Woensdag 19 oktober 2022 - Vanaf morgen 20 oktober gaan acht bekende mannen uit de kleren op Eén in het nieuwe Kom op tegen Kanker, alles in de...
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Rik Wouters (1882-1916), Lezende vrouw Nel is de grote liefde van Rik Wouters, de Belgische kunstschilder en beeldhouwer. Rik werd geboren i...
Rik Wouters ( Mechelen 1886 - Amsterdam 1916 ) is a Belgian sculptor, but above all a great painter. In 1912, he became acquainted with the Impressionists during a trip to Paris, which greatly influenced his way of working. The inspiration for this sculpture is the dancer Isadora Duncan. The model - as in so many of his works - is his wife Nel. He was a member of the Brabant Fauvist Title of the work: The mad maiden More about this work: www.middelheimmuseum.be/en/page/rik-wouters-belgium This work of art can be admired at the Middelheim open air museum at Antwerp: www.middelheimmuseum.be/en Rik Wouters ( Mechelen 1886 - Amsterdam 1916 ) is een Belgisch beeldhouwer, maar ook vooral een groot schilder. In 1912 maakte hij kennis met de impressionisten tijdens een reis naar Parijs, wat zijn manier van werken sterk beïnvloedde. De aanleiding voor dit beeld is de danseres Isadora Duncan. Het model – zoals in zovele van zijn werken – zijn echtgenote Nel. Hij maakte deel uit van de Brabants fauvistische beweging. In 1916 op amper 31 jarige leeftijd stierf hij aan kanker. Meer over dit werk: www.middelheimmuseum.be/nl/pagina/rik-wouters-belgi%C3%AB Dit werk kan bewonderd worden in het openlucht museum Middelheim in Antwerpen: www.middelheimmuseum.be/nl Rik Wouters (Malines 1886 - Amsterdam 1916) est un sculpteur belge, mais surtout un grand peintre. En 1912, il fait la connaissance des impressionnistes lors d'un voyage à Paris, ce qui influence grandement sa façon de travailler. L'inspiration pour cette sculpture est la danseuse Isadora Duncan. Le modèle - comme dans tant de ses œuvres - est sa femme Nel. Il était membre du mouvement fauviste brabançon. Il est mort d'un cancer en 1916, à l'âge de 31 ans seulement. Titre de l'œuvre: La vierge folle Plus sur cette oeuvre: www.middelheimmuseum.be/fr/page/rik-wouters-belgique Cette œuvre peut être admirée au musée en plein air Middelheim à Anvers: www.middelheimmuseum.be/fr
Rik Mayall c.1981, in “A Kick up the Eighties”. Photo: BBC In what must be something of a record, my tears started at around fifty seconds in to Lord of Misrule, BBC2’s Rik Mayall tribute (which airs
Rik Garrett explora las relaciones físicas entre las personas en su serie "Simbiosis".
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Peer gynt genser oppskrift - Finn alt du trenger å vite om Peer Gynt-genseren! Her får du oppskrift, variasjoner, historie, pleietips og ..
I don’t write about other things much in this blog, but the death of Rik Mayall means that I bloody well will. Because Rik Mayall was brilliant, and now he’s dead, and I just wanted to …
The star, who shot to fame playing Rick in The Young Ones, was 56 and his career included appearances in shows including Blackadder and Bottom
In de Koningin Fabiolazaal kan je dit najaar De Modernen. Kunst in de Groote Oorlog bezoeken. Met die expo tonen het KMSKA, De Provincie Antwerpen, het Letterenhuis en het Provinciaal Museum Emile …
(Mechelen, 1882 - Amsterdam, 1916) Belgian painter, sculptor, draughtsman and printmaker. From early age on Rik Wouters worked as an apprentice in the studio of his father, an ornamental sculptor. In his workshop he created wooden figures and decorations for furniture. At only fifteen years old he entered the Akademie van Schone Kunsten in Mechelen to study sculpture. In 1900 he decided to move to the Belgian capital where he became a pupil of Charles Van der Stappen at the Academie des Beaux-Arts. There he met Hélène Duerinckx (Nel) who was to become his wife, favourite model and muse. The poverty of the young couple and the sickness of Nel forced them to leave the city centre and to go to Boitsfort, the green outskirts of Brussels. Wouters’ early paintings were primarily of interiors and stillifes, painted with a palette and showing an abundant use of colour laid down on cardboard. In 1911 Wouters changed his style, abandoning the use of the spatula and opting for the brush. In order to obtain a maximum of transparency the painter diluted his colours and used particularly absorbing canvases. It resulted in a reduced scale of warm tones and a diminished brilliancy of colours. The young couple escaped from poverty only in 1912 when Wouters signed an exclusive contract with the Galerie Georges Giroux, Brussels. Not having to face financial trouble his creativity unfolded in the following years. Wouters visited Paris and Cologne where he studied paintings by Cézanne and Van Gogh and other impressionist works. This influence was reflected in his own work where colours gained the illusion of shimmering light. Long walks in the nearby woods as well as his home life with his beloved Nel inspired him in his choice of motives. Wouters’ mature paintings were often built up of flat planes of color that suggest the freer works of Cézanne, while his focus upon personal subject matter mirror the intimiste paintings of the Fauves and the Nabis… especially the work of Pierre Bonnard. Like Bonnard, Wouter’s turned his passion for his wife, Nel, into an endless source of inspiration. The model in Woman Resting (above) is Nel, whom he immortalised innumerable times. She is lying on a bed wearing only long black stockings and a necklace. Nel’s seductive charm stimulated Wouters’s imagination. Whenever she stirred his artistic passion, Wouters would ‘stop time’ by recording every impression, movement, reflection of light and colour intensity. In Nel’s biography of her husband, she recounts how he used to constantly follow her around the house. However, around 1900, it would have been highly unusual for a woman to allow herself to be seen lying naked on a bed, so Wouters most probably asked Nel to adopt this particular pose. ‘Decent’, married women were, in any case, rarely portrayed in this way. Wouters was marvelously adept in a variety of media beyond oil painting and sculpture. He produced any number of fluid and elegant ink drawings: He was no less skilled with watercolor… … and pastels: The First World War resulted in a major change in Wouters’ life. As a soldier he faced terror, death and destruction in Belgium and ended up in a detention camp in Amersfort, Netherlands. To escape from evil of war, he carried on producing drawings and water paintings in the detention camp. However, his health started to deteriorate quickly so that he was released from camp and moved with his wife to Amsterdam. In 1916 Rik Wouters died at the young age of 33. Wouters early death was surely one of the great losses to the art of the 20th century.
Following the news of Rik Mayall's death, we take a look back at some of the roles that made him one of the UK's best loved comedians
(Mechelen, 1882 - Amsterdam, 1916) Belgian painter, sculptor, draughtsman and printmaker. From early age on Rik Wouters worked as an apprentice in the studio of his father, an ornamental sculptor. In his workshop he created wooden figures and decorations for furniture. At only fifteen years old he entered the Akademie van Schone Kunsten in Mechelen to study sculpture. In 1900 he decided to move to the Belgian capital where he became a pupil of Charles Van der Stappen at the Academie des Beaux-Arts. There he met Hélène Duerinckx (Nel) who was to become his wife, favourite model and muse. The poverty of the young couple and the sickness of Nel forced them to leave the city centre and to go to Boitsfort, the green outskirts of Brussels. Wouters’ early paintings were primarily of interiors and stillifes, painted with a palette and showing an abundant use of colour laid down on cardboard. In 1911 Wouters changed his style, abandoning the use of the spatula and opting for the brush. In order to obtain a maximum of transparency the painter diluted his colours and used particularly absorbing canvases. It resulted in a reduced scale of warm tones and a diminished brilliancy of colours. The young couple escaped from poverty only in 1912 when Wouters signed an exclusive contract with the Galerie Georges Giroux, Brussels. Not having to face financial trouble his creativity unfolded in the following years. Wouters visited Paris and Cologne where he studied paintings by Cézanne and Van Gogh and other impressionist works. This influence was reflected in his own work where colours gained the illusion of shimmering light. Long walks in the nearby woods as well as his home life with his beloved Nel inspired him in his choice of motives. Wouters’ mature paintings were often built up of flat planes of color that suggest the freer works of Cézanne, while his focus upon personal subject matter mirror the intimiste paintings of the Fauves and the Nabis… especially the work of Pierre Bonnard. Like Bonnard, Wouter’s turned his passion for his wife, Nel, into an endless source of inspiration. The model in Woman Resting (above) is Nel, whom he immortalised innumerable times. She is lying on a bed wearing only long black stockings and a necklace. Nel’s seductive charm stimulated Wouters’s imagination. Whenever she stirred his artistic passion, Wouters would ‘stop time’ by recording every impression, movement, reflection of light and colour intensity. In Nel’s biography of her husband, she recounts how he used to constantly follow her around the house. However, around 1900, it would have been highly unusual for a woman to allow herself to be seen lying naked on a bed, so Wouters most probably asked Nel to adopt this particular pose. ‘Decent’, married women were, in any case, rarely portrayed in this way. Wouters was marvelously adept in a variety of media beyond oil painting and sculpture. He produced any number of fluid and elegant ink drawings: He was no less skilled with watercolor… … and pastels: The First World War resulted in a major change in Wouters’ life. As a soldier he faced terror, death and destruction in Belgium and ended up in a detention camp in Amersfort, Netherlands. To escape from evil of war, he carried on producing drawings and water paintings in the detention camp. However, his health started to deteriorate quickly so that he was released from camp and moved with his wife to Amsterdam. In 1916 Rik Wouters died at the young age of 33. Wouters early death was surely one of the great losses to the art of the 20th century.
TV editor Nicola Methven who met Rik a couple of times reflects on the life and work of the comic genius
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Comedy sketch show - best bit was Rik Mayall's spoof brummie journalist 'Kevin Turvey', who did a short piece every week about local non-events....
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Portrait of a Woman in Red (Profile) or Lady in Red with Amber Necklace - Rik Wouters 1912 Belgian 1882-1916 Oil on canvas , 79 x 71cm.
Featured Work by artist Rik Allen. Blown glass & multi-media sculpture. Rocket Ships, Rovers & Seekers.
