Masked Dancers (source: record.museum.kyushu-u.ac.jp)
pictures to be used in the speaking paper part 2
Exploring the beauty and mystery of the female figurine and her mythic journey through time.
Rain is a school campus in the town of Ittigen north of Berne which now has a new kindergarten designed by Büro B Architekten that does away with the severe
From history and the arts to travel and fashion, we take a broad look at culture in the context of sustainability.
Let's say you're flipping through a medieval Christian prayer book (as you do), and suddenly you come across a curious illustration amongst the prayers and psalms of something that looks unmistakably like female genitalia. A scolding voice in your head tells you to get your mind out of the gutter. B
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Manak Pendant Lamp - There is an exotic element attached to the look of the Manak Pendant Lamp, which is due in large part to the inspiration behind the design. Influen...
A cute-creepy coffee table made of Kewpie dolls and Kewpie doll parts at the Tokyo Designers Week 2011 event in November of 2011.
When we give power away to other people because our relationship with self is dysfunctional, we actually allow cords of energy to tie us to those people.
The Norwegian artist Edvard Munch (1863-1944) is regarded as a pioneer in the Expressionist movement in modern painting. At an early stage Munch was : in Germany and central Europe as one of the creators of a new epoch. Munch’s art from the 1890s is the most well known, but his later work is steadily attracting greater attention. For full biographical notes on Munch see Edvard Munch part 1- introduction. For earlier works see parts 2-7 also. This is part 8 of a 20–part series of posts on the works of Edvard Munch: 1894 - 1935 Two People (aka The Lonely Ones): 1894 Two People. The Lonely Ones drypoint 16.7 x 22.6 cm ( image ) 1896 Two People. The Lonely Ones oil on canvas 80 x 110 cm Private Collection 1896 Young Woman on the Beach burnished aquatint and drypoint on cream laid paper 28.7 x 21.8 cm ( image ) 1899 Two People. The Lonely Ones woodcut 39.5 x 56.2 cm ( image ) 1899 Two People. The Lonely Ones woodcut 39.5 x 56.2 cm ( image ) 1899 Two People. The Lonely Ones woodcut 39.5 x 56.2 cm ( image ) 1899 Two People. The Lonely Ones woodcut 39.5 x 56.2 cm ( image ) 1935 The Lonely Ones oil on canvas 100 x 130 cm Munch Museum, Oslo 1894 - 1925 Woman / Women (aka The Sphinx): 1894 Woman in Three Stages oil on canvas 164 x 250 cm 1894 Woman, Sphinx oil on canvas 72 x 100 cm Munch Museum, Oslo 1895 The Women drypoint and aquatint 29 x 33.8 cm Munch Museum, Oslo 1895 Women drypoint, etching and open bite 28.2 x 33 cm ( image ) 1899 Woman ( The Sphinx ) lithograph on paper 46.1 x 59.3 cm ( image ) Art Institute of Chicago, IL 1899 Woman in Three Stages lithograph 46.2 x 59.2 cm 1916-18 The Woman oil on canvas 200 x 267 cm Munch Museum, Oslo 1925 Woman oil on canvas 155 x 230 cm Munch Museum, Oslo 1894 Death and the Young Girl oil on canvas 128.5 x 86 cm Munch Museum, Norway 1894 - 1898 Stanislaw Przybyszewski: 1894-95 Stanislaw Przybyszewski distemper and casein on canvas 75 x 60 cm Munch Museum, Oslo 1895 Stanislaw Przybyszewski lithograph on greyish white wove paper 1895 Stanislaw Przybyszewski oil and tempera on cardboard 62.5 x 55.5 cm Munch Museum, Oslo 1898 Stanislaw Przybyszewsky lithograph 54.5 x 44.1 cm ( image ) 1895 Attraction II etching, drypoint and open bite with burnishing on cream laid paper 21.7 x 81.8 cm ( image ) Art Institute of Chicago, IL 1895 Beach in Åsgårtstrand oil on cardboard 57.5 x 83.5 cm Private Collection 1895 Berlin Model oil on canvas 76 x 57 cm Busch-Reisinger Museum, Cambridge, Boston, MA 1895 Cabaret oil on canvas 60 x 88 cm Munch Museum, Oslo 1895 Dr. Max Asch drypoint on cream paper 26 x 19.2 cm Art Institute of Chicago, IL 1895 Encounter in Space woodcut 19 x 25 cm Munch Museum, Oslo 1895 Evening on Karl Johan Street lithograph in black with hand colouring 1895 Kristiania Bohemians I etching and drypoint on cream wove paper 21.8 x 29.8 cm ( plate ) Art Institute of Chicago, IL 1895 Moonlight oil on canvas 93 x 110 cm National Museum of Art, Oslo 1895 Puberty oil on canvas 150 x 110 cm National Gallery, Oslo 1895 Self-Portrait lithograph 45.8 x 31.4 cm The Munch Museum, Oslo 1895 Self-Portrait with Burning Cigarette oil on canvas 110.5 x 85.5 cm National Gallery, Oslo 1895 The Hands lithograph in black on cream paper 48.5 x 29.2 cm ( image ) Art Institute of Chicago, IL 1895 The Smell of Death oil and tempera on canvas 100 x 110 cm Munch Museum, Oslo 1895 The Smell of Death tempera on cardboard 55 x 79 cm Munch Museum, Oslo 1895 Tingletangle lithograph lithograph in black ink with hand colouring in watercolour 41.5 x 63.9 vm Art Institute of Chicago, IL 1895 Jealousy oil on canvas 67 x 100.5 cm Private Collection 1896 Jealousy lithograph in greyish-brown ink on ivory paper 47.5 x 57.3 cm ( image ) Art Institute of Chicago, IL 1895-96 Oscar and Ingeborg Heiberg pastel on canvas 65 x 84.5 cm Munch Museum, Oslo 1895-98 Seated Nude and Three Male Heads oil on canvas 90 x 100 cm Kunsthalle, Bremen, Germany 1896 Angst woodcut 45.7 x 37.6 cm ( image ) 1896 Ashes II lithograph 35.3 x 45.4 cm Museum of Modern Art, New York 1896 Attraction I lithograph with tusche, crayon and scraper 4.1 x 35.1 cm The Metropolitan Museum of Art, New York 1896 August Strindberg lithograph 50.5 x 37.5 cm ( image ) 1896 August Strindberg lithograph 1896 Bathing Women oil on canvas 99 x 145 cm Munch Museum, Oslo 1896 Boys Bathing burnished aquatint on buff laid paper 29.7 x 23.6 cm Art Institute of Chicago, IL 1896 Half-Nude in a Black Skirt crayon on hardboard 64 x 54 cm Munch Museum, Oslo 1896 Moonlight I woodcut 1896 Moonlight I woodcut 1896 Moonlight I woodcut 1896 On the Waves of Love burnished aquatint and drypoint on wove cream paper 22.1 x 29 cm ( plate ) Art Institute of Chicago, IL 1896 Seated Nude against a Red Background oil on canvas 80 x 60 cm National Art Museum, Oslo 1896 Seated Nude with Her Back Turned oil on panel 64.5 x 48.5 cm Bergen Art Museum 1896 Separation II lithograph 41 x 62.5 cm 1896 Separation II lithograph in blue on cream wove paper 1896 Study of a Nude oil on canvas 56.5 x 47 cm Munch Museum, Oslo 1896 Summer Landscape tempera on canvas 75 x 100 cm Munch Museum, Oslo 1896 Summer Night ( The Voice ) oil on canvas 90 x 119.5 cm Munch Museum, Oslo 1896 The Mermaid oil on canvas 100 x 315 cm Philadelphia Museum of Art, PA 1896 Woman with Long Hair etching on cream laid paper 23.2 x 9.7 cm Art Institute of Chicago, IL 1896 Young Woman Washing Herself oil on panel 74.5 x 59 cm National Art Museum, Oslo 1896-97 Women in a Swimming Pool oil on canvas 72 x 120.5 cm Munch Museum, Oslo 1897 Mystical Shore woodcut from two blocks 37.2 x 57 cm ( image )
Botanical gardens in big cities always seem to help take us out of the monotonous droll of city living, weaving us through walks of native plant life and educational tours that teach us about plant cultivation and preservation. Bringing a touch of green to Magok, South Korea, Seoul Botanic Garden was designed and built to
Morphology and syntax are an integral part of linguistics. They are subdivisions of the study of languages and together with phonetics, semantics and phonology contribute to the understanding of how a language is formed. Morphology
parts of the body in German with picture, Körperteile, learning German with pictures, free printable, teaching material about parts of the body,
In part 1 we introduced you to book by Goldberg et al summarizing why the vestibular system can truly be considered a sixth sense. It is not surprising, given the extent to which vision is linked …
Combinaciones imposibles en la fotografía creativa de Stephen McMennamy
Part two of the gorgeous Georgian home in Alabama of designer Caroline Gidiere on Design Chic today. Her gardens are incredible!
. The story of Paul Poiret is one of a working class son, who used his natural charisma to gain entry into some of the most exclusive ateliers in Paris and eventually became one of the twentieth ce…
Instructions: 1.- Print the posters the size you wish. 2.- Cut the words & laminate poster and cards. 3.- Stick some velcro on both pos...
This part tests the candidates’ ability to produce an extended piece of discourse. Tests ability to: speak at length coherently, use language to describe, compare and contrast and comment upon a topic. In Part 2, candidates are given the opportunity to speak for 1 minute without interruption. Each candidate is asked to compare two colour photographs, and to make a further comment about them in response to a task that is read out by the interlocutor. A prompt is given to the candidates in the form of a direct question; this is written above the photographs. Candidates are expected to point out similarities and differences between the photographs and then move on to deal with the question, answering it with reference to both photographs. Candidates have the opportunity to show their ability to organise their thoughts and ideas, and express themselves coherently with appropriate language. The listening candidate is also asked to comment (for about 30 seconds) after their partner’s long turn. They should not speak during their partner’s long turn. Example Task The interview will begin with the examiner saying something like: Q: In this part of the test I'm going to give each of you two photographs. I'd like you to talk about your photographs on your own for about 1 minute and also to answer a short question about your partner's photographs.Q: (Candidate A), here are your photographs. They show people participating in sporting activities.Q: I'd like you to compare the two photographs and say why sport is important to people. Q: All right? Notice there are TWO instructions here: first to 'compare' the two photographs and also 'to say why' sport is important to people. In Part 2 candidates need to show they can compare but also give an opinion. The examiner will then ask Candidate B a short question about these photographs.Q: Thank you (Candidate A). (Candidate B) which sport would you most like to try? Candidate B will then do their long turn with a different set of photographs and at the end, Candidate A will be asked a short question.
