Crew Maxi Dress
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Emilia Clarke once again stole the show when she attended the Centrepoint awards at Kensington Palace in London on Thursday night, looking lovely in a floral frock.
Kids frock Tissue frocks Amberalla frocks design idea
Ashley & Co - A modern Day Scent Company - creator of Washup, Sootherup, Home Perfume, Waxed Perfume and Commercial Soap Solutions.
Ronald Joyce designer Veni Infantino brings flair to the occasion wear scene with this on-trend collection appealing to mothers of the bride and groom of all ages. Be warned! It sells out very quickly. This is all about femininity without looking frumpy and many of the dresses have beautiful sleeves to cover your arms.
Sewing projects, dresses and tunics all patterned and made by me. Details blogged at www.so-charmed.com
The frocks in the shops just aren't cutting it. (the ones I can afford anyway!) I've found me some inspiration... Australian Ho...
In my last post, I mentioned that I'd purchased a pile of sample cards created by Fashion Frocks, a dress manufacturing company located in...
My project for HSF Challenge 3#: Under it All is an early Edwardian S-bend corset. I had a lot of fun making this. Usually my historical underpinnings are simple, functional items — a few tucks or a tiny touch of lace is all the embellishment I'll use. They're not meant to be seen, right? Underwear from the turn of the century was very ornate and embellished, however, so I decided to go all out on this corset. It has lace and flossing and floppy ribbon bows. I love it! I'm wearing the corset with the self-drafted combination undies that I made last year to wear under my Titanic dress. The Challenge: #3: Under it All Fabric: less than 1 yd of white cotton coutil, small amount white silk taffeta for binding and garters Pattern: Truly Victorian TVE01 — I can't say enough good things about this pattern. It was easy to follow, well-drafted, and the sizing was spot on. The only major adaptation I made was in the seam finishing. The pattern calls for the curved seams to be unfinished. I wasn't entirely comfortable with this so I flat-felled them instead. I wish I had added a waist stay tape, but I didn't think about it until it was too late to do it without taking the corset apart. I also left out the extra padding that the pattern calls for, since I have all the built-in padding I need to obtain a true Edwardian shape. Year: 1903 Notions: size 00 grommets, lacing cord, white spring steel boning, garter clips, 40" of 1" wide elastic, 2 yds white silk taffeta ribbon, 40" of white cotton lace, 40" of 1/4" white silk satin ribbon, silk thread for flossing How historically accurate is it? Very historically accurate. Truly Victorian patterns are very well-drafted based on original examples. In researching trimming and embellishment, I came across several period examples that had very similar shapes and seamlines. My construction methods were all based on what I was able to observe from period corsets. Even the flossing pattern I used is consistent with originals. Hours to complete: approximately 20 First worn: will be worn in April 2013 Total cost: around $100 This corset is going to be the foundation for my turn-of-the-century evening gown, so the silhouette was the most important consideration for me. This corset pattern gives a lovely curvy shape that gently adjusts the wearer's posture to give the fashionable S-bend silhouette of the period. It achieves this by allowing the bust to settle into a soft, rounded shape, while pushing the ribcage forward and the hips back. It does all this while being surprisingly comfortable. The frilly embellishment was just icing on the cake, but it certainly helps me feel more like a true Gibson Girl. Here is one historical example I looked to for guidance on the embellishment: 1903 Corset from the Metropolitan Museum (more pictures here) The one technique that was new to me was the construction of the garter straps. They were easy to make, but gave the corset a very professional and period-correct finish. I'll be posting a tutorial soon!
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