Pittori tedeschi seconda meta 1400 prima meta 1500

1491-92 Self-Portrait with a Bandage ink on paper 20.4 x 20.8 cm Graphische Sammlung der Universitätsbibliothek, Erlangen Albrecht Dürer (1471-1528) was a German painter, engraver, printmaker, mathematician and theorist. Dürer revolutionised printmaking, elevating it to an independent art form. His high quality woodcuts established his reputation and influence across Europe when he was still in his twenties, and he is regarded as the greatest artist of the Northern Renaissance. His vast body of works include altarpieces and other religious works, numerous portraits and self-portraits, and copper engravings. For more biographical notes and for earlier works, see part 1 also. This is part 2 of a 9-part post on the works of Albrecht Dürer: 1496-98 The Peasant and His Wife engraving The Metropolitan Museum of Art, New York 1496-98 Willow Mill watercolour and gouache on paper 25.1 x 36.7 cm Bibliothèque Nationale, Paris 1496-1500 Virgin and Child with the Monkey engraving The Metropolitan Museum of Art, New York 1496c House by a Pond watercolour and gouache on paper 21 x 23 cm British Museum, London 1496c Pond in the Woods watercolour and gouache on paper 26.2 x 37.4 cm British Museum, London 1496c St. Jerome in the Wilderness engraving, second state of two The Metropolitan Museum of Art, New York 1496c The Prodigal Son engraving 24.3 x 18.7 cm The Metropolitan Museum of Art, New York 1496c The Turkish Family engraving 10.2 x 7.3 cm The Metropolitan Museum of Art, New York 1496c The Seven Sorrows of the Virgin: 1496c The Seven Sorrows of the Virgin oil on panel 109.2 x 43.3 cm ( centre panel ) 63 x 46 cm ( side panels ) Alte Pinakothek, Munich and Gemäldegalerie, Dresden, Germany 1496c The Seven Sorrows of the Virgin: Mother of Sorrows oil on pine panel 109.2 x 43.3 Alte Pinakothek, Munich, Germany 1496c The Seven Sorrows of the Virgin: Circumcision oil on pine panel 63 x 45.5 cm Gemäldegalerie, Dresden, Germany 1496c The Seven Sorrows of the Virgin: The Flight into Egypt oil on pine panel 63 x 45.5 cm Gemäldegalerie, Dresden, Germany 1496c The Seven Sorrows of the Virgin: Christ among the Doctors oil on pine panel 62.5 x 45 cm Gemäldegalerie, Dresden, Germany 1496c The Seven Sorrows of the Virgin: Via Crusis oil on panel 63 x 44.5 cm Alte Pinakothek, Munich, Germany 1496c The Seven Sorrows of the Virgin: Christ Nailed to the Cross oil on pine panel 62 x 46.5 cm Alte Pinokothek, Munich, Germany 1496c ( 1518? ) Study of a Man with a Drill pen and ink on paper 25.1 x 15.1 cm Musée Bonnat, Bayonne, France 1496c The Seven Sorrows of the Virgin: The Crucifixion oil on pine panel 63.5 x 45.5 cm Gemäldegalerie, Dresden, Germany 1496c The Seven Sorrows of the Virgin: The Deposition oil on pine panel 63 x 46 cm Alte Pinokothek, Munich, Germany before 1497 Sebastian Brandt: n.d. chapter 37 from Sebastian Brandt: Das Narrenschrift woodcut 21 x 14.5 cm The Metropolitan Museum of Art, New York n.d. Illustration from Sebastian Brandt: Navis Stultifera, Basle, Bergmann van Olpe, 1497 woodcut The Metropolitan Museum of Art, New York n.d. Illustration from Sebastian Brandt: Navis Stultifera, Strassburg woodcut The Metropolitan Museum of Art, New York n.d. Ilustration from Sebastian Brandt: Das Narrenschriff woodcut The Metropolitan Museum of Art, New York n.d. Von Ungluckes Fal, title page chapter 37 from Sebastian Brandt: Das Narrenschrift woodcut 21 x 14.5 cm The Metropolitan Museum of Art, New York * * * * * 1497 Four Naked Women engraving 19.4 x 13.5 cm The Metropolitan Museum of Art, New York 1497 Portrait of a Young Fürleger with Her Hair Done Up oil on canvas 56.5 x 42.5 cm Staatliche Museen, Berlin 1497 Portrait of a Young Fürleger with Loose Hair oil on canvas 56 x 43 cm Städelsches Kunstinstitut, Frankfurt 1497 Portrait of Dürer's Father at 70 oil on panel 51 x 40 cm National Gallery, London 1497 The Lady on Horseback and the Lansquenet engraving The Metropolitan Museum of Art, New York 1497 - 1510 The Large Passion: The Man of Sorrows Mocked by a Soldier, title page to The Large Passion woodcut 44.1 x 30.3 cm The Metropolitan Museum of Art, New York 1510 Title page The Large Passion: The Man of Sorrows Mocked by a Soldier woodcut 44.1 x 30.3 cm The Metropolitan Museum of Art, New York 1497-99c The Large Passion: Christ on the Mount of Olives woodcut 39 x 28 cm The Metropolitan Museum of Art, New York 1497c The Large Passion: The Flagellation of Christ woodcut 38.7 x 27.5 cm The Metropolitan Museum of Art, New York 1498-99c The Large Passion Ecce Homo woodcut 41.3 x 30.6 cm The Metropolitan Museum of Art, New York 1498 The Large Passion: Christ Bearing the Cross woodcut 38.7 x 28.2 cm The Metropolitan Museum of Art, New York 1498 The Large Passion: The Crucifixion woodcut 39.3 x 28.1 cm The Metropolitan Museum of Art, New York 1497c The Large Passion: The Lamentation for Christ woodcut 38.9 x 28.3 cm The Metropolitan Museum of Art, New York 1497c The Large Passion: The Deposition of Christ woodcut 38.8 x 27.7 cm The Metropolitan Museum of Art, New York 1510 The Large Passion: The Last Supper woodcut 29.8 x 22.2 cm The Metropolitan Museum of Art, New York 1510 The Large Passion: Christ in Limbo woodcut 39.5 x 27.7 cm The Metropolitan Museum of Art, New York 1510 The Large Passion: The Resurrection woodcut 39.4 x 27.6 cm The Metropolitan Museum of Art, New York 1510 The Large Passion: Betrayal of Christ woodcut 39.4 x 28.1 cm The Metropolitan Museum of Art, New York * * * * * 1497 The Men's Bath woodcut 38.7 x 27.9 cm The Metropolitan Museum of Art, New York 1497 Winged Man, in Idealistic Clothing, Playing a Lute silverpoint on dark paper heightened with white 26.8 x 19.5 cm Staatliche Museen, Berlin 1497-98 Angels Restraining the Four Winds woodcut 38.6 x 27.9 cm The Metropolitan Museum of Art, New York 1497-98 Portrait of a Man parchment on panel 24.2 x 20 cm Heinz Kisters Collection, Kreuzlingen 1497-98 The Four-and-Twenty Elders Round the Throne of God woodcut 38.7 x 27.4 cm The Metropolitan Museum of Art, New York 1497-98 The Prodigal Son among the Swine pen and ink 21.7 x 21.9 cm British Museum, London 1497-98c Samson Rending the Lion woodcut 40.6 x 30.2 cm The Metropolitan Museum of Art, New York 1497-98c The Holy Family with Three Hares woodcut first state of nine 38.4 x 27.9 cm The Metropolitan Museum of Art, New York 1497-1501 St. Sebastian Bound to the Column engraving The Metropolitan Museum of Art, New York 1497c Three Peasants in Conversation engraving The Metropolitan Museum of Art, New York 1498 Fortuna in a Niche pen and greenish brown ink 32.5 x 11.9 cm The Metropolitan Museum of Art, New York 1498 Madonna and Child ( Haller Madonna ) oil on wood 50 x 39 cm. National Gallery of Art, Washington, DC 1498 The Promenade engraving first state of two 19.5 x 12.1 cm The Metropolitan Museum of Art, New York 1498-99 Hercules engraving second state of two 32.3 x 22.5 cm The Metropolitan Museum of Art, New York 1498-1500 Virgin on the Crescent engraving The Metropolitan Museum of Art, New York 1498-1501 Justice engraving The Metropolitan Museum of Art, New York 1498-1502 The Witch engraving The Metropolitan Museum of Art, New York 1498-1502 Three Putti with Trumpets engraving The Metropolitan Museum of Art, New York 1498c The Martyrdom of St. Catherine of Alexandria woodcut 39.2 x 28.7 cm The Metropolitan Museum of Art, New York 1498c Lot Fleeing with his Daughters from Sodom oil and tempera on panel 52 x 41 cm National Gallery of Art, Washington, DC 1498c The Dream of the Doctor engraving 18.9 x 11.9 cm The Metropolitan Museum of Art, New York

Portrait of an Unknown Man, 1524 // by Albrecht Dürer

Explore mike catalonian's 5163 photos on Flickr!

1491-92 Self-Portrait with a Bandage ink on paper 20.4 x 20.8 cm Graphische Sammlung der Universitätsbibliothek, Erlangen Albrecht Dürer (1471-1528) was a German painter, engraver, printmaker, mathematician and theorist. Dürer revolutionised printmaking, elevating it to an independent art form. His high quality woodcuts established his reputation and influence across Europe when he was still in his twenties, and he is regarded as the greatest artist of the Northern Renaissance. His vast body of works include altarpieces and other religious works, numerous portraits and self-portraits, and copper engravings. For more biographical notes and for earlier works, see part 1 also. This is part 2 of a 9-part post on the works of Albrecht Dürer: 1496-98 The Peasant and His Wife engraving The Metropolitan Museum of Art, New York 1496-98 Willow Mill watercolour and gouache on paper 25.1 x 36.7 cm Bibliothèque Nationale, Paris 1496-1500 Virgin and Child with the Monkey engraving The Metropolitan Museum of Art, New York 1496c House by a Pond watercolour and gouache on paper 21 x 23 cm British Museum, London 1496c Pond in the Woods watercolour and gouache on paper 26.2 x 37.4 cm British Museum, London 1496c St. Jerome in the Wilderness engraving, second state of two The Metropolitan Museum of Art, New York 1496c The Prodigal Son engraving 24.3 x 18.7 cm The Metropolitan Museum of Art, New York 1496c The Turkish Family engraving 10.2 x 7.3 cm The Metropolitan Museum of Art, New York 1496c The Seven Sorrows of the Virgin: 1496c The Seven Sorrows of the Virgin oil on panel 109.2 x 43.3 cm ( centre panel ) 63 x 46 cm ( side panels ) Alte Pinakothek, Munich and Gemäldegalerie, Dresden, Germany 1496c The Seven Sorrows of the Virgin: Mother of Sorrows oil on pine panel 109.2 x 43.3 Alte Pinakothek, Munich, Germany 1496c The Seven Sorrows of the Virgin: Circumcision oil on pine panel 63 x 45.5 cm Gemäldegalerie, Dresden, Germany 1496c The Seven Sorrows of the Virgin: The Flight into Egypt oil on pine panel 63 x 45.5 cm Gemäldegalerie, Dresden, Germany 1496c The Seven Sorrows of the Virgin: Christ among the Doctors oil on pine panel 62.5 x 45 cm Gemäldegalerie, Dresden, Germany 1496c The Seven Sorrows of the Virgin: Via Crusis oil on panel 63 x 44.5 cm Alte Pinakothek, Munich, Germany 1496c The Seven Sorrows of the Virgin: Christ Nailed to the Cross oil on pine panel 62 x 46.5 cm Alte Pinokothek, Munich, Germany 1496c ( 1518? ) Study of a Man with a Drill pen and ink on paper 25.1 x 15.1 cm Musée Bonnat, Bayonne, France 1496c The Seven Sorrows of the Virgin: The Crucifixion oil on pine panel 63.5 x 45.5 cm Gemäldegalerie, Dresden, Germany 1496c The Seven Sorrows of the Virgin: The Deposition oil on pine panel 63 x 46 cm Alte Pinokothek, Munich, Germany before 1497 Sebastian Brandt: n.d. chapter 37 from Sebastian Brandt: Das Narrenschrift woodcut 21 x 14.5 cm The Metropolitan Museum of Art, New York n.d. Illustration from Sebastian Brandt: Navis Stultifera, Basle, Bergmann van Olpe, 1497 woodcut The Metropolitan Museum of Art, New York n.d. Illustration from Sebastian Brandt: Navis Stultifera, Strassburg woodcut The Metropolitan Museum of Art, New York n.d. Ilustration from Sebastian Brandt: Das Narrenschriff woodcut The Metropolitan Museum of Art, New York n.d. Von Ungluckes Fal, title page chapter 37 from Sebastian Brandt: Das Narrenschrift woodcut 21 x 14.5 cm The Metropolitan Museum of Art, New York * * * * * 1497 Four Naked Women engraving 19.4 x 13.5 cm The Metropolitan Museum of Art, New York 1497 Portrait of a Young Fürleger with Her Hair Done Up oil on canvas 56.5 x 42.5 cm Staatliche Museen, Berlin 1497 Portrait of a Young Fürleger with Loose Hair oil on canvas 56 x 43 cm Städelsches Kunstinstitut, Frankfurt 1497 Portrait of Dürer's Father at 70 oil on panel 51 x 40 cm National Gallery, London 1497 The Lady on Horseback and the Lansquenet engraving The Metropolitan Museum of Art, New York 1497 - 1510 The Large Passion: The Man of Sorrows Mocked by a Soldier, title page to The Large Passion woodcut 44.1 x 30.3 cm The Metropolitan Museum of Art, New York 1510 Title page The Large Passion: The Man of Sorrows Mocked by a Soldier woodcut 44.1 x 30.3 cm The Metropolitan Museum of Art, New York 1497-99c The Large Passion: Christ on the Mount of Olives woodcut 39 x 28 cm The Metropolitan Museum of Art, New York 1497c The Large Passion: The Flagellation of Christ woodcut 38.7 x 27.5 cm The Metropolitan Museum of Art, New York 1498-99c The Large Passion Ecce Homo woodcut 41.3 x 30.6 cm The Metropolitan Museum of Art, New York 1498 The Large Passion: Christ Bearing the Cross woodcut 38.7 x 28.2 cm The Metropolitan Museum of Art, New York 1498 The Large Passion: The Crucifixion woodcut 39.3 x 28.1 cm The Metropolitan Museum of Art, New York 1497c The Large Passion: The Lamentation for Christ woodcut 38.9 x 28.3 cm The Metropolitan Museum of Art, New York 1497c The Large Passion: The Deposition of Christ woodcut 38.8 x 27.7 cm The Metropolitan Museum of Art, New York 1510 The Large Passion: The Last Supper woodcut 29.8 x 22.2 cm The Metropolitan Museum of Art, New York 1510 The Large Passion: Christ in Limbo woodcut 39.5 x 27.7 cm The Metropolitan Museum of Art, New York 1510 The Large Passion: The Resurrection woodcut 39.4 x 27.6 cm The Metropolitan Museum of Art, New York 1510 The Large Passion: Betrayal of Christ woodcut 39.4 x 28.1 cm The Metropolitan Museum of Art, New York * * * * * 1497 The Men's Bath woodcut 38.7 x 27.9 cm The Metropolitan Museum of Art, New York 1497 Winged Man, in Idealistic Clothing, Playing a Lute silverpoint on dark paper heightened with white 26.8 x 19.5 cm Staatliche Museen, Berlin 1497-98 Angels Restraining the Four Winds woodcut 38.6 x 27.9 cm The Metropolitan Museum of Art, New York 1497-98 Portrait of a Man parchment on panel 24.2 x 20 cm Heinz Kisters Collection, Kreuzlingen 1497-98 The Four-and-Twenty Elders Round the Throne of God woodcut 38.7 x 27.4 cm The Metropolitan Museum of Art, New York 1497-98 The Prodigal Son among the Swine pen and ink 21.7 x 21.9 cm British Museum, London 1497-98c Samson Rending the Lion woodcut 40.6 x 30.2 cm The Metropolitan Museum of Art, New York 1497-98c The Holy Family with Three Hares woodcut first state of nine 38.4 x 27.9 cm The Metropolitan Museum of Art, New York 1497-1501 St. Sebastian Bound to the Column engraving The Metropolitan Museum of Art, New York 1497c Three Peasants in Conversation engraving The Metropolitan Museum of Art, New York 1498 Fortuna in a Niche pen and greenish brown ink 32.5 x 11.9 cm The Metropolitan Museum of Art, New York 1498 Madonna and Child ( Haller Madonna ) oil on wood 50 x 39 cm. National Gallery of Art, Washington, DC 1498 The Promenade engraving first state of two 19.5 x 12.1 cm The Metropolitan Museum of Art, New York 1498-99 Hercules engraving second state of two 32.3 x 22.5 cm The Metropolitan Museum of Art, New York 1498-1500 Virgin on the Crescent engraving The Metropolitan Museum of Art, New York 1498-1501 Justice engraving The Metropolitan Museum of Art, New York 1498-1502 The Witch engraving The Metropolitan Museum of Art, New York 1498-1502 Three Putti with Trumpets engraving The Metropolitan Museum of Art, New York 1498c The Martyrdom of St. Catherine of Alexandria woodcut 39.2 x 28.7 cm The Metropolitan Museum of Art, New York 1498c Lot Fleeing with his Daughters from Sodom oil and tempera on panel 52 x 41 cm National Gallery of Art, Washington, DC 1498c The Dream of the Doctor engraving 18.9 x 11.9 cm The Metropolitan Museum of Art, New York

Matthias Grunewald. Isenheim Altarpiece. 1512-1516

Explore arthistory390's 19696 photos on Flickr!

Virgin And Child Birth Of Christ Adoration Of The Three Kings Madonna With Parrots Virgin And Child In A Room Rest On The Flight To Egypt – Holy Family In The Open Adoration Of The Magi Maria…

1491-92 Self-Portrait with a Bandage ink on paper 20.4 x 20.8 cm Graphische Sammlung der Universitätsbibliothek, Erlangen Albrecht Dürer (1471-1528) was a German painter, engraver, printmaker, mathematician and theorist. Dürer revolutionised printmaking, elevating it to an independent art form. His high quality woodcuts established his reputation and influence across Europe when he was still in his twenties, and he is regarded as the greatest artist of the Northern Renaissance. His vast body of works include altarpieces and other religious works, numerous portraits and self-portraits, and copper engravings. For more biographical notes and for earlier works, see part 1 also. This is part 2 of a 9-part post on the works of Albrecht Dürer: 1496-98 The Peasant and His Wife engraving The Metropolitan Museum of Art, New York 1496-98 Willow Mill watercolour and gouache on paper 25.1 x 36.7 cm Bibliothèque Nationale, Paris 1496-1500 Virgin and Child with the Monkey engraving The Metropolitan Museum of Art, New York 1496c House by a Pond watercolour and gouache on paper 21 x 23 cm British Museum, London 1496c Pond in the Woods watercolour and gouache on paper 26.2 x 37.4 cm British Museum, London 1496c St. Jerome in the Wilderness engraving, second state of two The Metropolitan Museum of Art, New York 1496c The Prodigal Son engraving 24.3 x 18.7 cm The Metropolitan Museum of Art, New York 1496c The Turkish Family engraving 10.2 x 7.3 cm The Metropolitan Museum of Art, New York 1496c The Seven Sorrows of the Virgin: 1496c The Seven Sorrows of the Virgin oil on panel 109.2 x 43.3 cm ( centre panel ) 63 x 46 cm ( side panels ) Alte Pinakothek, Munich and Gemäldegalerie, Dresden, Germany 1496c The Seven Sorrows of the Virgin: Mother of Sorrows oil on pine panel 109.2 x 43.3 Alte Pinakothek, Munich, Germany 1496c The Seven Sorrows of the Virgin: Circumcision oil on pine panel 63 x 45.5 cm Gemäldegalerie, Dresden, Germany 1496c The Seven Sorrows of the Virgin: The Flight into Egypt oil on pine panel 63 x 45.5 cm Gemäldegalerie, Dresden, Germany 1496c The Seven Sorrows of the Virgin: Christ among the Doctors oil on pine panel 62.5 x 45 cm Gemäldegalerie, Dresden, Germany 1496c The Seven Sorrows of the Virgin: Via Crusis oil on panel 63 x 44.5 cm Alte Pinakothek, Munich, Germany 1496c The Seven Sorrows of the Virgin: Christ Nailed to the Cross oil on pine panel 62 x 46.5 cm Alte Pinokothek, Munich, Germany 1496c ( 1518? ) Study of a Man with a Drill pen and ink on paper 25.1 x 15.1 cm Musée Bonnat, Bayonne, France 1496c The Seven Sorrows of the Virgin: The Crucifixion oil on pine panel 63.5 x 45.5 cm Gemäldegalerie, Dresden, Germany 1496c The Seven Sorrows of the Virgin: The Deposition oil on pine panel 63 x 46 cm Alte Pinokothek, Munich, Germany before 1497 Sebastian Brandt: n.d. chapter 37 from Sebastian Brandt: Das Narrenschrift woodcut 21 x 14.5 cm The Metropolitan Museum of Art, New York n.d. Illustration from Sebastian Brandt: Navis Stultifera, Basle, Bergmann van Olpe, 1497 woodcut The Metropolitan Museum of Art, New York n.d. Illustration from Sebastian Brandt: Navis Stultifera, Strassburg woodcut The Metropolitan Museum of Art, New York n.d. Ilustration from Sebastian Brandt: Das Narrenschriff woodcut The Metropolitan Museum of Art, New York n.d. Von Ungluckes Fal, title page chapter 37 from Sebastian Brandt: Das Narrenschrift woodcut 21 x 14.5 cm The Metropolitan Museum of Art, New York * * * * * 1497 Four Naked Women engraving 19.4 x 13.5 cm The Metropolitan Museum of Art, New York 1497 Portrait of a Young Fürleger with Her Hair Done Up oil on canvas 56.5 x 42.5 cm Staatliche Museen, Berlin 1497 Portrait of a Young Fürleger with Loose Hair oil on canvas 56 x 43 cm Städelsches Kunstinstitut, Frankfurt 1497 Portrait of Dürer's Father at 70 oil on panel 51 x 40 cm National Gallery, London 1497 The Lady on Horseback and the Lansquenet engraving The Metropolitan Museum of Art, New York 1497 - 1510 The Large Passion: The Man of Sorrows Mocked by a Soldier, title page to The Large Passion woodcut 44.1 x 30.3 cm The Metropolitan Museum of Art, New York 1510 Title page The Large Passion: The Man of Sorrows Mocked by a Soldier woodcut 44.1 x 30.3 cm The Metropolitan Museum of Art, New York 1497-99c The Large Passion: Christ on the Mount of Olives woodcut 39 x 28 cm The Metropolitan Museum of Art, New York 1497c The Large Passion: The Flagellation of Christ woodcut 38.7 x 27.5 cm The Metropolitan Museum of Art, New York 1498-99c The Large Passion Ecce Homo woodcut 41.3 x 30.6 cm The Metropolitan Museum of Art, New York 1498 The Large Passion: Christ Bearing the Cross woodcut 38.7 x 28.2 cm The Metropolitan Museum of Art, New York 1498 The Large Passion: The Crucifixion woodcut 39.3 x 28.1 cm The Metropolitan Museum of Art, New York 1497c The Large Passion: The Lamentation for Christ woodcut 38.9 x 28.3 cm The Metropolitan Museum of Art, New York 1497c The Large Passion: The Deposition of Christ woodcut 38.8 x 27.7 cm The Metropolitan Museum of Art, New York 1510 The Large Passion: The Last Supper woodcut 29.8 x 22.2 cm The Metropolitan Museum of Art, New York 1510 The Large Passion: Christ in Limbo woodcut 39.5 x 27.7 cm The Metropolitan Museum of Art, New York 1510 The Large Passion: The Resurrection woodcut 39.4 x 27.6 cm The Metropolitan Museum of Art, New York 1510 The Large Passion: Betrayal of Christ woodcut 39.4 x 28.1 cm The Metropolitan Museum of Art, New York * * * * * 1497 The Men's Bath woodcut 38.7 x 27.9 cm The Metropolitan Museum of Art, New York 1497 Winged Man, in Idealistic Clothing, Playing a Lute silverpoint on dark paper heightened with white 26.8 x 19.5 cm Staatliche Museen, Berlin 1497-98 Angels Restraining the Four Winds woodcut 38.6 x 27.9 cm The Metropolitan Museum of Art, New York 1497-98 Portrait of a Man parchment on panel 24.2 x 20 cm Heinz Kisters Collection, Kreuzlingen 1497-98 The Four-and-Twenty Elders Round the Throne of God woodcut 38.7 x 27.4 cm The Metropolitan Museum of Art, New York 1497-98 The Prodigal Son among the Swine pen and ink 21.7 x 21.9 cm British Museum, London 1497-98c Samson Rending the Lion woodcut 40.6 x 30.2 cm The Metropolitan Museum of Art, New York 1497-98c The Holy Family with Three Hares woodcut first state of nine 38.4 x 27.9 cm The Metropolitan Museum of Art, New York 1497-1501 St. Sebastian Bound to the Column engraving The Metropolitan Museum of Art, New York 1497c Three Peasants in Conversation engraving The Metropolitan Museum of Art, New York 1498 Fortuna in a Niche pen and greenish brown ink 32.5 x 11.9 cm The Metropolitan Museum of Art, New York 1498 Madonna and Child ( Haller Madonna ) oil on wood 50 x 39 cm. National Gallery of Art, Washington, DC 1498 The Promenade engraving first state of two 19.5 x 12.1 cm The Metropolitan Museum of Art, New York 1498-99 Hercules engraving second state of two 32.3 x 22.5 cm The Metropolitan Museum of Art, New York 1498-1500 Virgin on the Crescent engraving The Metropolitan Museum of Art, New York 1498-1501 Justice engraving The Metropolitan Museum of Art, New York 1498-1502 The Witch engraving The Metropolitan Museum of Art, New York 1498-1502 Three Putti with Trumpets engraving The Metropolitan Museum of Art, New York 1498c The Martyrdom of St. Catherine of Alexandria woodcut 39.2 x 28.7 cm The Metropolitan Museum of Art, New York 1498c Lot Fleeing with his Daughters from Sodom oil and tempera on panel 52 x 41 cm National Gallery of Art, Washington, DC 1498c The Dream of the Doctor engraving 18.9 x 11.9 cm The Metropolitan Museum of Art, New York

Isenheim Altar, Allegory of the Nativity

Art.com | We Are Art We exist so you can have the art you love. Art.com gives you easy access to incredible art images and top-notch craftsmanship. High-Quality Framed Art Prints Our high-end framed wall art is printed on premium paper using non-toxic, archival inks that protect against UV light to resist fading. Experience unmatched quality and style as you choose from a wide range of designs to enhance your room décor. Professionally Crafted Framed Wall Art Attention to detail is at the heart of our process, as we exclusively use 100% solid wood frames that include 4-ply white core matboard and durable, frame-grade clear acrylic for clarity, long-lasting protection of the artwork and unrivaled quality. With a thoughtfully selected frame and mat combination, this piece is designed to complement your art and create a visually appealing display. Easy-to-Hang & Ready-to-Display Artwork Each framed art piece comes with hanging hardware affixed to the back of the frame, allowing for easy and convenient installation. Ready to display right out of the box. Handcrafted in the USA. The Print This giclée print delivers a vivid image with maximum color accuracy and exceptional resolution. The standard for museums and galleries around the world, giclée is a printing process where millions of ink droplets are “sprayed” onto high-quality paper. With the great degree of detail and smooth transitions of color gradients, giclée prints appear much more realistic than other reproduction prints. The high-quality paper (235 gsm) is acid free with a smooth surface. Paper Type: Giclee Print Finished Size: 9" x 12" Arrives by Sat, Jun 1 Product ID: 55609591591A

Albrecht Altdorfer - The Martyrdom of Saint Florian. 1516-1520

14.4.2009: predella of the Reformation altarpiece by Lucas Cranach the Elder (1472-1553) in the Stadtkirche St. Marien, Wittenberg. The woman in the front row is thought to be Katharina von Bora.

1491-92 Self-Portrait with a Bandage ink on paper 20.4 x 20.8 cm Graphische Sammlung der Universitätsbibliothek, Erlangen Albrecht Dürer (1471-1528) was a German painter, engraver, printmaker, mathematician and theorist. Dürer revolutionised printmaking, elevating it to an independent art form. His high quality woodcuts established his reputation and influence across Europe when he was still in his twenties, and he is regarded as the greatest artist of the Northern Renaissance. His vast body of works include altarpieces and other religious works, numerous portraits and self-portraits, and copper engravings. For more biographical notes and for earlier works, see part 1 also. This is part 2 of a 9-part post on the works of Albrecht Dürer: 1496-98 The Peasant and His Wife engraving The Metropolitan Museum of Art, New York 1496-98 Willow Mill watercolour and gouache on paper 25.1 x 36.7 cm Bibliothèque Nationale, Paris 1496-1500 Virgin and Child with the Monkey engraving The Metropolitan Museum of Art, New York 1496c House by a Pond watercolour and gouache on paper 21 x 23 cm British Museum, London 1496c Pond in the Woods watercolour and gouache on paper 26.2 x 37.4 cm British Museum, London 1496c St. Jerome in the Wilderness engraving, second state of two The Metropolitan Museum of Art, New York 1496c The Prodigal Son engraving 24.3 x 18.7 cm The Metropolitan Museum of Art, New York 1496c The Turkish Family engraving 10.2 x 7.3 cm The Metropolitan Museum of Art, New York 1496c The Seven Sorrows of the Virgin: 1496c The Seven Sorrows of the Virgin oil on panel 109.2 x 43.3 cm ( centre panel ) 63 x 46 cm ( side panels ) Alte Pinakothek, Munich and Gemäldegalerie, Dresden, Germany 1496c The Seven Sorrows of the Virgin: Mother of Sorrows oil on pine panel 109.2 x 43.3 Alte Pinakothek, Munich, Germany 1496c The Seven Sorrows of the Virgin: Circumcision oil on pine panel 63 x 45.5 cm Gemäldegalerie, Dresden, Germany 1496c The Seven Sorrows of the Virgin: The Flight into Egypt oil on pine panel 63 x 45.5 cm Gemäldegalerie, Dresden, Germany 1496c The Seven Sorrows of the Virgin: Christ among the Doctors oil on pine panel 62.5 x 45 cm Gemäldegalerie, Dresden, Germany 1496c The Seven Sorrows of the Virgin: Via Crusis oil on panel 63 x 44.5 cm Alte Pinakothek, Munich, Germany 1496c The Seven Sorrows of the Virgin: Christ Nailed to the Cross oil on pine panel 62 x 46.5 cm Alte Pinokothek, Munich, Germany 1496c ( 1518? ) Study of a Man with a Drill pen and ink on paper 25.1 x 15.1 cm Musée Bonnat, Bayonne, France 1496c The Seven Sorrows of the Virgin: The Crucifixion oil on pine panel 63.5 x 45.5 cm Gemäldegalerie, Dresden, Germany 1496c The Seven Sorrows of the Virgin: The Deposition oil on pine panel 63 x 46 cm Alte Pinokothek, Munich, Germany before 1497 Sebastian Brandt: n.d. chapter 37 from Sebastian Brandt: Das Narrenschrift woodcut 21 x 14.5 cm The Metropolitan Museum of Art, New York n.d. Illustration from Sebastian Brandt: Navis Stultifera, Basle, Bergmann van Olpe, 1497 woodcut The Metropolitan Museum of Art, New York n.d. Illustration from Sebastian Brandt: Navis Stultifera, Strassburg woodcut The Metropolitan Museum of Art, New York n.d. Ilustration from Sebastian Brandt: Das Narrenschriff woodcut The Metropolitan Museum of Art, New York n.d. Von Ungluckes Fal, title page chapter 37 from Sebastian Brandt: Das Narrenschrift woodcut 21 x 14.5 cm The Metropolitan Museum of Art, New York * * * * * 1497 Four Naked Women engraving 19.4 x 13.5 cm The Metropolitan Museum of Art, New York 1497 Portrait of a Young Fürleger with Her Hair Done Up oil on canvas 56.5 x 42.5 cm Staatliche Museen, Berlin 1497 Portrait of a Young Fürleger with Loose Hair oil on canvas 56 x 43 cm Städelsches Kunstinstitut, Frankfurt 1497 Portrait of Dürer's Father at 70 oil on panel 51 x 40 cm National Gallery, London 1497 The Lady on Horseback and the Lansquenet engraving The Metropolitan Museum of Art, New York 1497 - 1510 The Large Passion: The Man of Sorrows Mocked by a Soldier, title page to The Large Passion woodcut 44.1 x 30.3 cm The Metropolitan Museum of Art, New York 1510 Title page The Large Passion: The Man of Sorrows Mocked by a Soldier woodcut 44.1 x 30.3 cm The Metropolitan Museum of Art, New York 1497-99c The Large Passion: Christ on the Mount of Olives woodcut 39 x 28 cm The Metropolitan Museum of Art, New York 1497c The Large Passion: The Flagellation of Christ woodcut 38.7 x 27.5 cm The Metropolitan Museum of Art, New York 1498-99c The Large Passion Ecce Homo woodcut 41.3 x 30.6 cm The Metropolitan Museum of Art, New York 1498 The Large Passion: Christ Bearing the Cross woodcut 38.7 x 28.2 cm The Metropolitan Museum of Art, New York 1498 The Large Passion: The Crucifixion woodcut 39.3 x 28.1 cm The Metropolitan Museum of Art, New York 1497c The Large Passion: The Lamentation for Christ woodcut 38.9 x 28.3 cm The Metropolitan Museum of Art, New York 1497c The Large Passion: The Deposition of Christ woodcut 38.8 x 27.7 cm The Metropolitan Museum of Art, New York 1510 The Large Passion: The Last Supper woodcut 29.8 x 22.2 cm The Metropolitan Museum of Art, New York 1510 The Large Passion: Christ in Limbo woodcut 39.5 x 27.7 cm The Metropolitan Museum of Art, New York 1510 The Large Passion: The Resurrection woodcut 39.4 x 27.6 cm The Metropolitan Museum of Art, New York 1510 The Large Passion: Betrayal of Christ woodcut 39.4 x 28.1 cm The Metropolitan Museum of Art, New York * * * * * 1497 The Men's Bath woodcut 38.7 x 27.9 cm The Metropolitan Museum of Art, New York 1497 Winged Man, in Idealistic Clothing, Playing a Lute silverpoint on dark paper heightened with white 26.8 x 19.5 cm Staatliche Museen, Berlin 1497-98 Angels Restraining the Four Winds woodcut 38.6 x 27.9 cm The Metropolitan Museum of Art, New York 1497-98 Portrait of a Man parchment on panel 24.2 x 20 cm Heinz Kisters Collection, Kreuzlingen 1497-98 The Four-and-Twenty Elders Round the Throne of God woodcut 38.7 x 27.4 cm The Metropolitan Museum of Art, New York 1497-98 The Prodigal Son among the Swine pen and ink 21.7 x 21.9 cm British Museum, London 1497-98c Samson Rending the Lion woodcut 40.6 x 30.2 cm The Metropolitan Museum of Art, New York 1497-98c The Holy Family with Three Hares woodcut first state of nine 38.4 x 27.9 cm The Metropolitan Museum of Art, New York 1497-1501 St. Sebastian Bound to the Column engraving The Metropolitan Museum of Art, New York 1497c Three Peasants in Conversation engraving The Metropolitan Museum of Art, New York 1498 Fortuna in a Niche pen and greenish brown ink 32.5 x 11.9 cm The Metropolitan Museum of Art, New York 1498 Madonna and Child ( Haller Madonna ) oil on wood 50 x 39 cm. National Gallery of Art, Washington, DC 1498 The Promenade engraving first state of two 19.5 x 12.1 cm The Metropolitan Museum of Art, New York 1498-99 Hercules engraving second state of two 32.3 x 22.5 cm The Metropolitan Museum of Art, New York 1498-1500 Virgin on the Crescent engraving The Metropolitan Museum of Art, New York 1498-1501 Justice engraving The Metropolitan Museum of Art, New York 1498-1502 The Witch engraving The Metropolitan Museum of Art, New York 1498-1502 Three Putti with Trumpets engraving The Metropolitan Museum of Art, New York 1498c The Martyrdom of St. Catherine of Alexandria woodcut 39.2 x 28.7 cm The Metropolitan Museum of Art, New York 1498c Lot Fleeing with his Daughters from Sodom oil and tempera on panel 52 x 41 cm National Gallery of Art, Washington, DC 1498c The Dream of the Doctor engraving 18.9 x 11.9 cm The Metropolitan Museum of Art, New York

Image gallery for: Pittori tedeschi seconda meta 1400 prima meta 1500

Albrecht Dürer - part 2

Portrait of an Unknown Man, 1524 // by Albrecht Dürer

Albrecht Dürer - part 2

Matthias Grunewald. Isenheim Altarpiece. 1512-1516

Hans Baldung (1484 – 1545, German)

Albrecht Dürer - part 2

Albrecht Dürer - part 2

Isenheim Altar, Allegory of the Nativity

sea art and sun

Hearers of the Word

Albrecht Dürer - part 2