Original Lino print by Andrew Stratford of a Koi carp. Hand cut and printed on 280gsm Strathmore paper using Cranfield Safe Wash relief inks. Mounted in an A4 size (29.5cm x 21cm) white mount. Actual print size is 14cm x 11cm.
I have just finished carving 5 out of 6 linos which are for wine lables at the Jack Russel Wine Company. I am really loving making the artwork for this project. Lino cut is about much more than jus…
Linocut Kaiju series by Brian Reedy (via Xombiedirge)
This is an original handmade lino cut print of a poor bird...We all know how this little sparrow feels - caught in a huge down pour of rain! I'm sure it's only a April shower and the sun will be out again at any moment... The lino print is black and white so will look great as wall art in any home interior. I love working in monochrome. This is a limited edition, hand burnished, lino print. The edition is only 50 and each print is numbered and signed. It is printed onto Somerset Satin paper and the image size is 41 cm high x 30.5 cm across. The listing is for an unframed lino cut and it will arrive well wrapped and ready to give to a friend or frame up for your wall.
nora`s leschiwelt
Boxing Hares - lino cut print A sweet mini print of two hares having a playful box. Hand carved from my original drawing and then burnished onto Somerset Satin paper in a limited edition of 100 - each is titled, numbered and signed on the front. The image size is 7.5 cm x 8 cm and the paper size is 14 cm x 19 cm approx. The listing is for an unframed lino print and it will be sent backed with card and in plant based wrap.
8x10 print on wood Jigsaw Linocut Printmaking has been artist Leslie Nan Moon's passion since she took an elective class as an undergraduate. Her art is narrative in style and whether real or reimagined, it’s very Pacific Northwest. In her most recent work she is primarily using the technique known as “jigsaw puzzle linocuts”. In this method she begins by drawing and then carving her design into a piece of linoleum. After she has finished carving she cuts up the block and then applies different colors of ink to each piece individually. Next she puts the block back together (like a puzzle) before laying the paper down on the block and pulling a print. Ink must be reapplied by hand to the linoleum for each original print she creates. Leslie Nan Moon Losing myself in my art in a healthy way is one of my greatest strengths. I’ve always loved to make art but over the last few years I truly NEED to make art. It saves my soul. I am the mom to a 21 year old son with severe Autism and Intermittent Explosive Disorder among other things. Due to the lack of services for people like my son he is with me almost 24/7. We do a lot of driving around, visiting landmarks, parks and looking at wildlife.
This is an original lino print which has been completely hand made from start to finish. It features a house on a hill surrounded by the sea. Above the house is a rain cloud pouring directly down onto the house. Emerging out from the top of the cloud is a beautiful golden sun with it's rays beaming upward toward the top edges of the paper. It has been printed using Cranfield Colours black and gold ink on handmade Blue or Natural Lokta Paper. These are limited editions, which have been editioned, titled and signed. The prints are placed into a cellophane bag then into a board backed envelope marked "DO NOT BEND" and delivered safely to you. Please note that each print is completely original so speckling may vary slightly from the photos. Summary: - Lino Print - Hand cut design - Hand pressed - Unframed - Size Blue = Height: 30cm Width: 16.5cm - Size Natural = A4
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Title: Black Bird - Skinny Legs This is an original lino block print done in black ink. I love birds, especially blackbirds - they are so elegant and their songs fill the air with beautiful sound. I carved this in a lino block and each print is an original. Hand-signed below the print and framed in a light wood frame with a white mat. Framed 8x10 Hand-signed FREE SHIPPING Copyright 2021 Jan Weiss
Tooth | Lino Print | Hand Carved Design was carved into grey Lino and hand-pulled using Black Cranfield oil based ink on 47 lb (70 gsm) block printing paper. Print is of a Tooth on a 5 X 7in.. Ink Print is about 2.5 X 4 in. Print is made to order, there will be slight variations due to inking process, so each one is unique. Each print will be signed and dated Insta/ Fb/ Tiktok @blackkittycollection
A traditional hessian-backed Lino made specifically for printmaking. Essdee Lino is made especially soft for block printing and is ideal for the student and master alike.
Having spent an obscene amount of time surfing Pinterest (severe time waster alert!) I have become increasingly enchanted by the wonderful lino prints being produced by some very clever peeps. Well being unable to resist having a go I purchased some sheets of lino the other day and dug out some old cutting tools that I'd had from college days.... it's funny sometimes I seem to have tools for things I don't even remember doing...... unfortunately this stems from the collector-holic nature of this beast.... I just love tools and gadgets of all kinds. Anyway I digress, I sketched out the design below. I thought it best to start simply and transferred this onto the lino. After much mess and cutting I ended up with the lino cut I've called Fur, Fin & Feather. I feel quite proud that I took note of all the warnings to cut away from myself and didn't spill a drop of blood once! A miracle! Below is one of the first proofs I pulled from the lino.... as the keen eyed among you might notice the lino cut is different from the print as I've done a bit of tidying up. I'm quite keen to add some background colour to the final prints so I might have a go a making a collograph plate to get some extra texture in there too. We shall see! Hopefully if the collograph idea comes together I'll update this with some images of the final prints. If they are nice I might stick them in my Etsy shop! Ta ta for now. x x Jen
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These two prints by Rosie are good examples of some of the elements of our print-making which were on show at the Gardens Gallery. They are both linocuts made by the reduction method, which allows us to create multi-coloured images from the same block by re-carving it between each layer of differently coloured ink which makes up the finished image. Both images, The Elms and The Chesnut are composed from four colours. In both instances, the first ink is a pale one, and the block has been lightly carved to remove areas of the picture which are intended to remain white, the colour of the paper. The first pale ink used for The Elms is a mauve which forms the clouds, which are themselves lined with the white of the paper. The Elms The next stage is to clean the ink from the block and to carve away more lino using the cutting tools. We carve away the areas from the block which we want the mauve to continue to show through in the final image, i.e., the cloud shapes. So when we have carved away the shapes of the clouds, we re-ink the block in a sky-blue ink and reprint from it onto the page which already contains the mauve ink from the first layer. Re-aligning the block with the paper so that there is a perfect match between the former and the overlying image is called registration, and it is perfection in achieving this which is one of the main technical components for success in this type of printmaking. At this point, assuming that our registration is exact and our inks overly in a pleasing way, we have a two layered image consisting of white, mauve and blue clouds, and a big area of nondescript blue in the centre of the paper where the finished tree will sit. To make a green tree with a dark brown bark and foliage we undertake the block cleaning and re-carving process twice more. Using the carving tools, we remove all of the sky area from the lino block to leave the outline of the tree and the ground. Using a dark green ink, which overlies the blue and mauve beneath, we produce the solid body colour over which the forth and darkest layer will add the necessary detail. The Chestnut The only real difference between the two images is the paper which we have chosen to print upon and the colours we have used. The top image is printed on a German Zerkyll paper and the ink sits on the surface producing a high gloss finish. The lower image of The Chestnut is on a Japanese Ho sho which absorbs the ink into its fibres and results in a very intense matt finish. We usually use one or other of these papers depending on the effects that we intend to achieve. The original images came from sketches of real trees: the real chestnut stands in the parkland of Cowley Manor in the Cotswolds just outside of Cheltenham. The Elms links in with some of Rosie's story telling: if you look closely, a tree house is just visible between the branches, reminiscent of her latest book Something in the Woods. It is actually an image taken from a G. K. Chesterton short story, The Singular Speculation of the House-Agent, from The Club of Queer Trades. In a story of typical Chesterton surrealism, the characters are thrown into consternation at a very peculiar address. Robin
1000 Woodcuts blog about woodcut printmaking and art life of Maria Arango
Test Print for our Chai Tea porter label.
