Photo source and dialogue by Elise Valdorcia The desire to create stirs within each of us, the question is what gift(s) were we born with, and how do we take it from seed to bloom and share it with others? Photo source and dialogue by Elise Valdorcia Elise said, "My greenhouse-style studio is conducive to creating all kinds of artwork, in all formats. It is an inspiring workplace where materials take form and gather movement, guided by shadows and emotion. The past meets the contemporary, poetry and dreams are made real, and works are crafted. My studio is a beating heart that brings sculptors from quattrocentro Florence back to life." Photo source and dialogue by Elise Valdorcia Each Saturday I like to use my blog to platform an artist that I admire. Today it is Elise! Photo source and dialogue by Elise Valdorcia "Sculpted wood, baroque and contemporary lines, gold leaf, glass, sheet metal, and paper mâché—they all meet here, and the adventure can be colorful or extremely minimalist." Adds Elise about what she used to create her beautiful art. Photo source and dialogue by Elise Valdorcia Photos source and dialogue by Elise Valdorcia Technique from our ancestors Elise creates paper mâché sculptures using a time-honored technique. Paper mâché first appeared in the Far East in the 8th century and made its way to Europe in the 16th century. In Italy, paper mâché earned recognition as a noble and poetic art form. Photo source and dialogue by Elise Valdorcia “I regretted not leaving Carrare marble for paper mâché more often, this divine material that always went beyond it in nobility and finesse.” From the memoirs Benvenuto Cellini, sculptor and goldsmith, 1500-1571 Photo source and dialogue by Elise Valdorcia Follow this link to locate where Elise offers her art for purchase. Galleries & Stores in France and abroad Photo source and dialogue by Elise Valdorcia More about Elise: Each piece is unique "From my workshop, the Elise Valdorcia Studio in Provence, I take each piece from idea to drawing to creation. I make mirrors, light fixtures, small tables, and other household objects, harmoniously mixing styles and eras. I am an artist and decorator, specialized in antiquing objects (using polychromy or gold leaf). My passion for my work comes through in my paper mâché creations. Laurent makes wooden sculptures, creating unique pieces from 18th- and 19th-century wood. He also practises marquetry, having...
"Courtyard of the Artist's Studio" was not a study for a large-scale painting; rather, it was conceived of as a work of art in its own right and was, in fact, published in a folio of images of similar subjects in 1881. Nonetheless, this beautiful watercolor clearly communicates the reasons for Meissionier's renown during his lifetime, particularly his painstaking attention to historically accurate costumes and settings, which characterizes such paintings as "The Jovial Topper" (1865) and "The End of the Game of Cards" (1865), both in the collection of the Walters Art Museum (37.151 and 37.149).
There’s something undeniably romantic about an artist’s studio. They’re always filled with light, and paper covered in scribbles and sketches. We’re instinctively drawn to thes
Grumpy Kid Studio started as a side hustle idea, but soon became a full-blown business focused on whimsy.
A recent tour of a studio tour of Joaquín Sorolla's artist's house. Monet called this Spanish impressionist painter, 'the master of light'.
Since moving to California five years ago, the Los Angeles textile artist Rachel Duvall has been refining an almost scientific approach to handweaving.
An artist in his studio contemplating a moonlit street from his opened window, After Caspar David Friedrich.
When her own Manhattan studio proved too small for a blockbuster commission, artist Julie Mehretu found room to create in the lofty nave of a deconsecrated Harlem church
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Their airy Manhattan loft is a creator's paradise.
I’m in the market for a another work space. Our makeshift dinning room office is not only driving Abe crazy, it just isn’t sustainable anymore. And now that Coco is just half a year away…
Juarez Machado (Brazil b.1941) Aperitif in the Studio oil on canvas
Wow, this is why I love writing on this website, it's an amazing tool for us to research individuals that we admire and that fascinate us. Today I've taken the jump and have decided to talk about an amazing artist that goes by the name of Constantin Brancusi. I was led to his work by the one and only Isamu Noguchi who was an assistant to Constantin in Paris, Constantin taught him how to carve stone and wood, just by looking at Isamu's works you ...
The Spanish artist has spent years creating a huge retreat around a 12th-century stone tower
My first studio space after college was the corner of the living room in my Atlanta apartment on Collier Road. My designated space had beige walls we weren’t allowed to paint, carpeted floors, and measured approximately 5 ft by 5 ft. Since then I’ve rented studio space in two different Atlanta locations, and four in North Carolina before moving into the space I have now. There was the Goat Farm, where I rented a third of a plywood-walled room with no windows (shared with a photographer friend and a playwright who I rarely saw), a lovely place in Roswell where I occupied the front sixth (approximately) of an open concept co-working space, the light-soaked sunroom in my first NC rental home, the studio on King Street where I met my friend Emma, and the next couple studios on the second story of a historic downtown Brevard building with no heat or AC, where Emma and I continued to be studio neighbors before both moving our studios to our own homes. While each space came with its own quirks, charms, perks, decor choices, and frustrations, after inhabiting all eight (!) studios, I’ve zeroed in on a few simple things that make ANY studio, regardless of size or quirk level, feel inviting, functional and conducive to creativity. And if you’re new to the habit of getting creative, I have something to help you with that, too. Now, on to setting up your studio… View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize 1) The first thing I recommend setting up is some kind of tiered cart. This can be as tall or tiny as you need it to be, but a place to store your paints, brushes, and any other medium you use is essential. Having the cart on wheels is especially helpful if you are working in a space that doubles as a living area or guest room, and your studio needs to be consolidated or tucked away regularly. If you need help choosing the paints, tools, and materials to stock your cart, check out my Materials Guide. 2) The second element of a functioning studio is a table. I use a stainless steel table which has plenty of room for my palette, most frequently used paints, a few brushes, and whatever small painting I’m working on at the time. If you’re carving out a space at home, try setting up a card table you won’t worry about getting messy, or if you don’t have the space, spread a canvas or vinyl drop cloth over your kitchen/dining table and roll your paint cart right up next to you when it’s time to get to work. 3) Third, you need a chair or stool. I use a stool when I’m painting larger canvases since I’m roughly the same height sitting on a stool as I am standing, and can easily transition between the two depending on how much physical movement is required for the actual painting process. This might sound ridiculously obvious, but I’ve had studios without an actual chair in it, and there’s something that’s an inherent bummer about getting tired and having to sit directly on a concrete floor (that may or may not have wet paint on it) instead of on a chair. These next two are optional depending on the scale of your paintings. If you only paint small and on paper, you might not want an easel, and likewise if you are limited on space, there’s no need to set up a shelving system. 4) If you paint on canvas or panel and have the space, I recommend using an easel. Easels can be small, one foot tall tabletop easels, or they can be eight foot tall pieces of furniture requiring a space of their own. The key benefit is that they elevate paintings to eye level so you’re not constantly straining your neck. In that first apartment corner, my “easel” was two level nails in the wall I hung canvases on to paint. One fateful day I stumbled into the Blick store on 7th and Peachtree and in the back of the dimly-lit sale section was the nicer version of the easel I wanted but was too expensive at the time, heavily discounted and ready for immediate sale. I’ve been using that easel ever since. 5) Lastly, if you have a space carved out for your creative practice that is relatively stable (not something you have to break down and put away after each painting session), shelving is a simple element of a studio that will immediately make you ten times more organized. I have a set of wire utility shelves from Target that store all my packing envelopes, pads of paper, small canvases, extra paints, power tools, canvas scraps, you name it. These are the things that accumulate as you develop a more regular painting practice, but can make your space feel cluttered and distracting. Just a set of utility shelves (small or tall) to store it all works wonders in keeping your studio organized. These are the five things I have in my studio that make all the difference. The key to a functional studio space is having a place for everything, and if it’s at all possible leave your space set up!!! Half the battle is getting out your materials and setting up your space, so if there’s anywhere you can leave your paint cart, have a few shelves, and keep a canvas at arms reach, by all means carve out that space and make it your own! If your studio currently looks a lot like my first studio (a corner of a shared space), start by focusing on those first three simple elements: a paint cart, a table, and a chair. You likely have at least two out of three already, and it’s all easy enough to break down and re-assemble if you’re unable to leave your creative space in tact from day to day. Do you have a studio space you’re working from? Even if it’s just a spot at the kitchen table? Let me know! Click HERE for a downloadable PDF with the 5 Elements to make your studio space functional & inviting. ADDITIONAL RESOURCES FOR SOMEONE CREATIVE LIKE YOU: - Six Steps to Kickstart Your Own Creative Practice -- My Top 5 Essential Studio Tools -- 15 Sketchbook Prompts -
FEATURE A couple celebrates family history and local art in their home and gallery Does everyone on the island of North Haven know David Hopkins? “Oh, yes, my God, yes,” Hopkins says. If you had asked the question of his … Continue reading →
Good artist lighting for painting is essential to producing quality art. Learn what kind of lights are out there and which will work best for your studio.
Creative painting artist studio workspace with paints, brushes, canvas on easel and empty chair.
As long as Mart Visser could hold a pencil or a brush, he draws and paints heads. Facial expressions in all forms are what fascinate him. The power within a personality is what gives expression on…
A weekly round-up of news and information that caught our eye.
I'm off to the farm this week to paint trim and stain the floor in the studio - the last bit of work to do before I can start setting up the space. Since there's really not much to show, I thought I'd share some ideas I've gathered for the space. I need shelving as I have books, frames, canvases...all that need a home. This bookcase is nice and I really like the brush holder. source I like the shallow shelves in this picture. They'd be great for all the cans and bottles of paint. The inspiration/bulletin board area is also really great. I do have an idea for an area to hang photos I'm working off of. source This one is one I really like - notice the canvas storage above the bookshelves and worktable. I want to replicate this is some form or fashion. source These shelves are only one can deep -I'd love something like this so I could see at a glance what paints I had. Loads of them too...I don't think you can have too many shelves. 😊 source Right now my oil paint tubes are in a toolbox. I'd love to have something like this that I could clip them on. Sure would make finding a certain color easy instead of digging through my box. source - #15 Another paint tube system also fabulous: source Love the idea of clip boards to clip inspiration photos up. You can usually find clipboards at the thrift store for next to nothing. source Another setup for canvas storage: source source This is an idea I could easily do - it's an old tv cart with pipe dividers. hmmm, guess I'll have to look for one if Bruce doesn't have time to build me one like in the previous photos. This one I like for the tin ceiling and large worktable in the center. Not sure if I'll have a table in the center though. However, I do plan on one against the wall like the back wall in the photo. source These are all great ideas and will help me figure out how to set the studio up. I am looking forward to planning the space out. SaveSaveSaveSave
Setting up lighting for your art studio has to be one of the most frustrating aspects of being an artist. I only recently got my studio lighting to a point where I am generally satisfied. Before that it was either too dim, bright, cool, warm or glary. It has been no easy task getting to
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Time to kick of our Creativity Over Coffee series for 2018. I'm excited to be joined by Sarah Reddish hand letter artist and creator of arrow art studio.
Space to Create: Australian Artist Jessica Watts. Studio tour and interview with Sydney painter Jess Watts.
