Product Information CHINESE CHALCOPYRITE AND SIDERITE SPECIMEN. COLOR, SHAPE AND SIZE WILL VARY. CHINESE CHALCOPYRITE AND SIDERITE SPECIMEN. COLOR, SHAPE AND SIZE WILL VARY. Product Type Mineral Specimen Country of Origin China Piece Count 1

Natual Actinolite Green Actinolite Bunch Specimen , Actinolite crystal, Actinolite Mineral , Actinolite form Skardu Pakistan Weight: 237 Garms Size: 95 x 60 x 46 MM Treatment : No Treatmanet Natural Specimen Origin: Afghanistan Code: B8 Y1088

iori tomita preserves and stains fish and other deceased creatures in brilliant colour, elevating scientific techniques to an art form meant to 'help people feel closer to the wonders of life'.

iori tomita preserves and stains fish and other deceased creatures in brilliant colour, elevating scientific techniques to an art form meant to 'help people feel closer to the wonders of life'.

THIS SPECIES IS NOT PROTECTED OR ENDANGERED. NON CITES. A1 MUSEUM SPECIMEN 18-20CM WINGSPAN A very interesting preserved study specimen, suitable to display in a cabinet of curiosity or mount inside a box frame. FREE SHIPPING

Beautiful, double sided execution sword of the NGOMBE tribe from D.R. Congo. Very nice specimen with great patina! Beautiful decorations are incorporated in the tray. It was also used as a means of exchange: " Currency". The owner of this item was given some form of social status. OBJECT Currency ETHNIC GROUP/ CULTURE Ngombe REGION/ COUNTRY Congo MATERIAL Copper, Wood CONDITION Good SOLD WITH STAND No DIMENSIONS 59×13×4 cm WEIGHT 550 g

A pocket English–French–Polish Dictionary of circle related proverbs The Polish type foundry Threedotstype adores swirls, circles and their multiple meanings in culture. Their love of the form led them to produce Variable Radius, a functional English-Polish-French pocket dictionary of circle-related proverbs that operates as a delightful type specimen. Printed on high-quality white and fluorescent papers, the volume is a celebration of printed matter, questioning the role and function of a printed specimen in the digital era.This delightful specimen uses Radius, a typeface that permits subtle adjustment in the anatomy of its characters. The full potential of this variable feature appears while typesetting along curves. Radius, designed by Radek Łukasiewicz, makes the most of the possibilities created by variable font technology and comfortably sits on a conventional baseline; however, it proves its flexibility when its three axes are used. The characters morph into a surprising array of contours by adjusting the top, bottom, and width parameters.Texts and translations: Geneviève Cugnart and Radek Łukasiewicz Designed by Radek Łukasiewicz and Marian Misiak (with assistance from Maria Jarzyna and Patrycja Wójcik) Published by THREEDOTSTYPE, 2021 Softcover, 74 pages, 2-color printing, 5 × 9 inches ISBN: 978-8-39-549544-1

Beautiful, double sided execution sword of the NGOMBE tribe from D.R. Congo. Very nice specimen with great patina! Beautiful decorations are incorporated in the tray. It was also used as a means of exchange: " Currency". The owner of this item was given some form of social status. OBJECT Currency ETHNIC GROUP/ CULTURE Ngombe REGION/ COUNTRY Congo MATERIAL Copper, Wood CONDITION Good SOLD WITH STAND No DIMENSIONS 59×13×4 cm WEIGHT 550 g

Here are a few sheets outlining the process and results for the homework this week. I put these together so you could keep track of how to put together compound curved forms and how to construct and evolve the angular/positional/flat plane forms with the rounded/organic/compound/"bubbly" volumes. I also included 3 pages of diagrams on with the ellipses and "jagged angle" section of the homework. If you follow the diagrams that further explains the compound form process we started in class. It takes you through the steps that lead to the finished products/objects/goofy forms and final designed pages. Now remember the idea is to really understand the idea of using a combination of angular and undulating, curving, cross contour line to explore and define the illusion of form in space. So make sure you don’t make it overly complicated as you sketch out your designs but also challenge your self to up and improve your own learning curve in drawing them. Frankly a big part of this is increasing your own person critical thinking and designing curves. I know that as I was sketching and imagining these various steps I spent a long time just lightly sketching, blocking out contours and perimeters of the shapes and forms. Once satisfied that I had gotten the idea of what I was designing I then forged on and added extra components/pieces/bubbles/tangential/stretched and blown up forms to completion. Its important to keep the simplicity of interlocking all these forms so you have control of the designing. Especially exploring and understanding the reason for getting a handle on the cross-contour as part of the process is that each one of these pieces of homework are interconnected. Its something you just cant scribble around on and say it looks dynamic. We will be moving from simple line quality, singular forms, complex rounded/angular volumes then into progress into cross-sections, texture, light and shadow...a of course applying all of those skills to field sketching and homework research. Its an end game strategy....tactical, small exercises & process in the short run - strategic, learning the answers of the drawing/design universe in the long run. These are the last two pages of the assignment. It’s the process on how to combine angular forms with rounded, organic forms and the "final" look of the combinations on a designed page. You could also bend the assignment more to simple architectural forms with organic/bubbly forms attached. I think that is a great idea if that is closer to getting the job done and making it understandable. I worked a little over an hour on both of these, went through a couple of colored pencil and erased a lot to get everything to work in space and coherently.

Homework due Thursday, February 12th. 1 page of the curved/straight line. 2 pages of the value gradient /texture homework. 5 horizontal boxes each page/ 10 boxes total 3 pages of intertwined/twisty bubbles volumes with a good, focused "cut outs" included.

A pocket English–French–Polish Dictionary of circle related proverbs The Polish type foundry Threedotstype adores swirls, circles and their multiple meanings in culture. Their love of the form led them to produce Variable Radius, a functional English-Polish-French pocket dictionary of circle-related proverbs that operates as a delightful type specimen. Printed on high-quality white and fluorescent papers, the volume is a celebration of printed matter, questioning the role and function of a printed specimen in the digital era.This delightful specimen uses Radius, a typeface that permits subtle adjustment in the anatomy of its characters. The full potential of this variable feature appears while typesetting along curves. Radius, designed by Radek Łukasiewicz, makes the most of the possibilities created by variable font technology and comfortably sits on a conventional baseline; however, it proves its flexibility when its three axes are used. The characters morph into a surprising array of contours by adjusting the top, bottom, and width parameters.Texts and translations: Geneviève Cugnart and Radek Łukasiewicz Designed by Radek Łukasiewicz and Marian Misiak (with assistance from Maria Jarzyna and Patrycja Wójcik) Published by THREEDOTSTYPE, 2021 Softcover, 74 pages, 2-color printing, 5 × 9 inches ISBN: 978-8-39-549544-1

Here are a few sheets outlining the process and results for the homework this week. I put these together so you could keep track of how...

Ein Sparplan mit einem globalen Aktienfonds ist eine ebenso simple wie renditestarke Form der Geldanlage: Doch welche Fonds liefern auf lange Sicht tatsächlich starke Ergebnisse?

Talk about hoarding.

The published artwork of Haeckel includes over 100 detailed, multi-colour illustrations of animals and sea creatures (see: Kunstformen der Natur, "Artforms of Nature"). This collection is currently available through public domain and we have uploaded a copy here for ease of viewing. Kunstformen der Natur