The project has adopted some sustainable initiatives: all the furniture was made from scrap wood; internal visual communication uses recycled and recyclable materials, lighting was made with LEDs in a low-power system, and the exhaust system transforms the kitchen waste into water vapor.
» Nadir Afonso Temporary Museum by Diogo Aguiar Studio
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Gucci's experimental online store, Gucci Vault, goes physical with the opening of two pop-ups dedicated to the new Palace Gucci collection.
In response to the finished products on show at Milan design week, a group of graduates from Design Academy Eindhoven decided to exhibit only materials
Conçue par les auteurs de SF Alain Damasio et Nobert Merjagnan, l'expo "Extravaillance", présentée à la Biennale du Design, explore les futurs du travail.
Wire-mesh furniture was presented against a gridded backdrop by assistants dressed in matching garments during this year's Design Miami fair
Desks, a kitchen and a garden are hidden under raised office floors in this installation created by Swiss architect Leopold Banchini at the Centre Pompidou.
Site-specfic sculpture (aluminium), solo show by Meta Drcar at REAKTOR, Vienna, 2019
Atelier de conception d’architecture et de scénographie
Ceramics designer Dana Baugh lends us her inside travel tips for exploring Jamaica including exploring the design scene, hotel and restaurant tips.
olafur eliasson: the unspeakable openness of things, the artist's first solo exhibition in beijing and a series of large-scale immersive installations.
Description The exhibition includes 67 artworks and more than 140 items from the Archive. Several rare artworks borrowed from private and public collections in the United States and abroad, including TV Garden (1974/2000) from the Solomon R. Guggenheim Museum, Whitney Buddha Complex (1982) from the Hessel Museum of Art at Bard College, and Paik’s rarely seen installation Moon Projection with E Moon and Birds (1996), on loan from the Paik Estate, are featured. Three exceptional artworks from the museum’s collection will be included: Zen for TV (1963/1976), Megatron/Matrix (1995), and Electronic Superhighway: Continental U.S., Alaska, Hawaii (1995). In addition to objects from the archive, a number of artworks in the exhibition are on public display for the first time including; Electronic Schematic Drawing for Paik-Abe Video Synthesizer (1969), Number 5 (1975), Untitled (Television) (about 1970), Cage TV Sketch (about 1970), Untitled (Purple and Yellow Face) (about 1970), Untitled (Television and Moon) (1978), a selection of eighteen Untitled (Newspaper Drawings) (1990s), and Chinese Memory (2005). Nam June Paik: Global Visionary offers the extraordinary range of the artist’s accomplishments and the complexity of his ideas. It features his personal history through thematic groupings that draw on the resources of the Nam June Paik Archive. Paik’s writings and the materials he collected reveal the influences of Asian and Western philosophy, as well as developments in technology and science. The museum will use these materials to show the development of his innovative and radical conceptualization of the future roles of communication technologies in the expanding global media culture. John G. Hanhardt, senior curator of film and media arts and the leading expert on Paik and his global influence, is organizing the exhibition with the assistance of Michael Mansfield, associate curator of film and media arts. Visiting Information Smithsonian American Art Museum December 13, 2012 – August 10, 2013 Open Daily, 11:30 a.m.–7:00 p.m Free Admission
La directrice artistique anglaise Gem Fletcher a réalisé la série « Floral Patterns » dans laquelle elle explore les plantes et leur ADN en mélangeant d
