As auteurs go, Wes Anderson is known for a whimsical use of color and style. See how to decorate like Wes Anderson
En el cine, encontramos verdaderos maestros no solo de la cámara, la actuación o la fotografía, sino también de la...
Awesome. (Via Julia)
Embark on a whimsical journey with Lilabeth Interiors as we explore the enchanting allure of Wes Anderson-inspired design. In this blog post, we dive into the playful color palettes, quirky aesthetics, and timeless charm that define Anderson’s iconic style. Join us in discovering how our curated app
Albuquerque-based commercial photographer Wes Naman has discovered how to draw out the best of the worst in his contortionist portrait series Scotch Tape. Inspired by a silly moment while wrapping presents, Naman recruited family and friends to be transformed by his mutant use of office supplies. Simultaneously horrifying and hilarious, each smashed nose and stretched lip provides zombie-esque plastic surgery that one cannot look away from. Never taking more than 10 minutes to apply his effect, Naman uses photography to stretch and squeeze everyday people into fantastically freaky creatures.
About EDWARD DUGMORE 1961-R, 1961 Oil on canvas 85 1/4 x 115 1/2 inches Loretta Howard Gallery is pleased to present an exhibition of major canvases by Edward Dugmore from the 1960s. The works on display trace the artist’s engagement with the American West. This affinity developed at an early age in part from an interest in Native American life that began while looking through his fathers National Geographic magazines. The 1960s marked a period during which the artist turned his field of vision away from the city and mined visual representation for inspiration. For Dugmore, the Rocky Mountains, which he experienced as a visiting artist to the Aspen school of Art in 1961, became a mystic symbol. Dugmore’s mountainous topographies avoid direct visual reference instead embodying the tectonic drama of the landscape as a catalyst for spiritual reflection. This romantic impulse can be traced to English poet and painter William Blake who’s own ambition was to render the contemplation of nature as a transformative experience. Equally important were Dugmore’s yearly trips to Washington, Maine, where he and his wife purchased land in 1960 along with fellow artists Ernie Briggs and Anne Arnold. A selection of ink drawings from the early 1960s highlights the important influence of this environment on the artist’s paintings of the next ten years. Dugmore sketched, often times interpreting the landscape through its reflection in the Medomak River and nearby saltwater coves.
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Copro Gallery presents exhibitions and events by Benz & Chang, Wes Benscoter, Dan Seagrave, Bad Otis Link, Sean Wheeler, Cirius Scion & Anthony Ausgang.
