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charcoal pencil on paper
overclassy: “namelazz”
Vladimir Semensky
Testing again Perdida parte III
Nicola Samorì’s paintings and sculptures recreate the elegance of the Baroque and then physically deconstruct it, baring the layers that lie below. The artist’s process is a highly technical one, based on the techniques of the Old Masters, and then scraping, slashing, or tearing for something wholly contemporary.
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Franz Kline.
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from the book Boro
a gallery curated by Andreas Bahn
another picture of my wall at my studio - I like to clean my brushes on my walls and then sometimes it turns into something else.
A painting by Franz Kupka, a Czech avant-garde painter living in Paris. The painting is a mixture of realism and abstraction. Called The Yellow Scale, it depicts a portrait, but the painting technique consists of a feast of violent slashes of yellow impasto. This was a work of the transitional stage of Kupka's oeuvre when he moved from an impressionistic style to the world of abstraction. In the painting we see a supremely bored male individual, staring at us with a stern expression on his green-tinted face, a wisp of black hair sweeping across a wide brow, lounging back in a yellow dressing gown, his head resting against a large soft pillow in an oriental cane armchair. There is a self-rolled cigarette in the semi-salute of his upraised left hand, whilst his right hand's first finger rests in the opening of a yellow-covered Charpentier paperback on his lap. Who is this lounger? It is no other than Charles Baudelaire, the French decadent poet, based on one of Nadar's daguerreotype photographs. (From a review by B.J. Gilbert)
50 x 70 cm 5 colors Edition of 43 May 2012
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48x24", oil, mixed media on canvas, 2007 currently showing at the gallery at 129 Ossington, in Toronto
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Bahram Hajou
