMN - Franck Raux 1483c Head of a Girl metalpoint 18.1 x 15.9 cm 1483c Scythed Chariot ink on paper 1485 Drawing of a Flying Machine pen and ink on paper 23 x 16 cm 1485-88 Study with Shields for Foot Soldiers and an Exploding Bomb pen and ink on paper 1485c Drawing of a Flying Machine 1485c Studies of a Dog's Paw metalpoint on paper 14.1 x 10.7 cm © The National Gallery of Scotland, Edinburgh 1485c Study of a Bear's Head metalpoint on paper 7 x 7 cm 1486-87 Portrait of a Young Man ( The Musician ) oil on panel 44.7 x 32 cm © Veneranda Biblioteca Ambrosiana Portrait of Young Man: Generally accepted 1487 Cannon Foundry ink on paper 1487-89 Fruit, Vegetables and other Studies pen and ink on paper 23.5 x 17.6 cm 1487-90 Study of the Effect of Light on a Profile Head chalk, pen and ink on paper 20.3 x 14.3 cm
From the Mona Lisa to the world-record-breaking Christ as Salvator Mundi, Taschen's all-new title is a must-have for any art lover
Detail of Leonardo da Vinci's Lady with an Ermine (1490)
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In de categorie 'De mooiste kunstwerken' mag Leonardo da Vinci's Annunciatie, nu in de Galleria degli Uffizi Firenze, niet ontbreken.
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As Salvator Mundi, his potent depiction of Christ, becomes the most expensive artwork ever, here’s our guide to every Leonardo painting in existence, from the masterpieces to the less-than-perfects
Obsessed with the sublime Leonardo da Vinci? Welcome to the club. So is much of society, judging from the lines to view the tourist-industry-gold Mona Lisa at the Louvre. In this Leonardo guide, I take you on a tour of Leonardo's life and his entire body of paintings -- all his works that are authenticated, hotly disputed, or considered "Lost Leonardos."
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