Capture the essence of Scotland's wild beauty with this evocative print portraying a solitary hiker amidst the breathtaking landscapes of Glencoe. The vibrant hues and textured brushstrokes characteristic of Impressionist artistry bring the scene to life, showcasing the interplay between light and shadow, as well as the majestic tranquillity of the Highlands during the summertime. The artwork features a lone wanderer, a tiny silhouette against the grandeur of rolling hills and sweeping valleys. With a backpack slung over their shoulders, they traverse the rugged terrain, alongside a serene loch reflecting the golden glow of the sun. The foreground dotted with hearty foliage and scattered rocks leads the eye towards the distant, mist-enshrouded mountains, their purple majesty a testament to the region's natural splendour. A symphony of warm yellows and cool purples, the print encapsulates a moment of peaceful solitude, inviting viewers to contemplate the scale of nature and the joy of solitary adventures. Each brushstroke contributes to the overall atmosphere of a perfect Scottish summer's day, with the suggestion of gentle breezes and the soft rustle of grass underfoot. An ideal piece for those who cherish the allure of the Scottish Highlands and the art of Impressionism, this print promises to be a captivating addition to any collection, igniting the imagination and wanderlust of all who gaze upon it.

A blog detailing art, music, drama, and dance activities planned by Art Relief International and Cultural Canvas, Thailand.

Shadows — Andre Kertesz, 1931

We can create unbelievable photo manipulations with Photoshop but sometimes there are paused moments which can

Explore (Eric Rose)'s 237 photos on Flickr!

In colonial times it was fashionable for wealthy Americans to have paintings or small miniatures made of loved ones. For many this was prohibitively expensive but middle class families, especially those in the country, could have silhouettes made of their family members relatively inexpensively. A silhouette, known then as "profiles" or "shades", were line portraits with no internal detail. Many of these were cut from paper and glued to contrasting paper but some were painted. They typically were 3 to 5 inches in length. Varying methods were used to produce the profile, some used light to trace the shadow of a portrait sitter, others were drawn quickly by artists. One popular method of creating silhouettes involved folding the paper into four so that the cutter could make four copies of the same silhouette at once. These could then be given away or exchanged. Silhouettes could also be easily traced and copied if more were needed. Along with country folk and the middling class, silhouettes appealed to Quakers, even wealthy ones, due to the simplistic nature of the art and the cost. Quakers felt that silhouettes did not emphasize class or vanity as many paintings did. Silhouettes were also of interest at the time as theories of physiognomy at the time claimed that a person's character could be read through the face. Silhouettes were popular until the invention and spread of the Daguerreotype in the 1840s. In modern times, silhouettes are made easily using photography and computers. There are many tutorials showing how to do it. But if you wanted to do it the old fashioned way, profiles tend to be relatively easy for people to draw. Resources: Clark, Joanna. "Quaker Silhouettes." The Friend: The Quaker Magazine. http://www.thefriend.org/article/quaker-silhouettes (accessed April 11, 2013). Verplank, Anne. "The Silhouette and Quaker Identity in Early National Philadelphia." Winterthur Portfolio 43, No. 1 (2009): 41-79.

1. US warned the civilians before bombing

Tim Noble and Sue Webster take ordinary things including rubbish, to make assemblages and then point light to create projected shadows which show a great likeness to something identifiable including self-portraits. Throughout their careers they have played with the idea of how humans perceive abstract images and define them with meaning. The result is surprising and powerful as it redefines how abstract forms can transform into figurative ones.

Eric Ceccarini est un photographe belge qui a collaboré avec de grandes marques telles que L’oréal, Levi’s ou Coca-cola. Pour ce projet artistique

"almost three years ago, a devastating fire gutted the interior of the beloved historic tabernacle in provo, utah. its loss was de...

Going To Class, from the Architecture Series by George S. Zimbel. MIT, 1958.

Capturing the serene and enigmatic essence of Loch Lomond at the break of dawn, this abstract print lures viewers into a tranquil realm. The interplay of light and shadow is masterfully depicted through an array of rounded, flowing forms, which evoke the gentle undulations of the iconic Scottish hills. Rolling layers of blue hues blend with the soft pastels of the awakening sky, creating a symphony of colours that mirror on the glassy surface of the loch. Foregrounded by elegant silhouettes of trees, their canopies stylised in harmonious curves, the composition is anchored with a touch of organic familiarity amidst the dreamlike vista. The trees cast delicate reflections that ripple into the water, giving a sensation of depth and continuity between land and water. Evocative of the calm and reflective nature of a misty morning, this piece offers a moment of peaceful contemplation. It calls to mind the quiet before the world stirs, granting a sense of solace and introspection to any space. This print is an invitation to lose oneself in the abstract beauty of one of Scotland's most treasured landscapes, an expression of nature's splendour through the lens of abstraction.

A bit of blurism fun with added textures. Color version below. Just couldn't make up my mind. HSS Darkwood textures - thank you

(Video link here.) On the heels or our article about Room-Size Shadow Boxes, images from an illuminating 2014 exhibition at New York's Venus Over Manhattan gallery has expanded our view of the great Alexander Calder's work AND sparked ideas for abstract room shadow sculptures. In 'Calder Shadows', eleven works by Alexander Calder, from 1929 to 1974, are ingeniously spot-lit so that each accompanying shadow comes fully into view. The approach was inspired by archival images of Calder installing his sculptures in darkness and photographing them using directed light. Look at what Ex-Octopus (1936) becomes... ...and this 1973 maquette of Red Curlicue... ... Read more about the

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| My Photo

A curated collection of images that catch and captivate my eye. Oh, and, of course, a tasty sprinkling of recipes. Hope you enjoy them as much as I do. And if you like what you see, take a peek at the archives, too. I think it shows better there, anyways. ^^ //

Pour la première fois les enfants peuvent découvrir l’adaptation scénique de Princes et princesses de Michel Ocelot mis en scène par Legrand Bemba-Debert. Une création unique en ombres chinoises sur fond de décors virtuels qui offre quatre contes venus d’Asie, d’Afrique et du Moyen Orient. Un spectacle fait de magie et de rêve d’où les enfants sortent ravis.

The blog of Anahata Katkin. Artist, designer and co founder of PAPAYA! & PAPAYA! Living Boutique. A boho bulletin for visual juju and the persuit of creative nectar.

About The Artwork Printed on Fine Art museum quality paper, signed, titled, numbered and dated on the back. Comes together with a certificate of authenticity. Limited edition 1/10. Original Created:2012 Subjects:Portrait Materials:Paper Styles:Fine Art Mediums:Black & WhiteDigital Details & Dimensions Photography:Black & White on Paper Artist Produced Limited Edition of:10 Size:47.2 W x 31.5 H x 0.1 D in Frame:Not Framed Ready to Hang:Not applicable Packaging:Ships Rolled in a Tube Shipping & Returns Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments. Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines. Ships From:Romania. Customs:Shipments from Romania may experience delays due to country's regulations for exporting valuable artworks. Have additional questions? Please visit our help section or contact us.

Sculpting Shadows Out Of Trash

Ferdinando Scianna, Sicily, Carmen Sammartin - Magnum Photos

Owen Gent fosters a robust personal practice and works with commercial clients to create moody illustrations rich with metaphor.

... Model = Faestock © All rights reserved

Lotte Reiniger developed her own style of paper silhouettes and the multi-plane camera she used to film them making around 60 films.