Mizuno Toshikata: Book Thrower - Takayama Masayuki - Artelino

Mizuno Toshikata (1866-1908) is one of these hapless artists like Chikanobu, Gekko, Kobayashi or Tomioka Eisen who were born at the wrong time. Traditional ukiyo-e had gone down the drain. And when the new renaissance of Japanese printmaking had set in with Shin Hanga and Sosaku Hanga, they were too old to join the dance party.

Mizuno Toshikata: Picking Mushrooms - Robyn Buntin of Honolulu

Mizuno Toshikata (1866-1908) is one of these hapless artists like Chikanobu, Gekko, Kobayashi or Tomioka Eisen who were born at the wrong time. Traditional ukiyo-e had gone down the drain. And when the new renaissance of Japanese printmaking had set in with Shin Hanga and Sosaku Hanga, they were too old to join the dance party.

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Mizuno Toshikata: Beauty going to theater - Asian Collection Internet Auction

Superbe Estampe ancienne de type Kuchi-e de Toshikata Mizuno où l'artiste représente une femme lisant la lettre envoyée par son époux représenté dans le cadre à gauche de l'estampe. Encore une fois, Toshikata livre ici un magnifique travail d'une rare finesse dans les détails du kimono et des visages.   Edition :  1900 Dimensions : 21,4 x 29 cm Condition: Papier ancien présentant deux plis, propres aux Kuchi-e Cette estampe est accompagnée de son certificat d'authenticité.

Mizuno Toshikata (1866-1908) is one of these hapless artists like Chikanobu, Gekko, Kobayashi or Tomioka Eisen who were born at the wrong time. Traditional ukiyo-e had gone down the drain. And when the new renaissance of Japanese printmaking had set in with Shin Hanga and Sosaku Hanga, they were too old to join the dance party.

Superbe Estampe ancienne de type Kuchi-e de Toshikata Mizuno où l'artiste représente une femme lisant la lettre envoyée par son époux représenté dans le cadre à gauche de l'estampe. Encore une fois, Toshikata livre ici un magnifique travail d'une rare finesse dans les détails du kimono et des visages.   Edition :  1900 Dimensions : 21,4 x 29 cm Condition: Papier ancien présentant deux plis, propres aux Kuchi-e Cette estampe est accompagnée de son certificat d'authenticité.

Mizuno Toshikata: Hanawa Hokiichi - Robyn Buntin of Honolulu

Mizuno Toshikata (1866-1908) is one of these hapless artists like Chikanobu, Gekko, Kobayashi or Tomioka Eisen who were born at the wrong time. Traditional ukiyo-e had gone down the drain. And when the new renaissance of Japanese printmaking had set in with Shin Hanga and Sosaku Hanga, they were too old to join the dance party.

Hoy llueve. Uno de mis lugares favoritos es el espacio que hay bajo un paraguas. Me produce una sensación de recogimiento, de soledad deseada y amable, de protección que me invita a caminar sin rum…

Original Japanese woodblock print - Kuchi-e Artist: Toshikata Mizuno, 1866 - 1908 Date: Ca. 1900 - 1910 Title: Letter - 2, kuchi-e Dimensions: 31.3cm x 22.5cm (12.3" x 8.9") In good condition. A woman is reading a letter. A priest is depicted in the left inset. Kuchi-e are frontispieces of books, especially woodblock printed frontispieces for Japanese romance novels and literary magazines published from the 1890s to the 1910s.

Mizuno Toshikata: Living Room - Art Gallery of Greater Victoria

No. 07 in the series. MFA impressions: 41.940.8, 2016.1588.8 From an album containing the complete series of thirty-six prints, plus a double title page.

Mizuno Toshikata (1866-1908) is one of these hapless artists like Chikanobu, Gekko, Kobayashi or Tomioka Eisen who were born at the wrong time. Traditional ukiyo-e had gone down the drain. And when the new renaissance of Japanese printmaking had set in with Shin Hanga and Sosaku Hanga, they were too old to join the dance party.

No corresponding story identified.

Mizuno Toshikata: Chatting in a small garden shelter near the tea house - Japanese Art Open Database

Mizuno Toshikata (1866-1908) is one of these hapless artists like Chikanobu, Gekko, Kobayashi or Tomioka Eisen who were born at the wrong time. Traditional ukiyo-e had gone down the drain. And when the new renaissance of Japanese printmaking had set in with Shin Hanga and Sosaku Hanga, they were too old to join the dance party.

Superbe Estampe ancienne de type Kuchi-e de Toshikata Mizuno où l'artiste représente une femme lisant la lettre envoyée par son époux représenté dans le cadre à gauche de l'estampe. Encore une fois, Toshikata livre ici un magnifique travail d'une rare finesse dans les détails du kimono et des visages.   Edition :  1900 Dimensions : 21,4 x 29 cm Condition: Papier ancien présentant deux plis, propres aux Kuchi-e Cette estampe est accompagnée de son certificat d'authenticité.

Mizuno Toshikata: Streetwalkers: Women of the Ônin Era [1467-69] (Tsujigimi, Ônin koro fujin), from the series Thirty-six Elegant Selections (Sanjûroku kasen) - Museum of Fine Arts

Mizuno Toshikata (1866-1908) is one of these hapless artists like Chikanobu, Gekko, Kobayashi or Tomioka Eisen who were born at the wrong time. Traditional ukiyo-e had gone down the drain. And when the new renaissance of Japanese printmaking had set in with Shin Hanga and Sosaku Hanga, they were too old to join the dance party.

Mizuno Toshikata Panel No. 1 A Tea Ceremony Periwinkle, 1896-1897, 9.5x14in., 1st Edition Original Woodblock Prints This is a original 1st Edition print in a series of 16 panels. The original set consists of sixteen prints covering an entire day's tea gathering, from early morning preparations and the arrival of three guests, through the guests' departure in the early evening. Mizuno Toshikata (1866-1908) was born on March 6, 1866 in Tokyo. When he was 13 years old, his father sent him to the printmaking school. He was also apprenticed to a ceramic painter. Panel 1-Content page Panel 2-Utensils for Tea Ceremony Panel 3-Tea Ceremony-Cleaning Utencils Panel 4- Calling for guests to come and sit in the tea room Panel 5-Entering the Tea Room, A guest at a tea gathering leaves her shoes outside the entrance, while another guest washes her hands. (Also Located in British Museum) Panel 6- Hostess greeting her guests at the Tea Ceremony Panel 7-Preparing the meal in the kitchen (Also Located in British Museum) Panel 8-Replenish the fire with charcoal Panel 9-The host hands a lacquered tray containing a bowl of food to each guest Panel 10-Chatting in a small garden shelter near the tea house Panel 11-The Flower Arrangement Panel 12-Invitation to the Latter Part of the Tea Gathering, A guest washing her hands a second time before commencing the final part of the tea gathering. Balcony in snow. (Also Located in British Museum) Panel 13-Hanging a bamboo blind Panel 14-the thick tea ceremony of the most principle and formal style. Panel 15- Making Usu-cha-a weak infusion of powdered tea Panel 16- Guest Leaving

Mizuno Toshikata: Visitor - Artelino

Merchant’s Daughter 1900 by Blue Ruin1 on Flickr. Via Flickr: The “Merchant’s Daughter” by Mizuno Toshikata (1866-1908). Based on a Japanese fairy-tale called the “cat guardian” or “the story of the...

No corresponding story identified.

Mizuno Toshikata: 5- Summer - Japanese Art Open Database

Mizuno Toshikata (1866-1908) is one of these hapless artists like Chikanobu, Gekko, Kobayashi or Tomioka Eisen who were born at the wrong time. Traditional ukiyo-e had gone down the drain. And when the new renaissance of Japanese printmaking had set in with Shin Hanga and Sosaku Hanga, they were too old to join the dance party.

As they emerge from the public bath in the background, we share an informal moment with a samurai family. Their attire is simple, and their hair, still wet, is plainly combed and unadorned. The servant, carrying a drying cloth and a long pipe, is easily identifiable through his plain and short garment, his bare feet, and his position behind the family.

Mizuno Toshikata: Back from Festival - Artelino

Mizuno Toshikata (1866-1908) is one of these hapless artists like Chikanobu, Gekko, Kobayashi or Tomioka Eisen who were born at the wrong time. Traditional ukiyo-e had gone down the drain. And when the new renaissance of Japanese printmaking had set in with Shin Hanga and Sosaku Hanga, they were too old to join the dance party.

Mizuno Toshikata As they emerge from the public bath in the background, we share an informal moment with a samurai family. Their attire is simple, and their hair, still wet, is plainly combed and...

Mizuno Toshikata: Replenish the fire with charcoal - Japanese Art Open Database

Mizuno Toshikata (1866-1908) is one of these hapless artists like Chikanobu, Gekko, Kobayashi or Tomioka Eisen who were born at the wrong time. Traditional ukiyo-e had gone down the drain. And when the new renaissance of Japanese printmaking had set in with Shin Hanga and Sosaku Hanga, they were too old to join the dance party.

Mizuno Toshikata: Praying - Artelino

Mizuno Toshikata: Bijin behind screen - Japanese Art Open Database

Mizuno Toshikata: Bijin at Sea Shore - Japanese Art Open Database