1899 Self-Portrait oil on board 32 x 21 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris Alphonse (Alfons) Mucha (1860 – 1939) was a Czech painter and decorative artist born in 1860 born in the town of Ivančice, Moravia. He is best known for his luxurious poster and product designs, which encapsulate the Art Nouveau style. Contemporary interest in his work was revived in 1980 after an exhibition at the Grand Palais in Paris. For biographical notes on Mucha see part 1. For earlier works see parts 1 - 4 also. This is part 5 of a 12-part series on the works of Alphonse Mucha: 1899 'The Passing Wind Takes Youth Away' lithograph © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 'Cloches de Noël et de Pâques' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 'Cloches de Noël et de Pâques' photographic study © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 'Cloches de Noël et de Pâques' study © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 'Cloches de Noël et de Pâques' study © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 Combinations Ornamentale His pattern books—including Combinaisons Ornementales (Ornamental Combinations) produced in collaboration with Maurice Verneuil (1869–1942) and Georges Auriol, spread art nouveau design. © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1900 Illustration in Cocorico Magazine lithography © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 Cover of 'Au Quartier Latin' lithography © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 Cover of 'Clio' by Anatole France © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 Poster for 'Flirt' Biscuits Lefèvre-Utile' lithograph 64 x 30 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 Official Guide to the Austrian Pavilion at 'L'Exposition Universelle de Paris' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 Bosnian pavilion booklet cover for the 'L'Exposition Universelle de Paris' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1903 Cover of 'Paris Illustre' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1907 Cover of 'The American Perfumer' lithography © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris Photographic study © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 Photographic study © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 Reproduction of the clip corsage stand of the jeweller Georges Fouquet at the 'Exposition Universelle in Paris' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 The Allegory of Bosnia Herzegovina tempera on canvas 641 x 255.7 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 Poster for 'La Tosca' with Sarah Bernhardt lithograph 104 x 38 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 The Precious Stones © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 The Precious Stones 'Le Rubis' ( Ruby ) lithograph 67.2 x 30 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 The Precious Stones 'L'Amèthyste' ( Amethyst ) lithograph 67.2 x 30 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 The Precious Stones 'L'Amèthyste' ( Amethyst ) Study of Drapery gouache 61 x 46 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 The Precious Stones 'L'Èmeraude' ( Emerald ) lithograph 67.2 x 30 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 The Precious Stones photographic study in Mucha's studio Rue du Val de Grâce, Paris © Mucha Trust 1900 The Precious Stones 'La Topaze ( Topaz ) lithograph 67.2 x 30 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 The Seasons © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 The Seasons 'Spring' lithograph 73 x 32 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 The Seasons 'Summer' lithograph 73 x 32 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 The Seasons 'Autumn' lithograph 73 x 32 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900 The Seasons 'Winter' lithograph 73 x 32 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1900-01 Postcards published by F. Champenois, Paris: Postcard pouch design © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris Months of the Year 'January' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris Souvenir of Belle Jardiniere, 2 Rue du Pont Neuf, Paris © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris Months of the Year 'February' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris Months of the Year 'March' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris Louis Einmahl and Cie, Cologne © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris Original artwork for 'March' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris Months of the Year 'April' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris Pâtes Alimentaires Supérieures, Albertiny and Cie, Nice © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris Months of the Year 'May' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris Months of the Year 'June' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris Months of the Year 'July' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris Months of the Year 'August' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris Months of the Year 'September' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris Months of the Year 'October' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris Months of the Year 'November' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris Months of the Year 'December' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris Cordonnerie André, Bordeaux © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris
アール・ヌーヴォー様式を代表するグラフィックデザイナー、アルフォンス・マリア・ミュシャ（Alfons Maria Mucha)。美しい女性やきらびやかな装飾類、花、華麗な曲線を使用したデザインが特徴で、生涯を閉じた今も多 […]
Alphonse Mucha. detail.
Alfons Maria Mucha was a Czech painter, illustrator and graphic artist, living in Paris during the Art Nouveau period, best known for his distinctly stylized and decorative theatrical posters, particularly those of Sarah Bernhardt.
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Giacomo Balla--bio Giacomo Balla, 1919 Giacomo Balla Giacomo Balla Giacomo Balla Giacomo Balla Giacomo Balla Giacomo Balla, Linee Forza di Mare, 1919, Giacomo Balla, Abstract Speed Giacomo Balla, collage Primavera, 1917 Giacomo Balla, Landscape, 1913 Giacomo Balla Giacomo Balla Giacomo Balla Giacomo Balla Giacomo Balla Giacomo Balla sculpture Giacomo Balla Giacomo Balla Works by Italian Futurist painter and sculptor, Giacomo Balla (1871 - 1958)
Georgians have many talented painters. The most famous one is Niko Pirosmani, who lived in the 19th century. Pirosmani was not only a great painter, but also his sad love story and the way he lived will not leave you indifferent. I am going to tell you about one of the greatest Georgian painters, who never knew about his greatness and talent.
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Munch's preoccupation with illness, sexuality, and religious aspiration were expressed through mysterious and intense paintings.
Hieronymus Bosch - The Garden Of Earthly Delights (det.)(1490-1510)
Austrian 20th century master Egon Schiele’s angular works of art left a profound record of the psychology and identity of a society racked by war. Combining expressionism elements and symbol…
Explore renzodionigi's 32357 photos on Flickr!
Sofonisba Anguissola (1531 – 1625) holds a no little record: she is the only woman represented at the Prado Museum. Despite she were a celebrated artist at her days, her name has been forgotten for centuries ….
Hans Zatzka - Alpine Flowers. Hans Zatzka - Cupid's Whisper Hans Zatzka - Nymphs Hans Zatzka - Fairy Dance. Hans Zatzka - Interior with a lightly dressed woman and a lute player Hans Zatzka - Harem Entertainers Hans Zatzka - Reclining Beauty Hans Zatzka - Spring in the Woods Hans Zatzka - Venus and her Attendants Hans Zatzka - Charming The Animals Hans Zatzka - A Disappointing Catch. Hans Zatzka - A Water Idyll. Hans Zatzka - Arcadian Spring Hans Zatzka - Crossing the Stream. Hans Zatzka - Halt die brucke (will the bridge hold) Hans Zatzka - In the Angel's Garden Hans Zatzka - In the Boat Hans Zatzka - Obedience. Hans Zatzka - Schmetterlingsjagd Hans Zatzka - Skittles Hans Zatzka - The Berry Picker Hans Zatzka - The Card Players. Hans Zatzka - Sleeping Beauty Hans Zatzka - Sleeping Beauty Hans Zatzka - The perfume makers Hans Zatzka - Arabian Nights Hans Zatzka - Amor in the Arbour Hans Zatzka - Cupid brandishing his arrows Hans Zatzka - Cupid's Toss Hans Zatzka - Brückenzoll (Who goes there) Hans Zatzka - At Cupids Fountain Hans Zatzka - Arrow of Cupid Hans Zatzka - Love Is In The Air Hans Zatzka - A declaration of love Hans Zatzka - Couple Hans Zatzka - Edelweiss La Foret. Hans Zatzka - Im Vertrauen Hans Zatzka - In Love Hans Zatzka - Girl in Native Dress Hans Zatzka - Girl in Native Dress Hans Zatzka - Girl with Flowers. Hans Zatzka - Girl with grapes. Hans Zatzka - Girl with Meadow Flowers and Roses. Hans Zatzka - Girl with sheep in garden Hans Zatzka - Girls and Cupid Hans Zatzka - Fair flowers Hans Zatzka - Fair flowers Hans Zatzka - Faun und Nymphen Hans Zatzka - In The Night Sky Hans Zatzka - Love Offering Hans Zatzka - Nymphs, elfs and angels Hans Zatzka - Paradise. Hans Zatzka - Pearls of the Sea Hans Zatzka - Symphony of the Water Nymphs. Hans Zatzka - Preparing for the Festivities Hans Zatzka - The Amorous Visitor Hans Zatzka - Nicht hineinschauen Hans Zatzka - Hans Zatzka - The flower girl Hans Zatzka - The flower girl Hans Zatzka - The flower seller Hans Zatzka - Ladies in a Garden. Hans Zatzka - Lady with Flowers Hans Zatzka - Roses in an ornamental vase Hans Zatzka - Still life with flowers in a jardiniere resting on a ledge. Hans Zatzka - Madonna with Child . Hans Zatzka - Madonna with Child . Hans Zatzka - The Holy Family Hans Zatzka - Divinity and Innocence Hans Zatzka (8 martie 1859 - 7 decembrie 1945), pictor academic austriac Hans Zatzka (8 martie 1859 - 7 decembrie 1945)a fost un pictor academic austriac.
This is one of two fragments of a lost triptych that’s attributed to Bosch because, well, come on! Nobody else in the entire history of art painted messed up visions of hell like this! My fav…
1909 Self-Portrait at Professor Jacobson's Hospital oil on canvas 100 x 110 cm Rasmus Meyer Collection, Bergen The Norwegian artist Edvard Munch (1863-1944) is regarded as a pioneer in the Expressionist movement in modern painting. At an early stage Munch was : in Germany and central Europe as one of the creators of a new epoch. Munch’s art from the 1890s is the most well known, but his later work is steadily attracting greater attention. For full biographical notes on Munch see Edvard Munch part 1- introduction. For earlier works see parts 2-13 also. This is part 14 of a 20–part series of posts on the works of Edvard Munch: 1908-09 Dr. Daniel Jacobson oil on canvas 55 x 43.5 cm Munch Museum, Oslo 1909 Dr. Daniel Jacobson oil on canvas 204 x 11.5 cm Munch Museum, Oslo 1908 Photograph of Munch painting his portrait of his doctor, Dr. Daniel Jacobsen 1909 Bjørnstjerne Bjørnson Speaking to the People oil on canvas 140 x 218.5 cm Munch Museum, Oslo 1909 Christen Sandberg oil on canvas 215 x 147 cm Munch Museum, Oslo 1909 Christian Gierloff oil on canvas 207 x 100.5 cm Göteborgs konstmuseum, Sweden 1909 Jappe Nilssen oil on canvas 193 x 94.5 cm Munch Museum, Oslo 1909 Jens Thiis oil on canvas 203 x 102 cm Munch Museum, Oslo 1909 Ludvig Ravensberg oil on canvas 174 x 77 cm Munch Museum 1909 Thorvald Stang oil on canvas 292 x 96.5 cm Munch Museum, Oslo 1909-11 Torvald Stang and Edvard Munch oil on canvas 100 x 125 cm Munch, Museum, Oslo 1909 Nurses Holding a Sheet oil on canvas 110 x 94 cm Private Collection 1909 Tiger Head lithograph 30.5 x 26 cm ( image ) The National Museum of Western Art, Tokyo 1909-11 Ship being Scrapped tempera on canvas 100 x 110 cm Munch Museum, Oslo 1909-15 Two Women beneath a Tree oil on canvas 95 x 164 cm Munch Museum, Oslo 1910 Children on the Crag oil on canvas 106.5 x 151.5 cm Munch Museum, Oslo 1910 Street in Kragerø oil on canvas 100 x 120 cm Munch Museum, Oslo 1910 The Murderer oil on canvas 94.4 x 154.5 cm Munch Museum, Oslo 1910 Two Old Men oil on canvas 130 x 200 cm Private Collection 1910 Workers in Snow oil on canvas 163 x 200 cm Munch Museum, Oslo 1910 Workers in Snow oil on canvas 223.5 x 162 cm The National Museum of Western Art, Tokyo 1910-11 Fruit Trees in Blossom oil on canvas 117 x 98 cm Munch Museum, Oslo 1910-11 Galloping Horse oil on canvas 148 x 120 cm Munch Museum, Oslo 1915 Galloping Horse etching on paper 39.1 x 34 cm ( plate ) Art Institute of Chicago, IL 1910-11 Summer in Kragerø oil on canvas 96.5 x 122 cm Private Collection 1910-12 Man with a Sledge oil on canvas 65 x 115.5 cm Munch Museum, Oslo 1910-12 Ship's Deck in Storm oil on canvas 125 x 205 cm Munch Museum, Oslo 1910-11 The Sun oil on canvas 450 x 772 cm Munch Museum, Oslo 1911 The Sun oil on canvas 455 x 780 cm Universitetets Aula, Oslo 1912 The Sun oil on canvas 163 x 205.5 cm Munch Museum, Oslo 1910-14 Spring Work in the Skerries oil on canvas 89 x 199 cm Munch Museum, Oslo 1910-15 Children in the Street oil on canvas 92 x 100 cm Munch Museum, Oslo 1910-15 The House in the Skerries oil on canvas 78 x 63 cm Munch Museum, Oslo 1910-16 Nude Couple on the Beach oil on canvas 134 x 91 cm Munch Museum, Olso 1911 Geese in the Garden oil on canvas 90 x 68 cm Museo Thyssen-Bornemisza, Madrid 1911 Self-Portrait with Hand under Cheek oil on canvas 83 x 69.5 cm Munch Museum, Oslo 1911-12 Ingeborg Kaurin oil on canvas 98 x 75 cm Munch Museum, Oslo 1911-12 Ingeborg Kaurin oil on panel 55 x 37 cm Munch Museum, Oslo 1912 Ingeborg in Green oil on canvas 163 x 97.5 cm Museum of Fine Arts, Boston, MA 1911-12 Large and Small Dog oil on canvas 89.5 x 99.5 cm Munch Museum, Oslo 1911-12 Morning in the Garden oil on canvas 70 x 119.5 cm Munch Museum, Oslo 1911-12 Two Dogs oil on canvas 69 x 83 cm Malmö Konsthall, Sweden 1911-12 Waves against the Shore oil on canvas 98 x 132.5 cm Munch Museum, Oslo 1911-13 Pine Trees by the Sea oil on canvas 89 x 99 cm Munch Museum, Oslo 1911-15 Budding Leaves oil on canvas 70 x 90 cm Private Collection 1911-16 Alma Mater oil on canvas 455 x 1160 cm Oslo University, Norway 1911-16 History oil on canvas 429 x 1155 cm Munch Museum, Oslo 1911-16 Awakening Men from the Oslo University Aula decoration oil on canvas 455 x 305 cm Oslo University 1912 Felling Area oil on canvas 107 x 127 cm Private Collection 1912 The Yellow Log oil on canvas 129.5 x 159.5 cm Munch Museum, Oslo 1912 Horse in a Landscape oil on canvas 68 x 90.5 cm Private Collection 1912 Jensen with a Duck oil on canvas 150 x 100 cm Private Collection 1912 Jensen with Slaughtered Duck oil on canvas 150 x 99 cm Munch Museum, Oslo 1912 Kragerø in Spring oil on canvas 1912 Landscape from Kragerø oil on canvas 72.4 x 100.3 cm The Metropolitan Museum of Art, New York 1912 Snow Landscape from Kragerø oil on canvas 96 x 125.5 cm Private Collection 1912 Winter, Kragerø oil on canvas 131.5 x 131 cm Munch Museum, Oslo 1912-13 Foot Bath oil on canvas 111 x 100 cm Munch Museum, Oslo 1912-13 The Pathfinder oil on canvas 120 x 89 cm Munch Museum, Oslo 1912-13 The Sower oil on canvas 123 x 76 cm Munch Museum, Oslo 1912-14 Seated Man lithograph on cream wove paper 32.5 x 25 cm Art Institute of Chicago, IL 1912-15 Boy in Rocky Landscape oil on canvas 77.5 x 67.5 cm Detroit Institute of the Arts, MI 1912-15 Man and Woman oil on canvas 89 x 115.5 cm Munch Museum, Oslo 1913 Beneath the Red Apples 1913 Elsa Glaser oil on canvas 120 x 85 cm Munch Museum, Oslo 1913 Elsa Glaser oil on canvas 120.5 x 85 cm Kunsthaus, Zurich
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Salve o “Neukunstgruppe”! Falo aqui de Egon Schiele (Tulln an der Donau, 12 de Junho de 1890 — Viena, 31 de Outubro de 1918), se trata de um dos meus […]
Watercolor on paper; 75.5 x 54 cm. Giulio Rosati specialized in eighteenth century costume pieces, comical scenes of from the life of the clergy and Orientalist subjects. His preferred medium was watercolor, though he also worked in oils. Rosati studied at the Academy of Rome. He was the pupil of several eminent artists, in particular the poet and architect Francesco Podesti (1800-1895) and Dario Querci (born 1831), a portrait and history painter from Messina. He also studied with Luis Alvarez y Catala (1836-1901), director of the Prado Museum, Madrid. Rosati was one of a large group of Italian Orientalist painters working in Rome at the end of the nineteenth century. These artists emulated Mariano Fortuny y Marsal in his skilful rendering of detail and bright coloring. This manner was particularly popular with American and British collectors, many of whom purchased these images as a memento of their travels in the Near East, a voyage very much in vogue at the end of the last century. Guilio Rosati had a son Alberto who also became an artist. His manner is very much indebted to his father, but he was not so prolific.
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