This is a print of a watercolor that I made depicting the middle ear. The soft teal and blue color palette is sure to complement any office or living space. Perfect for an ENT, speech pathologist, audiologist, or anyone passionate about audiology and hearing loss. ––––––––––––––––––––––––––––––– Please read the description and FAQ below for more information on Framing, Customizations, GoBig! Prints, and Shipping. If you have any questions, please reach out to us over Etsy messages. ––––––––––––––––––––––––––––––– PAPER: The print will come on 100% cotton rag 300gsm Archival Matte Paper or 340gsm Cold Press Fine Art Paper. EU and UK orders are printed with ultra wide gamut inks on 310 gsm Hahnemühle German Etching paper. ––––––––––––––––––––––––––––––– FRAMING: Our prints do not come with frames. If you would like to add frames, you can find our framing options here (USA only): https://www.etsy.com/listing/1593299504/framing-for-lyon-road-art-prints-1-3 ––––––––––––––––––––––––––––––– SHIPPING: If you need your order faster, choose my Express option! If you need it sooner or by a specific day, please send me a message. Customizing your prints may add additional processing time to your order. ––––––––––––––––––––––––––––––– INTERNATIONAL ORDERS: Please include your email and phone number in your order for international shipping and customs. Thank you! Please read our FAQ below for information about international shipping: https://www.lyonroadart.com/pages/f-a-q © 2019 Lyon Road. This artwork may not be reproduced in any way. All rights reserved.

Serene watercolor of a figure headed down a winding path leading to a small farmstead in the distance by M. Balastie?, 1925. Titled, "Charentonneau", dated and signed lower left. Original one-of-a-kind artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Archival plastic sleeve and Certificate of Authenticity included. Artwork, 15.75"L x 11"H; mat, 24"L x 18"H. Ref #: less

Vous découvrirez dans ce portfolio un mélange des aquarelles et des pastels que j'ai réalisés ces 5 dernières années. N'hésitez pas à m'écrire si l'une d'entre elles vous inspire ou si vous désirez en faire l'acquisition.

Vous découvrirez dans ce portfolio un mélange des aquarelles et des pastels que j'ai réalisés ces 5 dernières années. N'hésitez pas à m'écrire si l'une d'entre elles vous inspire ou si vous désirez en faire l'acquisition.

Vous découvrirez dans ce portfolio un mélange des aquarelles et des pastels que j'ai réalisés ces 5 dernières années. N'hésitez pas à m'écrire si l'une d'entre elles vous inspire ou si vous désirez en faire l'acquisition.

Eric Ravilious in 1939 photo by Serge Chermayeff Eric Ravilious (1903 – 1942) was an English painter, wood-engraver and designer. He was educated at Eastbourne School of Art and then at the Royal College of Art (1922–5), where he was taught by Paul Nash and became close friends with Edward Bawden. His early works included the refectory mural (destr. 1940) in Morley College, London, and wood engravings in the tradition of Bewick for the Golden Cockerel, Curwen and Nonesuch presses. In the 1930s he began painting larger compositions in a wider range of colour, and this led him to use lithography. Ravilious also produced designs for Wedgwood, including the celebration mug (1936) for the coronation of King Edward VIII, which was withdrawn and revised for the coronations of George VI and Elizabeth II; the Alphabet mug (1937); the Afternoon Tea (1937), Travel (1938) and Garden Implements (1939) china sets; and the Boat Race Day cup (1938). He also designed glass for Stuart Crystal (1934), furniture for Dunbar Hay (1936) and graphic work for advertisements for London Transport and others. Despite his success as a designer, Ravilious concentrated increasingly on watercolours. His landscapes and rural interiors often featured the downland and coast of southern England; haunting and lyrical, these works show a world in suspense and often feature chalk hill figures, and empty rooms (e.g. Farmhouse Bedroom, 1939; London, V&A). 1939 A Farmhouse Bedroom watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London In 1939 Ravilious became a War Artist. He died in 1942 while observing a sea rescue mission. This is part 1 of a 3-part post on the works of Eric Ravilious. Parts 1-2 show a chronology of his works other than ceramic designs – part 3 will show ceramic designs. 1927c Boy Bird-nesting wood engraving © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1928 Dr. Faustus Conjuring Mephostophilis engraving 18.3 x 13.1 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1928 Harlequin watercolour 52 x 50 cm © Fry Art Gallery, Saffron Walden, Essex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1928 Wet Afternoon watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1928c Neptune watercolour 33 x 21 cm © Fry Art Gallery, Saffron Walden, Essex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1930 Edward Bawden Working in his Studio tempera on board 79 x 92 cm © Royal College of Art, London, UK © Estate of Eric Ravilious. All rights reserved, DACS 2012 1930sc Tirzah Garwood and Charlotte Bawden in Brick House, Great Bardfield watercolour 44.2 x 55 cm © Towner Art Gallery, Eastbourne, East Sussex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1932 Strawberry Nets watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1932 View from Brick House, Great Bardfield © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1932c The River Thames at Hammersmith © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1934 BBC talks pamphlet © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1934 Downs in Winter graphite and watercolour 44.2 x 55 cm © Towner Art Gallery, Eastbourne, East Sussex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1934 Furlongs watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1934 Windmill graphite and watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1934 Advertisement in Wine and Food magazine woodcut printed by Curwen Press 1934 Woodcut from the above © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Chalk Paths watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Channel Steamer Leaving Harbour watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Cover design for Curwen Press Newsletter No. 6 © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Cucumber House watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Graphic for a bank form by the Royal Horticultural Society and the Westminster Bank © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Hull's Mill, Sible Hedingham, Essex watercolour © Fry Art Gallery, Saffron Walden, Essex © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 The Greenhouse, Cyclamen and Tomatoes graphite and watercolour 47 x 59.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Title page for "Winters of Content" by Osbert Sitwell © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Train Going over a Bridge at Night watercolour 40 x 50 cm © Towner Art Gallery, Eastbourne, East Sussex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Wood-engraving for The Hansom Cab and the Pigeons by L.A.G. Strong © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935-36 Country Walks wood engraving © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935c Two Cows watercolour 56.8 x 44.2 cm © Fry Art Gallery, Saffron Walden, Essex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1936 Caravans watercolour © Fry Art Gallery, Saffron Walden, Essex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1936 Village Street graphite and watercolour 39.5 x 51.8 cm © Towner Art Gallery, Eastbourne, East Sussex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1936c Wood Engraving of Hull's Mill 12.4 x 19.4 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1937 Alphabet for Wedgwood ceramics © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London A ceramic plate by Wedgwood from my own collection High Street In 1938 Ravilious created a set of 24 lithographs of shops, which were found on the British High Street of that time, for Country Life books. These prints formed a book for children printed by the Curwen Press. Unfortunately, only 2000 books were printed because it’s printing plates were destroyed during the blitz but as a result High Street has become one of the most highly sought after artists books of the time. 1938 Cover of "High Street" 1938 Title page of "High Street" 1938 A Saddler and Harness Maker from "High Street" lithograph 22.7 x 14.5 cm 1938 Amusement Arcade from "High Street" lithograph 23.1 x 14.8 cm 1938 Baker and Confectioner from "High Street lithograph 1938 Cheesemonger from "High Street" lithograph 23.4 x 115.6 cm 1938 Clerical Outfitter from "High Street" lithograph 1938 Coach Builder from "High Street" lithograph 1938 Family Butcher from "High Street" lithograph 1938 Fireworks from "High Street" lithograph 1938 Grill Room and Restaurant from "High Street" lithograph 1938 Hams from "High Street" lithograph 1938 Hardware from "High Street" lithograph 1938 Knife Grinder from "High Street" lithograph 1938 Letter Maker from "High Street" lithograph 1938 Model Ships and Railways from "High Street" lithograph 1938 Oyster Bar from "High Street" lithograph 1938 Public House from "High Street" lithograph 1938 Second-Hand Furniture from "High Street" lithograph 1938 Submarine Engineer from "High Street" lithograph 1938 The Furrier from "High Street" lithograph 1938 Theatrical Properties from "High Street" lithograph 1938 Undertaker from "High Street" lithograph

I saw this in a magazine, and was struck by the depth and the perspective of the paths...it's from a painting by Eric Ravilious in 1935, but it looked as though it was done yesterday..

Vous découvrirez dans ce portfolio un mélange des aquarelles et des pastels que j'ai réalisés ces 5 dernières années. N'hésitez pas à m'écrire si l'une d'entre elles vous inspire ou si vous désirez en faire l'acquisition.

Tamara Phillips posted by Path and Puddle

The Canson Mi-Tientes Touch paper I ordered for the large version of Dappled Path has arrived. I'm not familiar with it and this is a good...

All the art shows that are happening at Maine Art Hill.

Vous découvrirez dans ce portfolio un mélange des aquarelles et des pastels que j'ai réalisés ces 5 dernières années. N'hésitez pas à m'écrire si l'une d'entre elles vous inspire ou si vous désirez en faire l'acquisition.

Immerse yourself in the swirling dance of colour and form with this evocative print that captures the essence of Glencoe's majestic skies. Bold brushstrokes carve out angular shapes that form an abstract symphony, where the traditional landscapes of Highland Scotland are reimagined through a vibrant, cubist lens. This piece invites you to explore an enchanting valley where a dynamic river meanders, its serpentine path outlined by electric blues and encased in vivid greens. Rocky outcrops and scattered stones are subjects of play in this composition, their hard edges softened by the kaleidoscope of hues that enshroud them. Above this, a momentous sky bursts forth, a dramatic canopy in shades of purple, orange, red, and blue that seems to pulsate with energy. The stark contrast of warm and cool tones enhances the visual tension, as the fiery sky meets the cool, undulating landscape. Here, cubist principles break down the natural scenery into fragmented planes, juxtaposed with the fluidity of the river creating a rhythmic tapestry teeming with life. This striking print is an homage to the untameable beauty of Scotland's famed Glencoe, offering a unique and contemporary portrayal that is as much an abstraction of nature as it is a recognition of its splendour. It is an invitation to the viewer to gaze deeper, to find movement in stillness and shape in the chaos, securing a space where the elemental grandeur of Scotland's wilderness and modern art converge.

Discover art by Van Gogh, Picasso, Warhol & more in the Art Institute's collection spanning 5,000 years of creativity.

Peder Mork Monsted - Painting off a Path Near a River. Peder Mork Monsted - En plein-air Peder Mork Monsted - Kastanjetræer omkring en so, tidligt efterår, 1898 Peder Mork Monsted - A Wooded River Landscape with Deer beyond Peder Mork Monsted - Reflections of Spring. Peder Mork Monsted - Peder Mork Monsted - Wooded River Landscape Peder Mork Monsted - A stream in Dyrehaven Peder Mork Monsted - On the River. Peder Mork Monsted - Forest Stream Peder Mork Monsted - A Forest Stream,1907 Peder Mork Monsted - The Forest Path. Peder Mork Monsted - Charlottendun Forest Peder Mork Monsted - Kids picking anemones and violets in a forest with unfolding beeches Peder Mork Monsted - River Landscape, 1903 Peder Mork Monsted - An Afternoon Stroll Peder Mork Monsted - The Red Umbrella Peder Mork Monsted - Alandskab I Solskin En Forarsdag Peder Mork Monsted - Waterlilies 1920 Peder Mork Monsted - A River Landscape (1897) Peder Mork Monsted - A Lady reading by a Lake Peder Mork Monsted - Woodland scene with an angler at a stream Peder Mork Monsted - Figures Resting In A River Landscape, 1898 Peder Mork Monsted - A wooded river landscape. Peder Mork Monsted - A woodland stream Peder Mork Monsted - A Forest Stream Peder Mork Monsted - Serpentine stream in an autumn forest, 1893 Peder Mork Monsted - The Woodland Glade(1883) Peder Mork Monsted - Autumn in the birchwood Peder Mork Monsted - The Heather Hills by the Lakes near Silkeborg Peder Mork Monsted - Haystacks in an alpine pasture near Thors Peder Mork Monsted - A view of Borresö from Himmelbjerget, Denmark Peder Mork Monsted - Solnedgång över Vattendrag. Peder Mork Monsted - Sunset Peder Mork Monsted - Sunset over a forest lake. Peder Mork Monsted - A Winter Day in Charlottenlund Peder Mork Monsted - In Charlottenlund Forest. Peder Mork Monsted - Winter in Brøndbyvester Peder Mork Monsted - Woman in winter landscape, Langseth, Lillehammer Peder Mork Monsted - Winterlandscape from Herstedvester Peder Mork Monsted - Winter's day near Odnes, Norway Peder Mork Monsted - Winter landscape, Odnes-Valdres. Peder Mork Monsted - Sleigh Ride on a Sunny Winter Day Peder Mork Monsted - Ponte Campovasto (1914) Peder Mork Monsted - Forest in Winter. Peder Mork Monsted - Peter Mark Monsted(10 decembrie 1859 – 20 iunie 1941), pictor realist danez(I) Peter Mark Monsted(10 decembrie 1859 – 20 iunie 1941), pictor realist danez(III) Peder Mørk Mønsted (Peter Mark Monsted)(10 decembrie 1859—20 iunie 1941) a fost un pictor realist danez.Nascut la sfarsitul 'epocii de aur' a picturii daneze, Monsted poate fi descris ca produs al acelei ere. Un pictor peisagist renumit pentru claritatea luminii obisnuita la pictorii perioadei, reprezentarile naturaliste 'in aer liber' l-aau facut cel mai mare peisagist danez al epocii sale. Monsted s-a nascut in Balle langa Ganaa in estul Danemarcei, mai tarziu s-a mutat in Copenhaga. Acolo a studiat la Academie intre 1875 si 1876, sub indrumarea lui Andries Fritz (1828 1906), un pictor de peisaje si portrete si cu Julius Exner (1825 1910). Monsted a calatorit foarte mult in Elvetia, Italia si Africa de Nord. De-a lungul vietii sale, Monsted a continuat sa picteze peisaje daneze intro maniera romantica.A fost artistul care a descris grandoarea si aspectul monumental al peisajului, cu un accent remarcabil pe detaliu si culoare. Pregatirea lui Monsted l-a ajutat sa asimileze tehnici de o mare virtuozitate din naturalismul academic pe care le-a transformat intrun stil artistic realist, creand fotografii, ceea ce i-a adus recunostere si apreciere. Peter Mark Monsted(10 decembrie 1859 – 20 iunie 1941), pictor realist danez

JOURNEY STUDY 10 My hand-drawn topographic lines, printed onto watercolor paper, is a starting point for layering watercolor, graphite lines, cut watercolor painting featuring my handmade local ochre pigment. This is an Abstract Map, an experiment in creating an imagined landscape - then traversing it in thread. The path conjures the metaphor of a life of choices, non-choices, and the influence of places, people and one’s inner guide. This Map was preparatory to my subsequent series of larger Journey Maps. Original Watercolor/Ink/Graphite/Thread Collage on thick 140gsm watercolor paper, signed & dated by me. Paper size: 9” x 10 1/2” / Mount on Mat 11” x 13 3/4" Frames Available - please ask! {copyright © Kirsten Sparenborg 2021} ------------------------------------------------------------------------------------------- Thank you so much. I’m delighted to share this love of maps and travel - from cities to wilderness - with you!