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Quadro e pôster decorativo I'll Be There For You Friends » com moldura de madeira, é uma ótima opção para decorar. Entrega imediata, 3x sem juros. Venha ver!
Sou suuuuper fã da série FRIENDS, posso assistir um zilhão de vezes e não me canso nunca. A série durou 10 anos e seu ultimo episódio foi ao ar no dia 6 de maio de 2004. Pois é, já faz 10 anos que …
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Selecionado criteriosamente por nossa curadoria, este quadro decorativo destaca-se pela qualidade superior e é peça-chave para elevar a decoração de salas de estar, quartos e escritórios. Cada arte na seleção Obrah reflete nossa missão de trazer o melhor do design e fotografia internacional através de artistas comissionados. Com opções de moldura com vidro ou tela em canvas, paspatur ou caixa, nossas molduras de acabamento premium são confeccionadas sob medida para assegurar a melhor exibição da sua obra. Ou, se preferir, compre somente o poster, impresso em Papel Fuji Silk 230g, e dê vida à sua composição de quadros.
Selecionado criteriosamente por nossa curadoria, este quadro decorativo destaca-se pela qualidade superior e é peça-chave para elevar a decoração de salas de estar, quartos e escritórios. Cada arte na seleção Obrah reflete nossa missão de trazer o melhor do design e fotografia internacional através de artistas comissionados. Com opções de moldura com vidro ou tela em canvas, paspatur ou caixa, nossas molduras de acabamento premium são confeccionadas sob medida para assegurar a melhor exibição da sua obra. Ou, se preferir, compre somente o poster, impresso em Papel Fuji Silk 230g, e dê vida à sua composição de quadros.
Desenhos Estilizados Feitos Em Aquarela. Imagens Meramente Ilustrativas Os Desenhos São Estilizados E Diferentes Para Cada Cliente A Sua Arte Será Única. Enviar Mensagem Com A Arte Desejada Caso Ela Não Esteja Representada Em Nenhuma Das Imagens Consulte Antes De Realizar A Compra. Fazemos Artes Inspiradas Em: Plantas Animais Com Temáticas De Livros E Filmes. A Arte Não Inclui Moldura O Papel Utilizado É De A3 300g/M²
With tattoo trends changing almost as often as the trends on social media, there still are some tattoo styles that defy time, gaining immunity to any and all passing-by trends. Want to guess which tattoos we are talking about? Yup, you’re absolutely right; it’s American traditional tattoos! To honor this never-dying trend, we’ve rounded up some of the most beautiful specimens done in recent days, and although these old-school tattoos did change during the period of their natural evolution, the core still stayed the same.
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Op Art Animation courtesy http://www.op-art.co.uk/ Before reading this post, click here for a list of resources and supplies (and where you can buy them) to get you started creating your own wonderful rhythmic line drawings. Rhythmic designs are formed any time a line is repeated to form a pattern. Rhythmic patterns can be seen all around us, from the veins in a leaf to the curling waves of the ocean to the whorls of your finger prints. They're even in the pattern on the bottom of your sneakers! While planning this unit, I experimented with all the ways I could think of to use black and white rhythmic lines. I took photographs wherever I found linear patterns and looked at how artists throughout history used rhythmic line to create dynamic art. Each piece I saw inspired me to experiment, create and develop my ideas. Hopefully this lesson will do the same for you. Here is the sphere pattern I used in the above video: GETTING STARTED Assignment 1: Before you begin your journey, print out this worksheet and follow the directions to find out how much you already know about rhythmic line designs. You may surprise yourself. Linear patterns are all around us. You will need a piece of drawing paper, a pencil, the worksheet and a friend who you can trade papers with when you are done drawing. Do not use a ruler or compass. Instead, draw your designs free hand. How can you transform a circle into a picture of a three dimensional form? If you simply add shadows, mid-tones and highlights, you will have a sphere. Take it a step farther by experimenting with rhythmic line and pattern and you could transport your audience into the virtual world of your imagination. Look at the world around you, including video games and movies, to get ideas for your drawings. Art Installation by Tony Oursler-Eyes from Rachel Wintemberg on Vimeo. This art installation was created by the artist Tony Oursler. Unlike other video artists, Oursler projects his images not on a uniform surface but on to dolls, balls, architecture and other surfaces such as treetops and clouds of steam. To learn more about this artist click here and here. Spheres are only the beginning! There is no limit to what you can create with line. Below are some black pen doodles that I created while thinking about rhythmic lines in the last few days. How about drawing a magical garden, densely packed with different types of rhythmic, repeating lines? Above, are my experimental magical line gardens. Below are some vintage illustrations of Edgar Allan Poe stories by the artist Harry Clarke. How many different types of rhythmic lines, patterns and textures does he use? When he repeats a line pattern over and over, it gives his drawing unity. When he uses many different types of patterns, lines and textures, it gives his pictures variety. To learn more about this artist, click on the link below: http://50watts.com/Harry-Clarke-Illustrations-for-E-A-Poe Rhythmic Line Designs And Patterns from Rachel Wintemberg on Vimeo. Assignment 2: Photograph rhythmic line patterns in nature. You can use any camera, even a cell phone camera. Look at leaves, flowers, ferns, sea shells and anything else you can think of. Here are some of my photographs of natural forms with rhythmic line patterns. Photo credit: My husband, Tim Wintemberg. Eastern timber rattlesnake, New Paltz, NY Zoom in and crop off just a small section of each of your photographs to isolate the rhythmic patterns. Assignment 3: Make a series of small sketches of the patterns you find using a sharpened pencil and a fine tipped graphic pen. It may be easier to concentrate on the rhythmic line patterns if you print your reference images in black and white. Zebra Shells (Modified from a photograph by Sheri from www.facebook/Math-Explosion.com) Assignment 4: Start creating your own rhythmic line doodles using the images you've been gathering to inspire you! Print out and refer to this rhythmic line poster and see if you can figure out what types of lines you are combining to create patterns. Using a pencil, try shading in the edges of some of your shapes to give your patterns a three dimensional look. Here is a doodle I created, using organic forms as my inspiration. Notice how I used curved lines that follow the arching three dimensional forms of the ribbons and spirals to create shadows. When you envision the shapes you have drawn as three dimensional forms you can create a much more engaging image, as this picture of two spheres clearly illustrates. Without the curved lines that define their form, they would merely be flat circles. Here is another doodle I created by combining different types of rhythmic lines... ..and here is the design I created from the doodle above. Assignment 5: Once you have created a doodle that you like, try repeating it, overlapping it or tiling it to create interesting designs. Don't be afraid to rotate, flip, overlap, combine or re-size you design to create a unique rhythmic pattern. Here is another small doodle I created... ...and the design I created from it. Now that you have gathered inspiration from the world around you, it's time to take a look at what other artists have created. An excellent source of rhythmic line designs is South West Native American Pottery Click here to learn about prehistoric Mimbres pottery designs Use the images below for inspiration in your own artwork. Another great source of inspiration is graphic design and illustration from the Art Nouveau Movement. To learn more about this art movement, click here. Try zooming in and cropping sections of the images below to isolate the rhythmic line patterns that Art Nouveau illustrators, graphic designers and artists used. Poster designs by Alphonse Mucha Click here to learn more about this artist The black ink drawings below were created by the Art Nouveau graphic illustrator Aubrey Beardsley. Click on each of Beardsley's pictures to view the enlarged version. Download the images, zoom in and crop to isolate the many rhythmic line designs he used in each densely detailed illustration. Use these designs as a reference when you create your own patterns. Below are some commonly repeated Art Nouveau motifs that I found on the Internet using Google image search. Another great source of inspiration is the Op artist Bridget Riley. Click here to learn more about her work Please note: All Bridget Riley images are copyright protected. You may print them and use them for non commercial educational purposes only. Bridget Riley is a founding member of the Op Art movement. To learn more about Op Art click here. To see some amazing Optical Illusions and Visual Phenomena click here. To learn about how optical illusions work, click here. Here is a doodle I created after looking at Bridget Riley's work and the Art Nouveau designs above. And here is the design I created by tiling (repeating, rotating and flipping) my doodle Contemporary artists who use rhythmic line designs and patterns Iain Macarthur Click here to learn more about this artist Assignment 6: After viewing Macarthur's work, draw a contour line picture of a bird, reptile or other animal. Use lines that follow the three dimensional form of the animal to divide your picture into distinct sections. This is very easy to do with birds or reptiles because they have different types of feathers or scales and distinct color patterns on different parts of their bodies. Your picture will look far more interesting if you draw your lines along these natural divisions. Remember, learning how to draw means learning how to see. A drawing that reflects insightful observation of nature will engage your viewers. Now fill in each section with a different type of rhythmic linear design.Continue to follow the three dimensional form of your animal to give your final piece a sense of volume. Compare the zoomorphic (or animal) designs on the Native American Mimbres pottery to Iain Macarthur's work. Notice how three dimensional his pictures appear. There is nothing wrong, in general, with filling an animal design with flat patterns. Indeed, artisans from the prehistoric Mimbres tribe of southern New Mexico did this so successfully that reproductions of their designs are still sold throughout the world today. But, for the purpose of this assignment, I would like my students to make a conscious effort to express three dimensional volume in their work. In 1515 Albrecht Durer produced this fanciful woodcut. No one in Europe had ever seen an actual rhinoceros. Durer created this picture from a description he had read. Rhinoceros by Albrecht Durer, 1515 To learn more about this famous woodcut, click here Illustrations by Robert Crumb for Kafka and the Book of Genesis. Click to enlarge each drawing. Notice how Crumb uses rhythmic line in every detail of his work; to create light and shadow, to show texture, volume and movement and even to express mood. Robert Crumb To learn more about these illustrations, click here and here The drawings below were created by an artistic duo from Brazil. they call themselves Mulheres Barbadas, aka the Bearded Ladies. According to their website; "We take turns drawing until we fill up the canvas (or are too tired to go on, whichever comes first). We like monsters, icky stuff and tender love.". Mulheres Barbadas. To learn more about these artists, click here. Below is a video of this artistic duo at work MB @ Nova SP - MIS / SP from Mulheres Barbadas Detailed timelapse of a 5 day journey to complete the entrance hall at MIS (Museum of Image and Sound) Zentangle Zentangle is a form of design that uses a vocabulary of rhythmic line patterns to create small black and white designs on squares of paper. Why is Zentangle useful to art students? As you can see from the images above, each artist has a vocabulary of patterns that they repeat to create beautiful designs. The bigger your vocabulary of patterns, the more engaging your designs will be. The following Zentangle websites are a wonderful source of patterns and designs and a great source of inspiration. http://www.zentangle.com/ http://tanglepatterns.com/tag/zentangle http://tanglepatterns.com/category/tanglepatterns-strings More Zen Doodle and tangle ideas Basic Tangle instructions ZEN DOODLE PATTERN IDEA WORKSHEETS I discovered these patterns in natural forms and created the worksheets from my own photographs. I discovered still more rhythmic patterns in the details of the artwork pictured above. Can you identify any of them? Zentangle by one of my students Take a look at my original photograph, before I removed the color and zoomed in on the pattern. Can you still see the rhythmic lines? Rhythmic linear designs can be found in all forms of art. Below are photographs I took of some contemporary sculpture and jewelry Assignment 7: Now it's your turn to use rhythmic line design with three dimensional forms. I gave the assignment below to my 6th graders last year. Rhythmic pattern by a 6th grade student Printable worksheet for this assignment Grading rubric Artwork by 6th grade students hanging from the ceiling of my classroom. Great job kids! Work in progress by bilingual 6th grade students: Common Core Math Standards for this activity: 6.G.4 - Represent three-dimensional figures using nets made up of rectangles and triangles More Op Art ideas http://artfulartsyamy.blogspot.com/2012/01/lesson-plan-op-art-spheres-easy-way.html To see this worksheet in it's original colors, click here Time Lapse Rhythmic Line and Symmetry Drawing from Rachel Wintemberg on Vimeo. Sketchbook Pro for iPad. Music added using iMovie for iPad. Draw, reflect, transform Free Printable Worksheets From Line And Form by Walter Crane Click on the link below to download this free ebook: https://play.google.com/store/books/details?id=ToJAAAAAYAAJ A final thought on rhythmic line design and pattern: "Limitations live only in our minds. If we use our imaginations our possibilities become limitless." -Adam Granet
