A blog about how a failed painting made me rethink the theories of composition in my painting of Donegal, Ireland.
Morning Doodle: “So you killed him?” “No...I cut off his fingers and fed them to my dog while he watched.” Leigh Bardugo's Siege and Storm Ch 10
Lost Brother Waiting for your shadow to fall The cooling burst of air I never meant to hurt anyone Waiting for your shadow to fall That blessed earth they placed your ashes Sometimes in the morning...
Venture into the ethereal beauty of the Scottish Highlands as the rolling fog of Glencoe envelops the senses through this vibrant Pop Art print. The piece captures the elusive magic of the misty morning, with its intertwining play of shadow and light, and the mysterious landscape that has stirred the souls of many a poet and painter. At the forefront, the lush, wild palette of the heather-laden moors bursts forth in a riot of dream-like reds and oranges, juxtaposed against the reflective stillness of the water. It is as if nature herself has taken up the brush, painting the Highlands with an intoxicating array of warm and cool hues. The silhouetted trees punctuate the landscape like guardians of the valley, standing watch over a lone, traditional cottage that seems to shy away from the modern world. Above, the grandeur of the Glencoe mountains, shrouded in layers of translucent fog, rise majestically. Their peaks cut a jagged line against the hazy sky, creating an arresting interplay of shapes and the suggestion of a vast, unyielding wilderness. The lingering morning mist clings to the crevices of the mountains, a dance of concealment and revelation that gives the artwork a sense of mystique and depth. Crystalline streams of water traverse the canvas, reflective and still, doubling the mirage of colours and spirits above. This piece is not just a visual spectacle; it’s an invitation to contemplation, to lose oneself in the introspective translation of Scotland's famed scenery. Picture this print as the focal point of any room, commanding attention and sparking the imagination, an enduring echo of Glencoe’s enchanting tableau. It stands not only as a celebration of the region's natural splendour but also as a vivid emblem of Pop Art's ability to reinvent and energize our perception of the world.
Captured within this exquisite print is an evocative abstraction of a misty morning on the serene waters of Loch Lomond. The composition is brimming with a sense of peace and tranquillity conveyed through soft, merging hues and gently undulating shapes. A spectrum of cool blues, warm oranges, and delicate yellows dance across the canvas, mimicking the interplay of light and shadow that one might observe at dawn. Central to the scene is an elegant sailing boat, its sails bathed in the gentle glow of morning light. The boat floats gracefully, with its reflection mirrored perfectly in the glasslike water beneath, suggesting a world almost suspended in time. The background is composed of layered, misty silhouettes of hills and trees, rendered in shifting gradients that suggest depth and distance. Trees of varying hues on the right provide a vibrant contrast to the softer, more muted tones of their surroundings. Autumnal oranges and greens hint at the fleeting nature of seasons, encapsulating a moment of change. Meanwhile, the stylised ripples in the water add a rhythmic quality and give the impression of a calm, undisturbed lake reflecting the world above with clarity and precision. This abstract portrayal of Loch Lomond is both a tribute to the natural beauty of the Scottish landscape and a testament to the emotive power of colour and form. This print invites viewers to lose themselves in the contemplative beauty of a highland vista reimagined through a dreamlike lens.
Ida Pimenoff
Nirav Patel spent most of his life studying to become and engineer. After he successfully finished his education he decided to drop it and become a photographer. As he explains it was the easiest and hardest decision he has ever made. Though we are glad he found his true passion as we love his way […]
A fashion story by Arianna Lago & Siobhan Witter for metalmagazine.eu
Paintings need titles. How this one acquired its name is a story Wolfgang Lettl told at the opening of his exhibition, "Lettl in Court", on December 10, 20...
Explore Hazel Terry's 2235 photos on Flickr!
Shadows in the mist on the Atherton Tablelands, Queensland, Australia (by aycee_2000).
