TUCK DRESS BLUE MIX CHECK ¥30,450 LINEN CHAMBRAY ¥29,400 TENT DRESS BLUE MIX CHECK ¥24,150 PATCH UP DRESS LINEN CHA...
सुप्रसिद्ध गायक अभिनेत्री आर्या आंबेकरचा मनमोहक लूक, चाहते फिदा | Popular singer actress Arya Ambekar's adorable look, fan Fida
In unserem Artikel finden Sie wunderbare Ideen und Beispiele für eine klassische und elegante Tischdeko in Grün und Weiß. Genießen Sie es!
А расскажу я вам про одну женщину, у которой руки не просто золотые - они бриллиантовые. Зовут её Евдокия Прохорова. Она наша соотечественница, и она творит настоящее мастерство и волшебство. Поражает, как Евдокия умеет управляться с тканью, какое чувство цвета... А ещё - внимательность к деталям,…
Olen ollut jo pitkään ihastunut näihin L:a Bruketin luomusaippuoihin. Tilasin niitä ruotsalaisista nettikaupoista ja toin tuliaisiksi reissusta. Siksipä halusin ne myös Cilla's webshopin valikoimiin. Kuva L:a Bruket Eräs asiakkaani sanoi haluavansa lisää apteekkisaippuaa. Hetken mietittyäni hoksasin apteekkiviittauksen liittyvän L:a Bruketin saippuapakkauksien designiin. Yritys kuvaa tuotteitaan ja niiden muotoilua karheaksi ja rustiikiksi lisättynä ripauksella romanttisuutta. Minun silmääni mielyttää niiden selkeys ja tummien pakkauksien luoma intensiivisyys. Se tuo kivasti syvyyttä ja kontrastia muuten melko kliinisiin wc- ja kylpyhuonetiloihin. Ne sopivat hyvin myös muuhun webshopin valikoimaan, kuten Iris Hantverkin kylpyhuonetarvikkeiden ja the Organic Companyn pyyhkeiden seuraan. Iris Hantverkin betoni-muovimassasta valmistetut wc-harja ja wc-paperiteline. L:a Bruketin saippuat ja the Organic Companyn pyyhket sulassa sovussa rinnakkain. L:a Bruketin tuotteet tehdään käsityönä Varbergissä, Ruotsin lounaisrannikolla. Tuotantotila sijaitsee vanhan linnan kupeessa. Raaka-aineista mahdollisimman moni on sertifioitua luomua ja keinotekoisia raaka-aineita pyritään välttämään. Saippuoiden pohjana käytetään vain kasviperäisiä ainesosia ja tuoksut tulevat eteerisistä öljyistä. Sarjaan kuuluu kylpysaippuoiden ja tiskiaineiden lisäksi joukko vartalon- ja kasvojen hoitoaineita, tuoksukynttilöitä ja koirasampoota. Cilla's valikoimmin on tulossa lisäyksenä laventeli- ja sitruunaruohotuoksukynttilät sekä kurkkuyrtin tuoksuinen käsi- ja kylpysaippua. L:a Bruket, Iris Hantverk ja the Organic Company tuotteet löytyvät täältä: Cilla's
Aunque el cemento sea material más propio de construcciones y grandes trabajos de reforma, con él también se pueden crear interesantes y más delicados trabajos de bricolaje y decoración. Con un poco de imaginación y maña podemos hacer desde topes para puertas, portavelas, macetas, lámparas, boles, letras, casas y figuras decorativas,
Tumblr Blog
Hoy os traigo este D.I.Y. (Hazlo tu mismo) que es bastante fácil. Como podéis ver en solo tres pasos podemos disfrutar de este fantástico taburete de cemento. Hacer la estructura de las patas. Hacer la mezcla del cemento y verterla en el molde, en el cual ya tendremos las patas colocadas. Una vez seco el cemento, pintar las patas del color que queramos. Aunque son solo tres pasos este D.I.Y. tiene algunas pequeñas dificultades que en la imagen no se pueden ver pero que no restan facilidad a la hora de realizarlo. En primer lugar tendríamos que hacer la mezcla del cemento correctamente porque sino cuando se seque se fisurará y no nos durará mucho el invento. También tendríamos que poner bien las patas para que queden en el ángulo que deseamos, para ello lo mejor seria atornillar las patas (una vez cortadas en ángulo) a otra madera que sirva además de "esqueleto" de nuestro taburete. Y por ultimo tendríamos que batir bien el cemento una vez que lo hemos echado en el molde para que se le vayan las burbujas de aire y quede todo más homogéneo. Ahh!! y se me olvidaba, tendríamos que dejar el cemento fraguar el tiempo necesario, ni más ni menos. Para saber cuanto tiempo necesita solo tendremos que ver las instrucciones del saco, pero por norma general con 48 horas es suficiente. Todo esto no quita que el resultado sea como el que veis en la imagen, un taburete original y con encanto. Y lo mejor de todo es que podemos hacer todos los que queramos por muy poco dinero. ¿Te atreverías ha hacerlo?
It's always nice to wear something that's handmade. Our English linen dress is very original with pockets and long sleeves. Decorative Boro -hand embroidery on the back.This is our new model, can be worn in the fall. Sits perfectly, very convenient. Made of specially hand crafted softened linen. Available in other colors . This is oversize dress. We will sew the big sizes according to your order! Available colors yellow honey,pumpkin orange,red, light pink, gray blue, light blue, aquamarine blue, blue,dark blue, coffee brown, natural linen color, dark gray, khaki ,white, black,natural stripes, red stripes, roses on grey. DETAILS • Model is (170 cm), on model chest of dress 118 cm/46''. Questions about ? Message us! • Made from 100% hand crafted softened linen! A GENERAL SIZE CHART (body measurements): SIZE XS Bust: 84cm/33" Waist: 66cm/26" Hips: 92cm/36" SIZE S Bust: 88cm/35" Waist: 70cm/27.5" Hips: 96cm/38" SIZE M Bust: 96cm/38" Waist: 78cm/30.75" Hips:104cm/41" SIZE L Bust: 104cm/41" Waist: 86cm/34" Hips:112cm/44" SIZE XL Bust: 112cm/44" Waist: 94cm/37" Hips: 120cm/47" SIZE XXL Bust: 120cm/47" Waist: 102cm/40" Hips: 128cm/50" SIZE XXXL Bust: 130cm/51" Waist: 112cm/44" Hips: 137cm/54" NOTE: Maya Moliq are made-to-order FOR YOUR SIZE! and take from one to two weeks to prepare. We offer custom sizes for clothing!
Lounge in style with this soft linen fabrication which drapes over the contours of the body to a loose,straight relaxed fit.
Material Memory with Jane Adeney - 1999 Anna Torma is a fibre artist whose work has stayed with me for years. I feel a deep connection to it and often re-visit it. The work I am so enamoured with is of course, her quilts. In this instance it's their embroidery/illustration and content that fascinates me rather than any technicalities of the craft. Their thinness, with warped sides remind me of early quilts that were perhaps made for hospital patients from newspaper or old shirt fabrics. The works are huge in scale, intricate, complex, intimate, meaningful, playful, contradictory. Some of the images evoke for me the dynamism and movement of Cy Twombly. Each one is a place to visit, spend time, be lost, find things, learn and always be inspired. So many things happening in each piece, so many strands, stories and interpretations.. with a level of skill, care and detail that belies their playful appearance. Playground III - 2002 A number of years ago I wanted to find out more about Anna Torma, so I contacted her and asked where I might find information. Her response was to very kindly post me an exhibition catalogue in return for copies of Selvedge. I was thrilled and impressed by her earthy nature and open manner. It felt like a favourite pop star had written to me - so exciting. detail of Herbary - 2001 This warmth is blatant in her work. Her maternal experience is there for all to see but she is a weighty artist, an important influence on many fibre artists. Her originality, questioning of materials, technical expertise, wisdom and cultural heritage are cleverly and delicately woven into the complicated patterns and subtexts. Playground I - 2002 Torma repeatedly uses the drawings and stories of her children. As I am primarily concerned with the use of textiles to communicate and perpetuate memory, I find this element of her work particularly powerful and moving. A simple rainy day stuck indoors, but the details of that are not just on film or in photos, instead expressed by the children and Anna through their markings and her stitch. The work involved feels like a natural representation of the patience and repetition of motherhood and the unconditional love therein. Are the images we see portrayed here of stories she has shared with her children again and again, reminding them all of the nights she comforted them and rocked them to sleep? Do I see monstery teeth - so significant in early childhood - so painful yet such a bonding shared experience. The monsters and the landscapes.. I see an image of numerous breasts - is that of significance to Torma? Before I knew about Torma's work I used this image myself in a diary drawing many years ago when I was making a joking nod to feeling able to nurture the world (or something like that). Perhaps the many-breasted woman is one with love enough for all..? Was this Torma that was full of love or something significant to her children? The whole piece is a big, beautiful private code within which we can all find significant parts, beautiful hints and project our own hypotheses. All of it about emotion, about feeling and reacting, making us think and feel, to me it is what makes work powerful. Rainy Day II, Tales - 2001 Torma completed her studies in Hungary in 1979, having witnessed the textile revolution of the 1970's. Textiles was at that time moving away from it's incarnation as folk art, or genteel past time. It slipped under the harsh spotlight of the authorities that shone intently over the shoulder of fine arts. Pieces were then being woven or stitched into abtract forms, installations, conceptual work in ways that had not previously been considered. detail from Rainy Day II Torma retained a feminine sensitivity about her work and was concerned with the motifs from her craft's heritage, with the stitches used and their significance and retaining the folk art references that other fibre artists were then rejecting. detail from Playground I - 2002 Her work today seems to me to be entirely universal in it's communication of shared experiences, instincts and references. I'd really love to see it in person - to experience the scale, the texture, the little details, the motion of the stitch and the emotion of the piece. If any of you have experienced her work in person then please tell me - I'd love to hear about it. Just My Imagination - 2006anna torma
