Hallo Allemaal Vandaag laat ik je deze Mixed Media Canvas zien die ik gemaakt heb met de mooie producten van Jenine's Mindful Art Collection. Ik heb een soort van bloemenhoed gemaakt. De rand heb ik gedaan met de Stansmal STENCILJMA12. Wil je graag weten hoe dit Canvas verder is gemaakt? Klik dan op onderstaand YouTube filmpje met daarin alle gebruikte materialen, de werkwijze en nog meerdere foto's. Ik hoop dat jullie er iets van opsteken en/of hieruit inspiratie kunnen halen. https://youtu.be/yZGj9UMntCk Dankjewel voor het langs komen. Groetjes Anita van Merode Alle gebruikte materialen zijn te bestellen bij www.hobbyvision.nl Klik op onderstaande foto's om direct bij het product in de webshop te komen.

I’m sharing a new painting on my blog to day: Winter blooms emerging from under the snow remind us that beauty, life and grace always find their way back through the colder, darker days.

Mixed-media art, art journaling and scrapbooking by polish artist and teacher Anna Dabrowska aka Finnabair.

Create mixed media backgrounds in your art journal with easy step-by-step tutorials with photos for each step. Plus: a background challenge.

Have you ever wondered what would happen if you mix one form of art with another? We are sure that you have had this thought once or twice and wondered what such a thing would be called and how it would work out. This form of art is called mixed media art – the redefining of the way you look at art. If you are wondering how mixed art is different from multimedia, then we would like to tell you that multimedia is about mixing visual arts with other art forms but in mixed media art, the mixture is of only visual arts. And once again, don’t make this more complicated by wondering what is new media art and find out more about it at another point of time. The thing that we may have mentioned about art earlier and feel that it warrants being repeated is that art keeps evolving constantly to include new aspects and facets and this adds to the charm of art.

Pressed flower petals on canvas, recycled packaging, plaster cloth, acrylic, polyurethane varnish 2022 H: 60" x W: 50" x D: 10” Large mixed-media wall piece with a 3 dimensional frame. The canvas and the frame are covered with flower petals creating a colorful abstract composition. Made of discarded plastic cups and recycled packagings, the frame connects the baroque exuberance with the results of capitalism as a culture of waste. The delicate nature and fragility of the flower petals contrasts with the rough edges of the recycled objects, usually discarded as trash. What was discarded become ornament and the flower petal’s patterns, usually use as ornaments themselves, become the subject of the piece. These displacements put forth the obsolete notion of nature versus culture.

mixed media collage on canvas board with rumi quote. anca gray. 2012.

Mixed Media Art for Beginners – 5 ways to start a blank canvas or page

"Not Enough of Anything" 14 x 11" mixed media collage This is an older piece but one that I really like. It incorporates a lot of different ...

Have you heard of mixed media art? While some people have the habit of mistaking multimedia art for mixed media art, it is not quite the same thing. Mixed media art is basically about the mixing two or more mediums of art to create an interesting new version. You can take something like pastel shades of paints with something like a collage or take acrylic paints and mix this with oil paints. You can learn how to make a collage with some simple tips and then add some paints of your choice to make things more interesting.

Join us to learn this lovely Faux Encaustic Technique! Create mysteriously beautiful misty effects for your Mixed Media art!

NEW YORK MIXED MEDIA III photography combined with painting. Mixed media works available on canvas, acrylic diasec

Welcome to my new live Art Show here in France! Take a look at the art + enjoy a backstage peek at the day we hung it all in the beautiful “Village d’Artistes”. And don’t hesitate to treat yourself, we’re happy to ship worldwide!

How Ian Woods embraces mistakes as he hand-carves his pop culture collages

"it doesn't add up" mixed media on canvas 11"x14" anca gray 2013

The year has almost reached this mysterious point where night and rest prevail, while light is preparing to return and bring renewed energy to the world. It is a good time to reflect upon what has unfolded in the past months, and to make a wish, blowing the seeds of possibility into the wind...

What is Gel Medium and How to you use it for Art and Crafts. This is a comprehensive guide to this useful art supply. Great for Collage work & Mixed Media Art.

The textured paintings and assemblages of artist Gregory Euclide (previously) combine organic and man-made materials to present the rapid changes happening to the landscapes around us. In his upcoming solo exhibition Preservation Paradox at Hashimoto Contemporary the Minneapolis-based artist examines the contradictions found in our simultaneous desire to protect some areas of nature while destroying others. The exhibition includes pieces from his most recent series Scrapes. More

2016 Topic 14: Colour Mixing Hi there, Ingrid here, sharing a few tips and tricks on colour mixing. Colour mixing can be a bit daunting, especially for beginners. There are many, many colour wheels, blog posts, books and other instructional material out there available for you to use, but until you actually give it a go and try it for yourself you will not get the hang of it. Practice makes perfect and in this case it is the only way you will learn once for all. There is a wonderful and very detailed blog post right here on the Paperartsy blog focused on the colour mixing written by Elizabeth Borer. Hat off to Elizabeth, she went into so much detail, there is no point me even going there again! I’m going to take a slightly different approach today and show you how it all works in practice and how you can create an abstract artwork with 5 of the wide range of Paperartsy Fresco Finish Chalk Paints. I prepared a canvas to show you how you can use these 5 colours in practice. Let’s start with the basic theory of colour mixing. We all love to say, ‘oh, I love the colours on your work’, but when you are referring to ‘colour’ there is more to it. For example, I love yellow. Do you know which yellow? There is more than one type of yellow. In fact, there are many. Let’s break it down a bit… There are a few aspects to consider when it comes to a COLOUR: HUE which is a name of a particular colour so when you I say I like yellow colour, I really mean yellow hue. VALUE which is a relative lightness or darkness of a colour. Imagine turning your photo into a black and white one. You will see anything from white and light grey to dark grey and black. The same applies to other hues. You can adjust value of any colour by adding white. CHROMA (also recognised as INTENSITY or SATURATION) is the purity of a colour which determines its brightness or dullness. You can adjust chroma of a colour by adding white (adjusting tint), adding gray (adjusting tone) or by adding black (adjusting shade). How many of you say ‘this is too bright, I need to tone it down’… well, what you really mean is you need to adjust chroma (tint, tone or shade of the colour). I don’t doubt that you have seen many colour wheels and it would be great for you to buy one. They are very handy. They are great if you are using true pigments also known as ‘artist paints’ where you can start with the three primaries, red, yellow and green and mix any colour you desire. But we’re not here to talk about those. So forget about the colour wheel for now, because PaperArtsy make it easy for you. They already mix and sell a huge variety of shades and tones of each colour that we really are spoilt for choice! You can find them all HERE. But what if… what if you don’t have any yet and don’t know which ones to buy first, but still wanted to use some in your artwork? I have a simple solution for you and today I want to show you how easy it is to mix your own neutral colours and various shades and tones by simply using 5 Paperarty paints. Three are very close to the three primaries, London Bus (red), Zesty Zing (yellow) and Blueberry (blue), and two are neutrals, Snowflake (white) and French Roast (grey). Here’s a basic graph of how our three equivalents to the primaries mix: You can see that each of the neutrals has a different warmth to it and this is achieved by adding more red. If you want your neutral to be earthier, add more green. If you want it cooler, simply add more blue. Easy! It is easy to adjust the value by adding white to any colour. I added Snowflake to London Bus, as shown below. Or to adjust chroma by adding a little bit of a French Roast to London Bus (we’re onto some recipe here. Now you learned the basics there is nothing stopping you. Just by mixing the three colours you already created all the colours you need for any artwork. Add more Snowflake to the neutrals you mixed up earlier and you can create skin tones. You can paint an entire landscape with rocks, mountains, grass, water, sky, flowers and anything that your imagination can produce just by following these basic rules or colour mixing. Is your colour too bright, add some French Roast. The trick is to add a tiny bit. Then more, if you need to. A little goes a long way. Is it now the right tone, but too dark? Add Snowflake to adjust value. If you keep practicing these basics you will be a pro in no time. Trick: always keep a little bit of the originally mixed colour before you add another to it. Take a little bit from it and place next to it, then mix your white or whatever else into it. Why you ask… if your new mix doesn’t work out you have the original one to use or to use as a reference when mixing more. You can also compare the two and decide what works better for your artwork. And so to my canvas: I collaged various papers, fibres, card, strings, sand and art stones, crackle pastes etc onto my canvas using a Mod Podge, white gesso and then covered everything in white gesso. I also used my favourite, Paperartsy Grunge Paste, and stamped into it whilst still wet using the gorgeous journaling stamps by Sara Naumann – Eclectica 03. I let everything to dry over night to ensure the gesso or anything else I used wouldn’t interfere with my paint. ESN03 I decided on a colour scheme and started with a basic wash. My base colour was Blueberry. By adding Snowflake, I adjusted the lightness of this colour. I applied the darker by the art stones and lighter towards the middle of the canvas which on its own created dimension. I also mixed London Bus, Zesty Zing and a small dash of Blueberry to create a brown colour. It was too warm and didn’t match my blue and grey background so I added more yellow to get an earthier look. It was too bright and needed to tone it down so I added French Roast and there it was. I was slightly diluting the colours as I went for an easy application. I needed another earthy, but slightly contrasting colour so I added a bit of French Roast to Zesty Zing and got a nice dull, almost grey yellow colour which was perfect as a source of light in my blue and grey artwork. It was a nice touch, but not too bright. I used a couple more stamps and Blueberry and French Roast paints to add some stamping. One of the stamps says ‘disappear here’ and I was totally getting hooked and enjoyed the play. Which is what it’s all about. It is fun to make discoveries and each time you mix up a colour it is a bit like that. A little discovery you get excited about. Once I was happy with the overall composition I highlighted everything with Snowflake. I dry-brushed it on which meant that only the raised areas were touched with the brush. I also added so white to the centre. It was at this point when I was fairly satisfied with the overall look, but it needed a contrasting colour to create focal points or shall I say, areas of interest. I mixed London Bus and Zesty Zing to create orange. You probably know that orange and blue are complementary colours. They complement each other meaning, they are creating an aesthetically pleasing colour contrast, they create a harmony. This is why we group them into Harmonious Colour Schemes. Monochromatic and Analogous colours also belong to this group. There are other key points to colour relationships, but I won’t go into this as this post would be very long. So now I had my lovely and bright orange it needed to be ‘toned down’. You guessed it, I added a tiny bit of French Roast. And then a bit more and did this until I had my perfect dull orange, almost a colour of a rust. I applied the first coat of this colour to the ridged areas of my canvas and lightly touched here and there, this time with a palette knife. By using the palette knife I was safe in knowing only the raised areas would be covered and I wouldn’t get paint where I didn’t want it. I then used this very dull orange colour and added a bit of Zesty Zing. I adjusted the brightness and saturation again! I applied with a palette knife over exactly the same areas. Then I repeated this step until I had a gradient from darker dull orange until a bright light orange. That was fun! Today my mission was to prove that YOU CAN use a few basic colours to create a vast variety of other colours, from bright to dull, from light to dark and from primaries (or in this case their equivalent or close enough to them) to neutrals… I have a few close ups of the finished canvas for you… I hope you find my post useful as well as encouraging to experiment with colour mixing. You never know what you might discover! ;) Stay creative! All the best, Ingrid xxx Blogs: Ingrid Kristina V Designs& Mixed Media World Socials: Twitter, Pinterest, Facebook, Instagram, Google+ Wow Ingrid, this is fabulous in its simplicity. We all know though that sometimes what appears minimal does in fact have a lot of work and layers involved, not to mention the careful thought and attention to colours and placement. Thankyou for all your hints and tips on mixing, this can be a confusing subject but you have shown how a stunning piece can be achieved with very few colours. We would love to see how you interpret this Colour Mixing topic by linking what you make to our 2016 Challenge #14: Colour Mixing, on this page HERE. All of our bloggers love to see your twist on their ideas, particularly if you were inspired directly by their post. All links go in the draw to win a £50 voucher to spend on products of your choice from the PaperArtsy online store. The Colour Mixing link will close 17:00 (London Time) Sunday, Aug 7th 2016. The winner will be announced 2 hours later at 19:00.

This summer I installed this commissioned artwork for NIH [National Institutes of Health] in their permanent collection.

This is a beautiful, textural, mixed media weaving mounted on a textured mixed media stretched canvas. 12x12x1.5 inches. Primarily creams, blues, browns, creams, and pinks. Display this mixed media weaving on the wall or on a tabletop on an easel. Weaving includes hand spun wool yarn, silk and rayon hand painted velvet ribbon, lace, lots of different kinds of silk ribbons, beaded flowers, fabric, and gorgeous furnace glass beads. 12x12x1.5 inches and ready to hang or display.

Corine Ko, originally from Paris, has worked and lived in the Marseille region since 1998. After studying literature, Corine combined her passion for painting and the world of childhood by moving towards specialised animation.

Finally.. gentle readers... all the work has reached the Gallerie and I have it loaded in the shop 142 Bis Gallerie for pre sale.. I chose to call the show EXCAVATIONS because I noticed that I had been doing a lot of collage in my art journals.. layering the torn pieces, chewing on relationship issues and stressful events... metaphorically digging by ripping and tearing.. to find out what was really at the crux of the matters.. As If, Mixed Media Collage, 5 x 7 Caterina Giglio I used mono prints and painted papers.. old book pages and antique ephemera.. Detail from A Bridge Too Far, Mixed Media Collage, Caterina Giglio it took me a year and a half to work on this collection from my Ripped and Torn Series.. A Bridge Too Far, Mixed Media Collage, 12 x 12, Caterina Giglio and just now... I feel as though I might have a bit of understanding about the process.. Caterina Giglio, Two Sides Of The Same Story, 12 x 12 Mixed Media Collage But there is still so much to learn.. I feel quite humbled by the experience Detail from Natural Remedy, Caterina Giglio Caterina Giglio, Natural Remedy, Mixed Media Collage, 8 x 10 EXCAVATIONS Excavations is an attempt to rip through the layers and sort out the truths... The center always reveals what has been hiding there all along.. As I rip, tear and study, the dimension of the relationship comes clearly into focus.. and I am always reminded that harmony and congruence is born from chaos. Detail from Moonlight, Mixed Media Collage, Caterina Giglio Caterina Giglio, Moonlight, Mixed Media Collage, 8 x 8 and I have lots of new ideas about paper manipulation... Caterina Giglio, The Story Teller, Mixed Media Collage, 8 x 8 But when I land back to the studio.. methinks I am headed back to some painting.. Caterina Giglio, Compensation, Mixed Media Collage, 8 x 8 Caterina Giglio, Light Through The Forest, Mixed Media Collage, 8 x 8 This collection took far longer than even portraits.. Detail from The Distance To Harmony, Caterina Giglio, Mixed Media Collage There was so much to understand.. not just about the application.. the paper and the products.. Caterina Giglio, The Distance To Harmony, Mixed Media Collage, 11x 14 but my emotional process as I worked on each piece of art.. Caterina Giglio, The Origin Of Hope, Mixed Media Collage, 11 x 14 Detail from Origin Of Hope, Caterina Giglio coming to terms in my own heart.. and moving forward in peace.. The Gallerie site lists the prices and details.. as well as a detail of each piece.. and as always, I am so very thankful for each one of you.. xox

About " Non-Color Augsburg", Mixed Media on Canvas 2016 signed No frame "Art is transformation" Art is the purpose of art as love is the purpose of love. “Heinrich Heine Ines Hildur starts her paintings intuitively, without any preconceived programme. From the subconscious things occur, which she cannot predetermine. The artist does not convert these inner pictures to specific things. With a special feeling for rhythm and through subtitle color sounds she tells about free, associative picture stories. The works exude tranquility, clarity and sensuality. The visible aesthetic sensitivity has a suggestive power, which captivates the observer. If you get involved in these pictures – in the colored moods, the symbolic, fragile lines, symbols – they appear to be the beginning of a story, which the observer can continue in his imagination. At the trans-lation into the terms of language, however, something mysterious remains, which cannot be translated. The painter apparently leaves the processes for the creation of the painting: color layers overlay each other, lines are covered and released again, used papers are stuck onto the work. The artist describes her way of painting like this: “violations at places of change are connected, sewed, covered in a varnishing way, shine through like under a wax layer or can still haptically be realized. Special importance is attached to the picture passages, which appear to be particularly successful, they support their environment – are significant for fringe areas, however, can also lose their function again during the working process and have to be given up – sometimes this is quite painful like the loss of a good friend. “She discovers special beauty in apparently everyday things. This can be a crumbling wall, moss between concrete slabs, traces of transience. Due to this special talent of perception the artist converts her impressions to compact pictures, which sometimes remind me of releasing layers, preserving a certain state, which could quickly disappear: also the forms of cocoon are ambiguous, a cocoon for wrapping something up, giving protection and security – or are they projectiles reaching new shores? In an environment of over-stimulation the artist wants to train our ability of perception to see things in a new way. For several years she has been communicating the interrelation between painting and seeing at the private art school Wameling Richon in Baden near Zurich. The painter and architect Ines Hildur – this is her pseudonym – belongs to the cross-border artists, to whom one attributes a special open view due to the different fields of activity. Since 1991 she has intensively been occupying herself with painting. By encountering the Berlin film-maker and painter Jürgen Böttcher Alias Strawalde, the Vienna painter Gunter Damisch and the artist couple Nancy Spero and Leon Golub at the renowned Summer Academy of Fine Arts in Salzburg she received particularly lasting ideas and stimuli. In the meantime the artist, who presently lives in Leipzig, shows her individual and group presentations in Germany, Austria, Switzerland and France. The paintings of Ines Hildur appear to be very open, they invite to discuss about them. Perhaps it will be a dialogue between her expectations and those aspects you can find here. You can take up this trace if you want to come closer to the secret behind the obvious things, which works of art always have for us. Andrea Richter-Mahlo I Art Historian I Leipzig. Ines Hildur is born in Freiberg / Saxonia in Germany She studied architecture at the University Dresden from 1977-1982. In 1991 she study Arts in the Arts School of Fine Arts & Design and in the International Summer Academies of Fine Arts Saarbrücken Living and working in Leipzig as an Artist Painter she still working as an Architect and Interior Designer in Dresden, Saarbrücken, Salzburg and Leipzig since 1982 and Temporarily in Saint Paul De Vence - Cote d'Azur Teaching free painting at serval academies of Fine arts since 2002 . Selected Solo Exhibitions 1994 Galerie Filmhaus Saarbrücken 1995 Atelier Studio Silke Wagler Leipzig Galerie Mittelsächsisches Theater Freiberg 1996 Galerie Alcatraz Hallein/Austria 1997 Galerie Hofhaus Saarlouis Galerie Pro Arte Hallein/Austria 1998 Galerie Schubert Neunkirchen Mdr-Galerie Leipzig 1999 City Managment/Galerie Spandow Berlin Galerie Kunst + Objekte Leipzig 2000 Regierungspräsidium Dresden Galerie Hanstein Saarbrücken 2001 Galerie Spandow Berlin 2002 Galerie Wameling Richon, Baden/Suisse 2003 Kunstverein Die Treidler, Frankenthal Galerie Ferry, Paris 2004 Drive - Die Medienagentur, Hannover 2005 Galerie Ferry Paris Galerie Wameling Richon Baden/Suisse Galerie Victoria Wittek Schwalmtal/Rainrod/D 2006 Kunstverein Ebersberg 2007 Nexolab München 2010 Art und Ambiente Leipzig Kunst und Justiz Karlsruhe 2013 Helmaxx Salzburg 2014 Werkschau Salzburg 2015 2018 Galerie Schöllerbank Salzburg Galerie Katapult Basel Galerie Mikhail Nefedov Nizza Galerie der Havilandbank Monte Carlo Selected Group Exhibitions 1994 Galerie Filmhaus Saarbrücken 1996 Galerie am Damm, Dresden Galerie Hanstein, Saarbrücken Galerie Pro Arte Hallein/Austria 1997 Landeskunstaustellung Saar, St. Ingbert 1999 Passages - House of Artists, Saarbrücken Art in the Box - House of Artists, Saarbrücken 2001 Galerie Hanstein, Saarbrücken House of Artists, Saarbrücken 2002 Galerie Hanstein, Saarbrücken Galerie Pro Arte Hallein/Austria 2003 Galerie Hanstein, Saarbrücken Galerie Ferry, Paris 2004 Galerie Wameling Richon, Baden/Suisse Grosse Kunstausstellung, Wasserburg/Inn Galerie Nicole

Mixed media painting offers a widely flexible art system that can incorporate one or many of your artistic passions, from drawing and painting, to collage and composition. The best way to begin a mixed media artwork is to gather your resources and materials. Since there are so many options when it comes to resources an

I’m about to start a personal artistic challenge and you’re invited to follow along!

About The Artwork Made using personal fodder from my grandmother's1887 farm sold recently including 1920's maps, grade book pages, sewing patterns, news articles, CA Thomas Guide pages, my daughter's opera sheet music, book pages, Spanish translation book pages, candy wrapper, charcoal & acrylic paint. Original Created:2023 Subjects:Abstract Materials:CardboardPaperBook PagesNewsprintMusic Pages Styles:AbstractAbstract ExpressionismContemporaryFine ArtMinimalism Mediums:AcrylicCharcoalGessoPaintPaper Details & Dimensions Mixed Media:Acrylic on Cardboard Original:One-of-a-kind Artwork Size:18 W x 24 H x 0.5 D in Frame:Not Framed Ready to Hang:No Packaging:Ships in a Box Shipping & Returns Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments. Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines. Ships From:United States. Have additional questions? Please visit our help section or contact us.

She Knew She Would Not Be The Same, 2014 Mixed Media on %100 Cotton Paper Found images transferred to acetate film, collage, acrylics, and graphite. Image size: 15 in. H x 11 in. W Frame size: 19 in. H x 15 in. W Fiber thread. Mounted. _________________________________ Roberto Fonfría lives and works in Miami, Fl He was born in Caracas, Venezuela in 1969 Roberto Fonfría creates stories through a random mix of found images, photographs, drawings, and words. He combines these elements and builds layers and textures using acrylics, common objects, and collage. His work explores human behavior and social rules with a critic eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines, advertising and photo albums collected at thrift stores. By extracting them from their natural context, he reconstructs them by adding references to popular culture as well as common phrases and insights that come from his Venezuelan childhood.