Piri Reis Map Digital Print, Old World Map, Antique World Map 1st map to show Americas and Antarctica, Ottoman Empire Map By Piri Reis 1513 Print Poster, Piri Reis Reproduction Digital Download Welcome to My Boho Art Dreams. This product is a Digital File Instant Download only. ♫ Maybe you are interested in other printable wall art. Sufi Wall Art Print here: https://www.etsy.com/shop/MyBohoArtDreams?ref=simple-shop-header-name&listing_id=1100360912§ion_id=35162755 INCLUDED FILES: (vertical layout only) 4 high resolution 300 dpi digital JPEG (RGB) files: ⦿ 2:3 Ratio inches: 4x6; 6x9; 8x12; 10x15; 12x18; 16x24 Centimeters: 16X24; 20X30; 24X36; 30X45; 40X60 ⦿ 3:4 RATIO inches: 6x8; 9x12; 12x16; 15x20; 18x24 Centimeters: 15X20; 24X32; 30X40; 45X60 ⦿ 4:5 RATIO inches: 4x5; 8x10;16x20 Centimeters: 10X12; 20X25; 40X50 ⦿ ISO 50x70 cm High resolution JPEG file in ISO (International Standard Size) format for printing the following sizes: - Standard paper sizes: A2 | A3 | A4 | A5 If you need custom size or background color, please contact me. <<< INSTANT DOWNLOAD >>> No physical products will be shipped. This listing is for an instant download only. <<< HOW IT WORKS >>> 1. Purchase your chosen artwork. 2. After payment is confirmed you will be redirected to the download page. Your files will be available to download here: http://www.etsy.com/your/purchases as soon as you complete your purchase. 3. Click ‘Download’, save the files to your COMPUTER. Please note that you can't download a digital purchase through the ETSY APP. <<< COPYRIGHT NOTICE >>> . The files are for personal use only. Please do not share, resell. By purchasing this design you agree and are bound by the copyright agreement. . Sale of printed versions of our digital files is prohibited. . Editing of our digital files is prohibited. <<< WHERE TO PRINT >>> You can print at home, print shop or online services such as vistaprint.com, shutterfly.com, snapfish.com. <<< PLEASE NOTE >>> . This product is a digital file INSTANT DOWNLOAD only. No physical product will be shipped. • Colors may vary slightly due to viewing different monitors. • No refunds due to the instant file download. . For the most visually stunning final results we recommend printing the designs using high-quality paper. This artwork is copyrighted by MyBohoArtDreams. Thank you for visiting.

Ahmed Muhiddin Piri made the Piri Reis map in 1513. It seems to show an ice-free Antarctic coastline long before the continent's discovery.

Piri Reis Map? Discovery near Cuba? Scott Stones? (from Ellie Crystal)

"Map of the River Nile from Its Estuary South," by Piri Reis DIMENSIONS • 9" x 12" (Image: 6.75" x 10.5") • 12" x 16" (Image: 9" x 14") • 16" x 20" (Image: 10.81" x 17") • 20" x 30" (Image: 16" x 25") • 24" x 36" (Image: 19" x 29.75") Archival Inkjet on Fine Art Paper Smooth Surface - Matte Finish - Inset Borders ABOUT THE ARTWORK Piri Reis (“Captain Piri) was an Ottoman admiral, navigator, cartographer and geographer. First published in 1521, revised and expanded in 1524-1525, his Kitab-i Bahriye, or Book of Navigation, was one of the most beautiful atlases of its era. It drew upon Arab, Spanish, Portuguese, Chinese, Indian and older Greek sources, including charts personally designed by Christopher Columbus. In its revised edition, it contained 290 maps describing the islands and harbors of the Mediterranean, as well as detailed information on techniques of navigation, the people of each country and city, and their cultures. This leaf is reproduced from The Walters Art Museum's manuscript, which dates to the late 17th and early 18th centuries. ART-CENTRIC DESIGN ----------------------------- Vintage art is not standardized. The original works are usually too long, or too short, to neatly fill a store-bought frame. Most shops arbitrarily crop the artwork to match, leading to claustrophobic prints with missing or partial elements. These modifications — sometimes trivial, sometimes ludicrous — are not always shown in the product photos. We believe that the purpose of art is not to fill a frame; it is the purpose of a frame to showcase the art. Our prints have inset borders that make up any differences in proportion between the artwork and a standard frame, so that you can experience the art as the artist intended. They look sharp in beveled mats, may be float mounted, or inserted directly into standard frames; the borders providing a mat-like accent around the image. There are many styles from which to choose. Framing is a fun, creative process that enhances the artwork and livens your space for years to come. Should you like any advice, feel free to reach out. CUSTOMIZATION AND IMAGE REQUESTS ----------------------------- We are happy to customize our prints to fit your frame. Borderless prints may require the artwork to be cropped to fit a new aspect ratio. In such cases, we will provide a mockup to ensure that the final product meets with your approval. If you’re looking for an artwork that is not in our catalog, feel free to ask if we can provide it. We will print any public domain or openly licensed image that is available in high resolution. MUSEUM QUALITY ----------------------------- Giclée process prints are the gold standard in fine art reproduction. We use a matte finish, cotton fiber paper to maximize detail while eliminating glare. Our prints display a wide color gamut, deep blacks and beautiful tonal transitions. Produced using only archival materials, they will not fade or yellow, but maintain their original quality for as long as you own them. HANDMADE DECLARATION ----------------------------- To assure artistic quality, all of our production and design is strictly in-house. Every print has been proofed, calibrated and inspected for defects. We do not drop ship, resell or make use of third-party production partners. SHIPPING AND PACKAGING ----------------------------- All orders ship within one business day via USPS First Class, Priority Mail or Priority Mail Express. Sizes 9” x 12” and 12” x 16” ship in a flat configuration, unless combined with larger prints, which require tubes. We will replace any lost or damaged items at no expense to you. HAPPINESS GUARANTEE ----------------------------- We will promptly address any issues that may arise with your order. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.

Could the Piri Reis map have been based on the documents of a yet undiscovered, prehistoric civilization, one that...

Time and again we come across certain evidences about our past which we turn a blind eye to. We can't explain these without being labeled a crazy conspiracy theorist. Should that scare us from unveiling the truth? Plain truth that is staring hard at...

Este plano de la ciudad de El Cairo fue dibujado originalmente por el cartógrafo Piri Reis en 1521, como parte de su libro de navegación, Kitab-ı Bahriye. Tras unas pequeñas modificaciones, la versión final fue publicada en 1525 y entrada como regalo Solimán, sultán del Imperio Otomano. Esta copia es una reproducción posterior, de comienzos

Piri Reis Map explained by Graham Hancock The MapThe Piri Reis Map, shown below, is the oldest surviving map to show the Americas. It is not European, surprisingly, but Turkish. It bears a date of 919 in the Moslem calendar, corresponding to 1513 in the Western Calendar. It is in the Topkapi Palace in Istanbul, a fabulous museum and the locale for a truly awful movie in the late 1960's. (I've been there - the real place bears no resemblance to the place in the movie.) The map was lost for a long time and only rediscovered in the 20th century. Apart from its great historic interest, the map has been alleged to contain details no European could have known in the 1500's, and therefore proves the existence of ancient technological civilizations, visits by extraterrestrials, or both. The map is a portolan chart, a common form at this time. Instead of latitude and longitude grids, compass roses were placed at key points with azimuths radiating from them. That said, the east-west lines through the small rose off South America in the center of the map are a very good approximation to the Equator, both there and with respect to Africa. The small one at the very top of the map is a very good estimate of 45 north where the east-west azimuth hits the coast of France. The two big compass roses in mid-Atlantic are harder to place. They might locate the tropic lines (23-1/2 north and south) or they could represent 22-1/2 latitude (one-fourth of the way from equator to pole). Considering they are a bit closer to 45 degrees than the equator, the tropic lines are the best bet. Erich von Daniken in Chariots of the Gods? claimed that the map closely resembled an azimuthal projection centered on Cairo. At left is a real azimuthal projection centered on Cairo. This projection does tilt the Greater Antilles vertical and bring them up even with northern Europe. But it fails to bring South America below the bulge of Africa. And the equator, which is quite precise on the Piri Reis map, is curved. The straight parallels of latitude show that the map cannot be azimuthal. It has to be a cylindrical projection, probably cylindrical equidistant if anything. A cylindrical equidistant projection has equally spaced parallels of latitude. It was rarely used in pre-computer times (there are better projections that are just as easy to construct) but has become a lot more common recently because it is the easiest projection to plot on a computer. (You just plot latitude and longitude directly without any mathematical alterations.) At left is a direct comparison between the Piri Reis Map and the supposedly identical azimuthal equidistant projection. The scale is chosen to find the best fit with the western bulge of Africa. Nothing matches. Spain on the azimuthal equidistant map is well to the right of western Africa, not directly above. So clearly the claim that the Piri Reis Map matches a map centered on the Middle East is total garbage. At left is an azimuthal equidistant map centered on 0, 0. The fit of Africa and Spain is far better and the fit with Brazil is surprisingly good. Features on the South American coast down to southern Brazil can be identified with certainty. Beyond that, though, the map is fantasy. It doesn't match either South America or Antarctica very well.So, apart from claiming vague similarities between the Piri Reis map and Antarctica, what positive, specific evidence do you have that the map shows Antarctica? The Marginal NotesThe marginal writings on the map are very revealing. Translations are in The Oldest Map of America, by Professor Dr. Afet Inan. Ankara, 1954, pp. 28-34 and available at a number of Web sites. Until 1928 the Turkish language was written with Arabic letters, but the language on the map is Turkish, not Arabic. Most important is that references to maps of Asia, plus some fragmentary lines south of Africa, indicate that this was originally a world map which was torn in half along the eastern edge. Wouldn't it be marvelous to see the other half? Most of the bizarre claims made for the Piri Reis Map utterly ignore the marginal notes, which pretty conclusively show the map is entirely 16th century terrestrial in origin. Cartography of the Piri Reis MapBelow is a tracing of the coastlines on the map. Western Europe and Africa are easily recognizable, the Azores, Canary Islands and Cape Verde Islands are fairly accurate both as to location and the number and arrangements of individual islands. Eastern South America is also easily recognizable, but there are a lot of things not so easily recognized. The map, by the way, is very clear on the existence of mountains in the interior of South America (in brown on the tracing). EuropeThe coastline of France and Iberia is well-drawn. There are four major rivers shown in Iberia, from north to south the Atlantic rivers are the Tagus and Guadalquivir, and the east-flowing rivers are the Ebro (north) and an unknown river in the south (there are several minor rivers it could be). The rivers are very inaccurately located. The Tagus enters the Atlantic at Lisbon as shown, but does not have a hook in its upper reaches. The Duoro, to the north, does, but it's not shown. It looks very much as if the draftsman confused the two rivers. By the way, the Spanish syllable guad- that begins so many place names comes from Arabic wadi, valley. Wadi-al-yahara, valley of the flowing water, became Guadalajara, for example. AfricaThe western bulge of Africa is pretty well drawn and the offshore islands are as well (though too large relative to everything else). There are a couple of small rivers in Morocco that could correspond to the northernmost river. The river emptying at the center of the bulge is the Senegal and the next one south is the Gambia, followed to the south by the Guinea. The two rivers do not join but do approach closely. The south-flowing river is probably the Sassandra in the Ivory Coast. The welter of lakes and rivers inland do not exist as shown but may reflect some garbled knowledge of the Niger headwaters and its inland delta. Some people have claimed the map shows the Sahara as it was during the Pleistocene, when it had huge inland lakes. There are several reasons to doubt this: If the rivers of Iberia, which was occupied by Moslems for 700 years, are inaccurately shown, why should we think the map of Africa is any more accurate? No amount of flooding the basins of the Sahara could make the Niger top its drainage divide and flow to the Atlantic. It's just too high. In fact, it's the highest land for a thousand miles. You could flood the Sahara enough to put Khartoum on the Atlantic and still leave the Niger drainage divide above water. Sailors navigating the desert coast of west Africa would be interested in where to find fresh water now, not where it was during the Pleistocene. North AmericaNorth America is frankly a mess on this map. The only voyages to North America by 1513 were voyages to Newfoundland beginning with John Cabot in 1498, and some Spanish sightings of the southeast coast of the U.S. It was only in 1513 that Balboa reached the Pacific and Ponce de Leon discovered people who can't punch ballots correctly in Miami Beach. The marginal notes refer to some of the islands and coasts north of South America as "Antilia," clearly referring to the Antilles. The lack of good detail is puzzling since there must have been much better maps of the Caribbean by this time. If it's a real place at all - "Antilia" was a legendary island of the times. The big triangular island in the far northwest could be Newfoundland. It's close to the right latitude and even pretty much the right shape. Given that the most detailed knowledge of North America was in the north at this time, the big island off the coast is much more likely to be Nova Scotia than one of the Antilles. Supporting this is the fact that a nearby note refers to St. Brendan, an Irish monk who according to tradition sailed far into the North Atlantic in the sixth century. He might conceivably have reached Newfoundland or Nova Scotia but is pretty unlikely to have reached the Antilles. The mess of North America is important. It's ridiculous to claim, as many people do, that there are ancient or extraterrestrial secrets lurking in this map when something as big as North America is so crudely drawn. Robert Bywater and Jean-Pierre Lacroix published a very interesting hypothesis in Journal of Spatial Science vol 49 (1); 13-23 (2004) They suggest that the islands off North America might actually be Asia. The dream that the Americas might somehow be joined to Asia died hard, and remember, this map predates Magellan by a decade so nobody really knew how wide the Pacific was. As late as 1634, Jean Nicolet sailed into Green Bay expecting to meet the Chinese. It's worth considering. Secrets in the map?It's the other stuff that fascinates people. Among other claims: The map shows the earth as seen from space The map shows the subglacial topography of Greenland The map shows the subglacial topography of Antarctica The map is aligned with the earth's energy grid Here's a map that does show the earth from space as seen from a point that roughly matches the Piri Reis Map (20N, 30W). We can see that any similarity between this map and the Piri Reis Map, apart from what terrestrial navigators knew in the early 1500's, is imaginary. This projection is called an orthographic projection. Draftsmen of the 1500's would have been perfectly capable of drawing such a map given the geographic coordinates. You do not need to go into space to do it. For one thing, by this time there were globes to use as models. At left is the same map with the Piri Reis map superimposed on it. The conclusions don't change: Europe and Africa, pretty good. South America, fair. In fact the crudeness of the cartography of the Caribbean coast is more obvious here. Similarity to North America: vague at best. Similarity to Antarctica: imaginary.The fit is actually not as good as the fit with the azimuthal equidistant map shown above. Below is the Piri Reis Map with modern maps superimposed. We can see that Europe and Africa are pretty good but with lots of inaccuracy in detail. Promontories and bays are exaggerated, a natural enough tendency in a day when navigating by landmark was a matter of life and death. The Azores, Canary Islands and Cape Verde Islands are accurately located but again, exaggerated in size. Also note a hint of cartographic breakdown where the coast of Africa meets the right edge of the map. Brazil is pretty recognizable, but South America is too big compared to Africa and Europe, the Atlantic is way too narrow, and South America is compressed east-to-west. Also, what are the big islands offshore? North America is essentially imaginary. Now one thing we can count on navigators of the 1500's being able to measure accurately was latitude. On the east side we can clearly see the tip of France, so the top of the map represents about 50 degrees north latitude. So right away we can forget about this map showing Greenland, subglacial or not. The coast of subglacial Greenland, by the way, won't look very different from the present coast, for the simple reason that most of the Greenland coast is rock, not ice. There's nothing on the map that even vaguely resembles Greenland. The Piri Reis Map does not use any systematic projection, although as noted above it's close to a cylindrical equidistant. It tries to get features accurate to shape and relative location, and it tries to plot accurate latitudes, but there is no reasonable transformation of the present earth that will yield the Piri Reis Map. (You can, of course, come up with a mathematical transformation that will transform any map into any other map, but any transformation of the real world into the Piri Reis Map would be so convoluted and ad hoc that it would prove nothing.) South AmericaThe scale of South America above was chosen to give a good fit in latitude from the north coast to the tip of Brazil, presumably the best-mapped part at the time the map was drawn. We can see that the match between the modern map and the Piri Reis Map is pretty good for some distance south of that, both in scale and in geographic detail. That long stretch of coast on the bottom of the map has been claimed to be Antarctica, a place not known to humans (according to orthodox history) until the 19th century. So let's compare a modern map of South America (left, below) with the Piri Reis Map (right). Start with the obvious. The tip of Brazil is easy to place (A-a). To the west (b) we have a large river flowing into a broad recess. This can only be the Amazon (B). The big island to the northeast on the Piri Reis Map may be Marajo Island, the big island at the mouth of the Amazon. Whatever, the fact that there is no island in mid-Atlantic as shown doesn't bode well for the idea that this map drew on ancient advanced knowledge. To the south, the sharp recess in the coast of Brazil (C-c) is easy to see on both maps. At d we have a large river with a big delta flowing out of a convex coastline, and a big island offshore (e). It's a nearly perfect match for the Orinoco (D) and the island is Trinidad (E). One of the two rivers at g is almost certainly the Magdalena (G) but it's not clear what the other one is. Possibly the Magdalena is the river to the east and the Darien is the river to the west. The coastal bend north of Panama is fairly clear (F-f) but everything north of that bears almost no resemblance to any modern maps. Moving south, it's tempting to identify the big river at h with the Rio de la Plata (P), except the Rio de la Plata is too far south and empties into a large bay, not on a bulge in the coast. The Piri Reis Map actually matches the real coastal bulge at H far better, except there's no river there. But there is a city called Rio de Janeiro, or "River of January" because the discoverer mistook the complex bays there for the mouth of a large river. In fact, the real coastline there looks rather like the Piri Reis coastline, if you squint a bit. It certainly looks more like it than anything on the map looks like Greenland! If we buy this, the smooth concave indentation to the south (I-i) falls into place. The southern compass rose on the map would place the tropic of Capricorn on the small coastal bump halfway between c and h, and that would favor the big river being the Rio de la Plata. So we have to conclude that either the latitudes or the coastline (or both) are inaccurate south of c. The coastal fit seems too good to discard, and the marginal notes in this area explain how Piri Reis synthesized his map from a number of sources, so it's not hard to see how latitude might have suffered a bit in the process. Remember, he didn't have the raw latitude observations to go on. Thereafter, the Piri Reis Map drifts into the Twilight Zone. It shows South America swinging far to the east. Given that the map so far has done fairly well in latitude, we can be sure the coastline is not Antarctica. Also, if the map draws on ancient knowledge to show things no 16th century explorer would have known, why is the coastline continuous? So why isn't there open water between South America and "Antarctica?" You can't seize on an accidental resemblance to a couple of bumps on the coast of Antarctica and blithely ignore the failure to show the Drake Passage! Most damning of all to the Antarctica interpretation is that the marginal notes refer to the coast in this region being discovered by Portuguese ships blown off course. One note refers to the land being "very hot," which probably rules out Antarctica. The Piri Reis Map itself explicitly says the information in this area came from European sources. Atlanteans and extraterrestrials need not apply. We have isolated sightings of coast made by ships far off course and unsure of their location. Small wonder the map is wildly inaccurate. Considering that we have had a good match so far by assuming the Piri Reis Map shows relative latitude accurately (although not nearly as well as north of the equator; the scale of South America is too large), and that coastal features like points and bays are accurately rendered, then south of the smoothly curving coast at I-i there must be a cusp on the coast (j-J). The next prominent point k could be the point beyond the Rio de la Plata (K). The latitude is about right compared to the rest of South America. Above is an alternative interpretation of the mystery area. It requires us to assume the latitudes are badly off, something not hard to envision in maps of that era. However, it matches the curves in the coast. Point k might even correspond to the tip of Tierra del Fuego. Antarctica? Above is a map of South America and Antarctica with the Piri Reis coastline in magenta. Southern South America and Antarctica are in the orthographic projection - in other words they do look like they would as seen from space. We can see the Piri Reis Map bears no resemblance at all to Antarctica. The 600-mile wide Drake Passage is not shown, nor are the large islands in the Weddell Sea. The latitude is thousands of miles off. So in response to people who ask how to explain why the Piri Reis Map shows the coastline of Antarctica accurately, the answer is - it doesn't. It especially doesn't show the subglacial coastline of Antarctica, which corresponds to the existing coastline of Antarctica around most of the continent anyway. Some Real Mysteries About the MapThe map seems to show more detail than Europeans were likely to have in 1513. Pizarro hadn't been to Peru, yet, so how did Piri Reis know about the Andes? Did somebody hear tales of mountains far inland? Also, the detail on the South American coast seems a bit rich for 1513. Was the map begun then and completed later? Was the map copied later and the date miscopied? But if the map was derived from ancient sources that contained details otherwise unknown to Europeans, why are so many parts of it so crude? There's also a marginal note opposite South America that says "It is related by the Portuguese infidel that in this spot night and day are at their shortest of two hours, at their longest of twenty two hours. But the day is very warm and in the night there is much dew." That would indicate a far southern latitude, but note that the report explicitly comes from the Portuguese, not from arcane ancient sources. It's possible that some Portuguese expedition was blown very far south, not to Antarctica where the days are rarely "very warm," but perhaps to 50 south or so. Summary The Piri Re'is map is often exhibited in cases seeking to prove that civilization was once advanced and that, through some unknown event or events, we are only now gaining any understanding of this mysterious cultural decline. The earliest known civilization, the Sumerians in Mesopotamia, appear out of nowhere around 4,000 B.C. but have no nautical or maritime cultural heritage. They do, however, speak reverently of ancestral people who were like the "gods" and were known as the Nefilim. Here is a summary of some of the most unusual findings about the map: Scrutiny of the map shows that the makers knew the accurate circumference of the Earth to within 50 miles. The coastline and island that are shown in Antarctica must have been navigated at some period prior to 4,000 B.C. when these areas were free of ice from the last Ice Age. The map is thought to be one of the earliest "world maps" to show the Americas. Early scholars suggested that it showed accurate latitudes of the South American and African coastlines - only 21 years after the voyages of Columbus! (And remember, Columbus did NOT discover North America - only the Caribbean!) Writing in Piri Re'is own hand described how he had made the map from a collection of ancient maps, supplemented by charts that were drawn by Columbus himself. This suggests that these ancient maps were available to Columbus and could have been the basis of his expedition. As can be seen below, an azimuthal projection ( looking at the globe from a point above the globe), from the point above Cairo, Africa (Egypt) shows that the Piri Reis map corresponds more or less with the lower right quarter of this map if one rotates it some 20 degrees counter clockwise. Piri Re'is own commentary indicates that some of his source maps were from the time of Alexander the Great (332 B.C.). The contours from the Piri Reis map (left image), and an azimuthal projection of the real globe (right image), show very similar distortions.

Easily navigating the world is one of the greatest gifts to the modern world. We developed tools to help with that, and one thing stands above all—a map. Throughout history, ancient maps of the world have been invaluable exploration tools. From the artistic designs of medieval maps to the earliest known primitive representations of the globe, these charts offer a glimpse into ancient history and our ancestors' evolving understanding of our planet.

Late in 1929, Gustav Deissmann, a German theologian, was working in Istanbul at the Topkapi Palace Library. While cataloging antique items he found a

"Map of the Islands of Cres, Lošinj, and Unije," by Piri Reis DIMENSIONS • 9" x 12" (Image: 7" x 10.5") • 12" x 16" (Image: 9.31" x 14") • 16" x 20" (Image: 11.31" x 17") • 20" x 30" (Image: 16" x 24") • 24" x 36" (Image: 19" x 28.5") Archival Inkjet on Fine Art Paper Smooth Surface - Matte Finish - Inset Borders ABOUT THE ARTWORK Piri Reis (“Captain Piri) was an Ottoman admiral, navigator, cartographer and geographer. First published in 1521, revised and expanded in 1524-1525, his Kitab-i Bahriye, or Book of Navigation, was one of the most beautiful atlases of its era. It drew upon Arab, Spanish, Portuguese, Chinese, Indian and older Greek sources, including charts personally designed by Christopher Columbus. In its revised edition, it contained 290 maps describing the islands and harbors of the Mediterranean, as well as detailed information on techniques of navigation, the people of each country and city, and their cultures. This leaf is reproduced from The Walters Art Museum's manuscript, which dates to the late 17th and early 18th centuries. ART-CENTRIC DESIGN ----------------------------- Vintage art is not standardized. The original works are usually too long, or too short, to neatly fill a store-bought frame. Most shops arbitrarily crop the artwork to match, leading to claustrophobic prints with missing or partial elements. These modifications — sometimes trivial, sometimes ludicrous — are not always shown in the product photos. We believe that the purpose of art is not to fill a frame; it is the purpose of a frame to showcase the art. Our prints have inset borders that make up any differences in proportion between the artwork and a standard frame, so that you can experience the art as the artist intended. They look sharp in beveled mats, may be float mounted, or inserted directly into standard frames; the borders providing a mat-like accent around the image. There are many styles from which to choose. Framing is a fun, creative process that enhances the artwork and livens your space for years to come. Should you like any advice, feel free to reach out. CUSTOMIZATION AND IMAGE REQUESTS ----------------------------- We are happy to customize our prints to fit your frame. Borderless prints may require the artwork to be cropped to fit a new aspect ratio. In such cases, we will provide a mockup to ensure that the final product meets with your approval. If you’re looking for an artwork that is not in our catalog, feel free to ask if we can provide it. We will print any public domain or openly licensed image that is available in high resolution. MUSEUM QUALITY ----------------------------- Giclée process prints are the gold standard in fine art reproduction. We use a matte finish, cotton fiber paper to maximize detail while eliminating glare. Our prints display a wide color gamut, deep blacks and beautiful tonal transitions. Produced using only archival materials, they will not fade or yellow, but maintain their original quality for as long as you own them. HANDMADE DECLARATION ----------------------------- To assure artistic quality, all of our production and design is strictly in-house. Every print has been proofed, calibrated and inspected for defects. We do not drop ship, resell or make use of third-party production partners. SHIPPING AND PACKAGING ----------------------------- All orders ship within one business day via USPS First Class, Priority Mail or Priority Mail Express. Sizes 9” x 12” and 12” x 16” ship in a flat configuration, unless combined with larger prints, which require tubes. We will replace any lost or damaged items at no expense to you. HAPPINESS GUARANTEE ----------------------------- We will promptly address any issues that may arise with your order. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.

Originally composed in 932 AH / 1525 CE and dedicated to Sultan Süleyman I ("The Magnificent"), this great work by Piri Reis (d. 962 AH / 1555 CE) on navigation was later revised and expanded. The present manuscript, made mostly in the late 11th AH / 17th CE century, is based on the later expanded version with some 240 exquisitely executed maps and portolan charts. They include a world map (fol.41a) with the outline of the Americas, as well as coastlines (bays, capes, peninsulas), islands, mountains and cities of the Mediterranean basin and the Black Sea. The work starts with the description of the coastline of Anatolia and the islands of the Aegean Sea, the Peloponnese peninsula and eastern and western coasts of the Adriatic Sea. It then proceeds to describe the western shores of Italy, southern France, Spain, North Africa, Palestine, Israel, Lebanon, Syria, western Anatolia, various islands north of Crete, Sea of Marmara, Bosporus and the Black Sea. It ends with a map of the shores of the the Caspian Sea (fol.374a). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19195

This article explores the Piri Reis Map and lost civilizations. Past Polar Shifts, ice ages and how they came to be. How these ancient people could have possible been aware of these mysteries and how they pertain to modern times.

Smartphones may answer our navigation needs these days, but over the centuries, paper maps have done more than just get us from A to B

Este autor renacentista es conocido tanto por el mapa que lleva su nombre (un portulano) como por su obra principal, «El libro del mar», también traducido como «de la navegación» o «de materias mar…

Piri Reis Map, 1st map to show Americas & Antarctica 24 X 36 High Gloss Poster Map comes shipped in Heavy Cardboard tube for safety! The Piri Reis Map is a World Map compiled in 1513 by the Ottoman admiral and cartographer Piri Reis. Approximately one third of the map survives; it shows the western coasts of Europe and North Africa and the coast of Brazil with reasonable accuracy. Various Atlantic islands, including the Azores and Canary Islands, are depicted, as is the mythical island of Antillia and possibly Japan. The Piri Reis Map was Rediscovered in 1929 after a German Theologian was commissioned to catalogue the Topaki Palace Library. The Map's Historical Importance lies in its demonstration of the extent of Global Exploration of the New World by approximately 1510, and in its claim to have used a map of Christopher Columbus, otherwise lost, as a source. Piri also stated that he had used ten Arab sources and four Indian maps sourced from the Portuguese. More recently, the map has been the focus of claims for the Pre-Modern Exploration of the Antarctic Coast. The Piri Reis Map is in the Library of the Topkapı Palace in Istanbul, Turkey, but is not usually on display to the public. This “Piri Reis Map” item Is part of our Special “Ancient Mystery Collection.” This is an Exclusive: Signed, Numbered, Limited Edition Collection of both, Real and Reproduction Relics Manufactured by Reel Art. Your Map was made using High Quality Images taken Directly from the Real Map as it sits in its present location in the Library of the Topkapı Palace in Istanbul, Turkey. The Piri Reis Map is a World Map compiled in 1513 by the Ottoman Admiral and cartographer Piri Reis. Approximately 1/3 of the original Map survives and it shows the western coasts of Europe North Africa and the eastern coast of Brazil with reasonable accuracy. Various Atlantic Islands, including the Azores and Canary Islands, are depicted, as well as the mythical island of Antillia and possibly Japan. Your Map is a High Quality Full Color, High Gloss, professionally printed in 600dpi, almost original size 24 inches (60.96 centimeters) by 36 inches (91.44 centimeters) Replica of the Famous Map, with all the original Turkish print translated into English. You will also get a Professionally Printed 4 Page Pamphlet, in which, the Maps History from its Original Discovery in 1929 to the present are explained. This also includes a copy of the Original Newspaper Press Release from 1933. Included also is a Signed, Numbered, Certificate of Authentication.

Discovered in the Topkapi Palace in 1929, the Piri Reis Map as it is known, is the oldest known Turkish map showing the new world and one of the oldest maps of America still in existence anywhere (the oldest known map of America that is still in existence is the map drawn by Juan de la Cosa in 1500)

Originally composed in 932 AH / 1525 CE and dedicated to Sultan Süleyman I ("The Magnificent"), this great work by Piri Reis (d. 962 AH / 1555 CE) on navigation was later revised and expanded. The present manuscript, made mostly in the late 11th AH / 17th CE century, is based on the later expanded version with some 240 exquisitely executed maps and portolan charts. They include a world map (fol.41a) with the outline of the Americas, as well as coastlines (bays, capes, peninsulas), islands, mountains and cities of the Mediterranean basin and the Black Sea. The work starts with the description of the coastline of Anatolia and the islands of the Aegean Sea, the Peloponnese peninsula and eastern and western coasts of the Adriatic Sea. It then proceeds to describe the western shores of Italy, southern France, Spain, North Africa, Palestine, Israel, Lebanon, Syria, western Anatolia, various islands north of Crete, Sea of Marmara, Bosporus and the Black Sea. It ends with a map of the shores of the the Caspian Sea (fol.374a). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19195

Turkish maritime power began to rise during the reign of Ottoman Sultan Mehmed II, also known as Mehmed the Conqueror. With his efforts, Venetian power in...

"Map of the River Nile from Its Estuary South," by Piri Reis DIMENSIONS • 9" x 12" (Image: 6.75" x 10.5") • 12" x 16" (Image: 9" x 14") • 16" x 20" (Image: 10.81" x 17") • 20" x 30" (Image: 16" x 25") • 24" x 36" (Image: 19" x 29.75") Archival Inkjet on Fine Art Paper Smooth Surface - Matte Finish - Inset Borders ABOUT THE ARTWORK Piri Reis (“Captain Piri) was an Ottoman admiral, navigator, cartographer and geographer. First published in 1521, revised and expanded in 1524-1525, his Kitab-i Bahriye, or Book of Navigation, was one of the most beautiful atlases of its era. It drew upon Arab, Spanish, Portuguese, Chinese, Indian and older Greek sources, including charts personally designed by Christopher Columbus. In its revised edition, it contained 290 maps describing the islands and harbors of the Mediterranean, as well as detailed information on techniques of navigation, the people of each country and city, and their cultures. This leaf is reproduced from The Walters Art Museum's manuscript, which dates to the late 17th and early 18th centuries. ART-CENTRIC DESIGN ----------------------------- Vintage art is not standardized. The original works are usually too long, or too short, to neatly fill a store-bought frame. Most shops arbitrarily crop the artwork to match, leading to claustrophobic prints with missing or partial elements. These modifications — sometimes trivial, sometimes ludicrous — are not always shown in the product photos. We believe that the purpose of art is not to fill a frame; it is the purpose of a frame to showcase the art. Our prints have inset borders that make up any differences in proportion between the artwork and a standard frame, so that you can experience the art as the artist intended. They look sharp in beveled mats, may be float mounted, or inserted directly into standard frames; the borders providing a mat-like accent around the image. There are many styles from which to choose. Framing is a fun, creative process that enhances the artwork and livens your space for years to come. Should you like any advice, feel free to reach out. CUSTOMIZATION AND IMAGE REQUESTS ----------------------------- We are happy to customize our prints to fit your frame. Borderless prints may require the artwork to be cropped to fit a new aspect ratio. In such cases, we will provide a mockup to ensure that the final product meets with your approval. If you’re looking for an artwork that is not in our catalog, feel free to ask if we can provide it. We will print any public domain or openly licensed image that is available in high resolution. MUSEUM QUALITY ----------------------------- Giclée process prints are the gold standard in fine art reproduction. We use a matte finish, cotton fiber paper to maximize detail while eliminating glare. Our prints display a wide color gamut, deep blacks and beautiful tonal transitions. Produced using only archival materials, they will not fade or yellow, but maintain their original quality for as long as you own them. HANDMADE DECLARATION ----------------------------- To assure artistic quality, all of our production and design is strictly in-house. Every print has been proofed, calibrated and inspected for defects. We do not drop ship, resell or make use of third-party production partners. SHIPPING AND PACKAGING ----------------------------- All orders ship within one business day via USPS First Class, Priority Mail or Priority Mail Express. Sizes 9” x 12” and 12” x 16” ship in a flat configuration, unless combined with larger prints, which require tubes. We will replace any lost or damaged items at no expense to you. HAPPINESS GUARANTEE ----------------------------- We will promptly address any issues that may arise with your order. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.

Late in 1929, Gustav Deissmann, a German theologian, was working in Istanbul at the Topkapi Palace Library. While cataloging antique items he found a

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Originally composed in 932 AH / 1525 CE and dedicated to Sultan Süleyman I ("The Magnificent"), this great work by Piri Reis (d. 962 AH / 1555 CE) on navigation was later revised and expanded. The present manuscript, made mostly in the late 11th AH / 17th CE century, is based on the later expanded version with some 240 exquisitely executed maps and portolan charts. They include a world map (fol.41a) with the outline of the Americas, as well as coastlines (bays, capes, peninsulas), islands, mountains and cities of the Mediterranean basin and the Black Sea. The work starts with the description of the coastline of Anatolia and the islands of the Aegean Sea, the Peloponnese peninsula and eastern and western coasts of the Adriatic Sea. It then proceeds to describe the western shores of Italy, southern France, Spain, North Africa, Palestine, Israel, Lebanon, Syria, western Anatolia, various islands north of Crete, Sea of Marmara, Bosporus and the Black Sea. It ends with a map of the shores of the the Caspian Sea (fol.374a). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19195

Late in 1929, Gustav Deissmann, a German theologian, was working in Istanbul at the Topkapi Palace Library. While cataloging antique items he found a