A tale of an IAEA Student Chapter Roundtable Presentation. [flickr id=”6463833451″ thumbnail=”medium” overlay=”true” size=”original” group=”” align=”none”] Before the IAEA Conference, my colleague in the Art Education MAT program, Keli Campbell, and I applied to present at the IAEA Student Chapter Roundtable. Our main interest and goal was to present a demonstration and lesson plan idea on Collagraph Printing. [flickr id=”6463825895″ thumbnail=”medium” overlay=”true” size=”original” group=”” align=”none”] What is Collagraphy? Collagraphy is a print-making process where various materials are glued to a hardboard to create a raised texture. The collaged collagraph plate can then be printed with a press or by hand with a roller. [flickr id=”6463828383″ thumbnail=”medium_640″ overlay=”true” size=”original” group=”” align=”center”] A few examples of various materials that can be used for Collagraph textures are: leaves, seeds, string (hemp), acrylic paint, crushed paper, bubble rap, sandpaper, cardboard, grass, and many others...
In my studio last month I explored printing with some plants from my garden - a perennial silver bush (unable to be identified) and the flow...
There are a large variety of different lino cutting tools with different shapes and sizes. The most common lino tools are V Tools and U Tools. U Tools carve softer lines with a curved end point and an even width but it can be harder to get control over the placement of your edges. V …
Monoprinting is a lovely technique that allows printmakers to be spontaneous, painterly and experimental. This simple monoprint project produces beautiful delicate prints using a piece of scrim and an etching press. Begin with a piece of perpex, a plastic inking plate or a sheet of drypoint plastic. use masking tape to tape off a rectangle on your perspex. … Continue reading "Monoprinting with Scrim"
Dustin from RetroSupply is back with more quality goodies for Access All Areas members. Dustin has already donated some fantastic resources for members to download, including halftone vectors, 1940s mockups, vector textures and the Emergency Retro Kit, but now members are also being treated to the RetroSupply Standard Issue Ink Roller Textures. This pack contains […]
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etching 25 x 38"
Today, I am cutting stencils for gelatin printmaking from a tyvek envelop. The envelop had a little texture that I think adds interest to the gel print.
Student Relief Printmaking Assignment Student Dry point Assignment Student Pronto Plate Lithography Assignment Student Monoprint Assignment
I used to be a bit cagey about telling people, but now I think what the hell, lets all do crackle texture! It is too good a technique to keep secret.
Making Shellac Plate Prints: A technique that I use frequently in my print work is the Shellac Plate. The shellac plate is a versatile material that can be worked both intaglio and collograph style…
Here is a selection of original prints made in my studio.
Printmaker & Artist: Irving Herrera "At Work." https://www.instagram.com/irving_herrera_oaxaca/
There is a soothing allure to Ryan Tippery's Line Studies. Tippery—who relies heavily on his linework—makes good use of the exercise, creating effortless portraits of texture and movement.
From a distance, monoprint collages by Elizabeth Busey can look like quilts or mosaics. Colorful elements are carefully cut and placed into matrices reminiscent of mathematical or scientific principles. When considered up-close, vintage maps, personal cyanotypes and colorful monotypes keep the viewer’s eye moving from element to element. Drawing from travel, topography and plant forms,
If you would like inspiration for your carborundum prints here it is! Don't be overwhelmed by the amount of colour, tone, texture and passion you find in
Choose from a mix of experimental collagraph techniques and courses exploring ideas about printmaking.
Collagraph, is one of the print media with which I work consistently. You will find the collagraph basics elsewhere but below is collagraphs according to me! All printmakers have our individual approaches to the medium.
I have to admit, up front, that whilst I admire linocuts, they’re not me. I find it hard to get my head around the management of tone in a linocut. I find them overly controlled. Before this …
I used to be a bit cagey about telling people, but now I think what the hell, lets all do crackle texture! It is too good a technique to keep secret.
I used to be a bit cagey about telling people, but now I think what the hell, lets all do crackle texture! It is too good a technique to keep secret.
A tale of an IAEA Student Chapter Roundtable Presentation. [flickr id=”6463833451″ thumbnail=”medium” overlay=”true” size=”original” group=”” align=”none”] Before the IAEA Conference, my colleague in the Art Education MAT program, Keli Campbell, and I applied to present at the IAEA Student Chapter Roundtable. Our main interest and goal was to present a demonstration and lesson plan idea on Collagraph Printing. [flickr id=”6463825895″ thumbnail=”medium” overlay=”true” size=”original” group=”” align=”none”] What is Collagraphy? Collagraphy is a print-making process where various materials are glued to a hardboard to create a raised texture. The collaged collagraph plate can then be printed with a press or by hand with a roller. [flickr id=”6463828383″ thumbnail=”medium_640″ overlay=”true” size=”original” group=”” align=”center”] A few examples of various materials that can be used for Collagraph textures are: leaves, seeds, string (hemp), acrylic paint, crushed paper, bubble rap, sandpaper, cardboard, grass, and many others...
