For years, Kelly Wilkinson's name was familiar to listeners of KQED, the local NPR...
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Art Storage System , canvas rack for art storage created to optimize storage and save space while preserving the canvases.
A fun fall craft taking fallen leaves and turning them into works of art to display all season.
Plus de 60 idées de jeux de kermesse pour vos stands de fête d'école. Jeux classiques, autrefois, originaux, pour enfants ou adultes.
ESPECIFICACIONES Nombre de la marca : NoEnName_Null Tipo : Impresiones en lienzo Estilo : estilo moderno Origen : China continental China : Zhejiang Temas : Pintura de figuras Material : Lienzo Forma : Soltera Base de soporte : Lona Forma : Rectángulo vertical está_personalizado : SÍ Es dispositivo inteligente : no Modo de marco : sin marco Número de modelo : AS2151 Marco : Sí Medio : tinta resistente al agua Originales : Sí Técnicas : pintura en aerosol Arte de la pared : pintura de la lona Decoración de habitaciones : carteles e impresiones. Wall Art Canvas : Pintura Decorativa y Cuadros Estilo : Póster, pintura, fotografía, imagen, C... Impresiones en lienzo : decoración del hogar. Lugar de decoración : salón, oficina, bar, cafetería, dormitorio... Tamaño personalizado : Podemos tamaños personalizados Admite envío directo : Sí
Explore Intuit: The Center for Intuitive and Outsider Art's 6922 photos on Flickr!
Most art canvas storage racks were very expensive and took up too much space. So I found the IKEA HEJNE shelf and got to planning!
Compte tenu de son nom de famille "Wood", on ne s'attend pas vraiment à ce que le matériel utilisé par l'artiste Chris Wood, basé à Cambridgeshire, soit
Tree ring print made from Oak from Ozark Mountains, Missouri. 18x24 inches. When you buy one of these tree ring prints, you’re getting an actual handmade woodcut print, not something printed from a machine. That’s because I consider each a work of art that is as unique as the tree I make them from. I also don’t believe in cutting down trees to make my art. I travel to meaningful places to find wood from previously fallen trees. In a way, I’m just publishing the story of a place as written by a tree over decades and sometimes hundreds of years. I sign each print because I stand by my work. If you’re not happy with the artwork I will give you a full refund, no questions asked. ****I’m more than happy to customize the color and the paper size for you. Just send me a message. ****If you have a piece of wood you’d like me to make art from just send me a message, I’m happy to do personalized pieces. ****I’m not currently shipping with frames because I’ve had too many frames get damaged during shipping. But don’t hesitate to ask me for suggestions. ________________________________________________________________________________ DETAILS Material: 100lb acid free paper Size: 18x24 Type: Oak from Ozark Mtns. Paint: High quality textured ink. Ships quickly in a sturdy tube. Signed by me ________________________________________________________________________________ HERE’S WHAT MY CUSTOMERS ARE SAYING: “I bought this print and another one for my wife for our 1st wedding anniversary. I thought it symbolized the traditional paper theme for the 1st anniversary perfectly. The tree for the main element in paper and the tree rings symbolize the years memories that we will record for our lifetime. Linton Art’s work is beautiful, and will be a perfect feature in our new home.” -David “My order was stolen but seller replaced with no charge and was super helpful!! And super fast shipping in time for the holidays. Definitely will order from again!! And the prints are so beautiful they made such a great gift!!!” -Rae “Such a beautiful and clear print and I love that each one is unique. Would definitely order again. Arrived within good time and was well packaged. Couldn’t be happier 🌟” -Maisie “I’ve been eyeing these prints for a long time...so glad I pulled the trigger! Love them, they are great quality and exactly what I wanted for my living room.” -Suzanne “I’ve been eyeing these prints for a long time...so glad I pulled the trigger! Love them, they are great quality and exactly what I wanted for my living room.” -Amy
Découvre ce qu'est le journaling visuel, comment le pratiquer au quotidien, le matériel de base pour commencer et des idées de thèmes pour t'inspirer
Wabi Sabi Art + Design from a Scandinavian perspective Natural elegance Scandinavian modern Harmonious style Creative spaces Clever DIY Tutorial
Nom de la marque: Huacan Utilisation : Peintures Origine : CN (Origine) Emballage externe : Boîte colorée Forme : tridimensionnelle Matériel: Résine Zone de collage : Complète Type de vente en gros : NON Type de motif : floral. Méthode d'emballage en toile : enroulée. Nombre de couleurs : 30-45 Forme du diamant : carré Type de réglage : OUI Style: européen Cadre : Non Achèvement de la peinture au diamant : Besoin de vous à la main La broderie diamant comprend : des outils, suffisamment de diamants, une toile Si les diamants ne suffisent pas ou sont manquants : Renvoyer gratuitement les diamants Fonction : Décoration d'intérieur ; Cadeau; Décoration de mariage; Papier peint autocollant mural Le kit comprend : toile, diamants, outils Quantité de diamants : 30 % de diamants supplémentaires Thème : peinture diamant fleur. Nom de la peinture au diamant : Mandala de broderie au diamant Taille du diamant : 2,5x2,5 mm (carré) 2,8x2,8 mm (rond)
Commissions are brilliant opportunities for stretching you and your practice. I was excited to be one of eighteen makers approached by The New Craftsmen Gallery, to create a bowl to feature as part of their 'An Anthology of British Craft' to be showcased at Decorex 2015. They will transform the VIP lounge into an immersive space that celebrates luxury British craft, providing a creative platform for our skills , materials and process. It is an amazing showcase for my ceramic patchwork and an opportunity to work with a gallery that I have long admired. The brief was for a bowl, 45cm in diameter by 25cm deep. Whilst my pieces tend to revive discarded ready-made ceramics, my search for such a proportion subsequently proved fruitless - serving platters were too shallow, whilst planters were too deep. It has been my intention for quite a while to explore the creation of my own forms to break and re-build. I'm thankful for the nudge this commission has given me in taking this next step. The valuable advice and encouragement given by my academic colleague, the ceramicist, Sue Dawes, is gratefully acknowledged! Considering the array of clay options gave me a strangely familiar thrill, similar to that of sourcing yarns when I was previously a knitwear designer. It is the thrill of raw materials and the excitement at their potential. With shrinkage discussed, clay composition decided, a suitable mold sourced and a plan of action in place, I found myself rolling out clay and engaged in piecing together, for a change using fingertips and slip, rather than fabric and stitch. As the piece grew, so did my appreciation for the skill of ceramicists. With the drying process, started the shrinkage process. When it had reached 'leather state' I was able to lift the bowl out of its mold and could appreciate how the protective calico cotton liner had left interesting imprints in its surface (a quality that has planted seeds in my imagination for future exploration). It wasn't until I had scraped and smoothed the form that I began to get a sense of the vessel's personality, a key aspect in being able to make a good selection regarding fabric. It took two firings for the bowl to shrink to the desired diameter. It emerged from the kiln with an endearingly warped top edge and plenty of signs of it's amateur creator's hand, but, for my first ever bowl (and a big one at that) I thought, not bad! Having slaved over its creation, how did it feel to then take a hammer to it? I had been being regularly asked about this and it was an interesting unknown. Usually the breakage of a vessel marks the start of my process, but I was a significant way through and with emotional, financial and creative investment. The bowl was big and it was heavy. With my process relying on the strength of stitch and textile alone to provide structural integrity, I knew heavier fabrics than my normal fashion silks would be required. The concept of the installation was to showcase innovation and craftsmanship in the use of materials and processes. With my piece sitting alongside bowls made of wood, ceramic, glass and jesmonite, I sourced fine weight contemporary furnishing fabrics, deciding upon a neutral colour palette and concentrating on textural and surface qualities. The bowl incorporates fabrics from the collections of Sacho, Zoffany, Sandersons Brentano and Mark Alexander. Thanks go especially to Casamance Group who sent me two rolls of the most exquisite material, which were a joy to work with. In the end my excitement in starting the ceramic patchwork process using these materials overcame any sentimentality I felt in relation to breaking the bowl. I felt confident my ceramic patchwork craftsmanship was going to be infinitely better than my ceramic skill! Before starting to break it and with it positioned on a large piece of bubble-wrap, I did indulge in the sensation of holding it as a solid piece and enjoying the beautiful ringing sound it gave off when lightly struck. Over the years, I have developed experience of the force needed for a controlled breakage of domestic ceramic forms, taking account for different material properties, thicknesses and scales. This was a very different prospect. As I began, the hammer strike rang out with a pure sound multiple times before a change in pitch alerted me to the development of a crack. I was relieved to see clean edged fragments rather than crumbling remains. And so my familiar ceramic patchwork process began, but this time with marked differences; heavier fabrics, thicker thread, textural design decisions and building much larger sections. New variants of familiar technical challenges materialised and were overcome. For the first time, I needed another pair of hands for the the tricky joins as I neared completion. In my initial briefing with Catherine Lock (one of the three founders of The New Craftsmen), we had talked about the aesthetics of aerial rural photography and the beautiful striped patchwork of Louis Bourgeois. I was interested in making a piece that was stripped bare of my normal pattern imagery and colour impact, closer to archaeological artifact restorations that are raw and unadorned. I am really pleased how these influences have come together in the piece. I am really looking forward to Decorex 2015 and seeing my pieces placed alongside those of; Edmond Byrne (glass), Eleanor Lakelin (wood), Pedro da Costa Felgueiras (gilded cork), Nicola Tassie (ceramic), Matthew Warner (ceramic), Stuart Carey (semi porcelain stonewear), Doug Fitch (earthenwear clay), Hannah McAndrew (slipware), Stephanie Tudor (Jesmonite), Grant McCaig (metal), Patrick Thomson (textiles), Nic Webb (wood), Akiko Hirai (ceramics) and Iva Polachov (ceramics). There are so many aspects about making this piece that are new departures for me that it is going to take a little time to digest. Next up is Made London at the end of October, so it will be interesting to see how this experience influences my next body of work.
Athena Jahantigh’s animal ceramics are a connection of East with West and the past with the future. The addition of wonderful texture brings alive her animals, who have both fur and feathers. Athena Jahantigh is able to create the image by the use of shape and only the smallest detail to represent the actual animal. Zoneone Arts is delighted to bring Athena Jahantigh to you…
Information produit Matériel: Céramique Technologie de surface : vitrage Artisanat : glacis de couleur Taille : A : 17 x 12 x 6 cm, B : 15,5 x 11,5 x 6 cm, C : 14 x 11,5 x 7 cm, D : 18,5 x 10 x 9,5 cm. Forfait: Vase * 1
Continuo trabajando con el Scrap, es un mundo fascinante que nunca se acaba, pero para las apasionadas de la arcilla no os preocupéis que no lo he abandonado :-)) sigo trabajando con la arcilla polimérica en nuevos proyectos. Los cuadros que vemos en las fotos tienen unas dimensiones entre los 6x6cm a 17x17cm, variando en algunos un lado más que otro. Se han usado técnicas muy variadas, todas diferentes y muy interesantes. Son muestras para enseñar en las clases. No están pegadas los cuadros entre ellos, podemos jugar a componer en un libre mosaico de diferentes formas, agrupadas alrededor de un centro, alargadas o verticales, separadas, en diagonal, ..... en fin al gusto de cada persona. Aquí en la primera foto lo tengo colocado en la pared de mi taller. Me encanta los colores que han quedado! ¡Muchas gracias por las visitas. Besos para tod@s.!
Le zendala est un mandala dessiné avec des motifs Zentangle. Dans cet article nous abordons le matériel et les différentes façons de dessiner un zendala
A cubic pochade with a magnetic drawer, removable palette and a wet panel carrier for 7x7 inch panels. Tripod choosing guide: https://martletpochades.com/2023/05/16/tripod-for-pochade-box/
Explore TEDxAustin's 3266 photos on Flickr!
I love artwork and really wanted to display some at home, but didn't want to spend too much money..so I ended up making my own abstract art.. this is what..
I finished week 4 in this bible study, all done. But Time Warp Wife will be starting a new 4 wk study on the 18th called the Virtuous Li...
Découvre dans cet article ma liste d'outils et de matériel indispensables pour se lancer et faire du collage artistique et créatif
Hoy quiero compartir una idea para almacenar y organizar las pinturas mientras las protegemos. El problema del espacio y la acumulación de obras Si alguna vez te has preguntado: ¿Qué hago con tantos cuadros y dónde los pongo? Bueno, aquí comparto contigo una forma de ordenar y mejorar la situación. Muchos de nosotros hemos tenido...
39 idées de jeux faciles à mettre en place pour amuser les enfants sans matériel ou avec ce qu'on a sous la main. Règles de jeu simples.
découvrez le gribouillage méditatif matériel nécessaire:1 carnet de gribouillage ou 1 feuille blanche, un feutre noir, des feutres de couleur. il faut essayer, c'est reposant et celà peut servir en mixed media
Retrouvez notre gamme de Meuble Atelier d'Art Auboi modulable pour répondre à tous vos besoins et laisser libre court à votre art.
