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Stephen Colbert is ready to reinvent The Late Show. But how will he do it? And who will he be this time? The new king of late-night gives GQ a sneak peek
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About Wedge by Stephen Shachtman CorTen Steel 11-feet, 7 inches tall, unique free standing pair of sculptures Can be placed inside or out. Monumental artwork may require footings and other considerations based on unique site needs and invoiced separately. ABOUT THE ARTIST: As a native to Northern Colorado, Stephen Shachtman has a wide gamete of artistic tendency. From utilitarian creations in jewelry, furniture and lighting design to abstract sculpture. From personal sculptural creations, private commission to public art; Stephen’s sculpture “Bridge” was voted Denver’s best new public art project in 2013. When he’s not metalsmithing or remodeling his Mid-Century modern home, he is busy teaming up with his wife, chasing around their two sons Dov and Avi. His wife Shoshanna, works with individuals and couples in her psychotherapy practice located in Fort Collins. In addition, Stephen has been teaching Jewelry Design/ metalsmithing at Metro State University in Denver. Stephen’s current studio is located near downtown Loveland. "As a person I’m an explorer, constantly seeking to find something new and stimulating in either a physical or cerebral sense. Sculptures I create circulate in aesthetics in contemporary forms with influences from, science and architecture. These inspirations inform me in creating series’ with specific dialogue due to process‘, dimensions and material usage Depending on the sculptural forms and concepts, a few primary materials employed are; copper, glass, and steel."
About The Artwork A visit to the DENTIST .and the surroundings and objects or symbols. Original Created:2024 Subjects:Humor Materials:Paper Styles:Contemporary Mediums:Oil Details & Dimensions Painting:Oil on Paper Original:One-of-a-kind Artwork Size:14 W x 18 H x 0.1 D in Frame:Not Framed Ready to Hang:No Packaging:Ships in a Crate Shipping & Returns Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments. Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines. Ships From:United Kingdom. Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks. Have additional questions? Please visit our help section or contact us.
About Conceptual piece. Commentary on life. Humorous. Featuring astronaut and a bottle of Tide detergent. Acrylic on canvas. About the artist: Born in Aberdeen, Scotland, Stephen Hall moved to New York in 1978 and began exhibiting his work in the East Village in the early 80’s. Since then his work has been featured in exhibits throughout the US, India, Japan, Korea and Mexico. His work is part of numerous corporate and private collections and has been featured in major motion pictures, music videos and magazines. Mr. Hall has illustrated numerous book covers for internationally published authors. “Red House Mystery” A.A. Milne, “High Rise” J.G. Ballard and “A Can of Worms” by Russell Greenan to name a few. “There are no digital prints, photographs, collage, airbrush or projections involved in my work. The subjects and ambiguous light sources are hand painted rows and rows of acrylic colors or tones, going from dark to light in countless layers. All the patterns are drawn first around a cardboard template upon the background field color and then painted tonally to match the background. Each painting can take anywhere from three to six weeks to execute, depending on the size. I am interested in showing the relationships we all have, whether in time or place. I also try to show the pattern in chaos and, perhaps the overload of information that we are bombarded with in our modern times.”
A charcoal portrait drawing of a young woman, looking to the side, hands held together along her chest. "The emotional intensity found in Bauman’s figurative work is astounding. A hallmark of Bauman’s character portraits is that, somehow, the subject’s gaze mysteriously extends beyond the plane of the canvas to connect directly with the viewer." Born in Memphis, Tennessee in 1980 Bauman's family soon after that relocated to Miami, Florida where he followed his older brother into the world of Graffi ti. His early exposure to this art – the constant presence of paints and sketchbooks in his childhood home and frequent trips to local walls and warehouses– provided the younger Bauman with a strong foundation of the basics of design and drawing. But it was the years he spent from 2003 to 2009 studying and later teaching at the Florence Academy of Art, which enabled him to make a tremendous leap as an artist. His instructors taught him to look at the human figure, to see beauty in its proportions– to not, for example, draw the eyes and nose as distinct elements of the face, but to study the structures and anatomy of the head, to draw the atmosphere around the model, they taught him to see all over again. Once graduated, Bauman continued to grow as an artist- closely examining the works of artists he most admired: Dagnan Bouveret, Jules Bastien- Lepage, and Andrew Wyeth, among others. Today Stephens work focuses on the human figure, expressing its mood and depth through color, line, texture, and the unique qualities of the mediums he utilizes- oil paint, watercolor, graphite and charcoal. In 2016, after a decade of studying and teaching in Europe he returned to the United States upon the invitation of The Florence Academy of Art to teach and paint at their U.S. branch in Jersey City, NJ where he is currently the Director of the Anatomy and Ecorche programs as well as continuing to teach drawing and painting in the core program. He is currently represented by, Grenning Gallery in Sag Harbor, NY, and Hersh Fine Art in Glen Cove, NY. Sometimes quiet and contemplative, other times striking and full of color, these paintings appeal to the senses as well as to the mind. They can be both decorative and narrative, infusing the images a sense of more that just what we can see. --- Skill in drawing is fundamental, and among the most important assets a painter can possess. In my years as a student I worked to understand the relationship of drawing to painting in the same way my teachers at the Academy understood it. Now I am taking that skill to it’s expressive ends. --- As an instructor in the Intensive Drawing Program since 2007 and the Painting Program since 2009, teaching the principles of drawing and painting as they were handed down to me I feel that I have learned as much as I have taught, and hope to transmit the same to students.
A charcoal portrait drawing of a young woman, looking to the side, hands held together along her chest. "The emotional intensity found in Bauman’s figurative work is astounding. A hallmark of Bauman’s character portraits is that, somehow, the subject’s gaze mysteriously extends beyond the plane of the canvas to connect directly with the viewer." Born in Memphis, Tennessee in 1980 Bauman's family soon after that relocated to Miami, Florida where he followed his older brother into the world of Graffi ti. His early exposure to this art – the constant presence of paints and sketchbooks in his childhood home and frequent trips to local walls and warehouses– provided the younger Bauman with a strong foundation of the basics of design and drawing. But it was the years he spent from 2003 to 2009 studying and later teaching at the Florence Academy of Art, which enabled him to make a tremendous leap as an artist. His instructors taught him to look at the human figure, to see beauty in its proportions– to not, for example, draw the eyes and nose as distinct elements of the face, but to study the structures and anatomy of the head, to draw the atmosphere around the model, they taught him to see all over again. Once graduated, Bauman continued to grow as an artist- closely examining the works of artists he most admired: Dagnan Bouveret, Jules Bastien- Lepage, and Andrew Wyeth, among others. Today Stephens work focuses on the human figure, expressing its mood and depth through color, line, texture, and the unique qualities of the mediums he utilizes- oil paint, watercolor, graphite and charcoal. In 2016, after a decade of studying and teaching in Europe he returned to the United States upon the invitation of The Florence Academy of Art to teach and paint at their U.S. branch in Jersey City, NJ where he is currently the Director of the Anatomy and Ecorche programs as well as continuing to teach drawing and painting in the core program. He is currently represented by, Grenning Gallery in Sag Harbor, NY, and Hersh Fine Art in Glen Cove, NY. Sometimes quiet and contemplative, other times striking and full of color, these paintings appeal to the senses as well as to the mind. They can be both decorative and narrative, infusing the images a sense of more that just what we can see. --- Skill in drawing is fundamental, and among the most important assets a painter can possess. In my years as a student I worked to understand the relationship of drawing to painting in the same way my teachers at the Academy understood it. Now I am taking that skill to it’s expressive ends. --- As an instructor in the Intensive Drawing Program since 2007 and the Painting Program since 2009, teaching the principles of drawing and painting as they were handed down to me I feel that I have learned as much as I have taught, and hope to transmit the same to students.
Represented by George Billis Gallery, NYC & LA -- Working with images he personally photographs, Magsig looks for crucial details in both the highlights and the shadows, in the brightness and obscurity of each scene. The artist says, "I get caught up in the mix of organic and non-organic human signs: the color of loaves of bread in an Italian bakery window, the reflections of facades in the car’s windshield, the abstracted angles of cornices and architectural detail." Stephen Magsig, Signed limited edition archival print on paper. Edition of 50. AP 3. Colors: Green, Tan, Brown, Light Brown
About Artist Statement When I think about the conventions of painting -- a tradition I respect immensely -- I notice that my concern has always been with the interplay of light and structure" says artist Stephen Magsig. "Light, since it defines everything, is what my work is about -- how light changes things, how it inflects the surfaces of places we imagine for ourselves and inhabit, like sunlight touching a window sill, illuminating and creating contrasts and shadows." Working with images he personally photographs, Magsig looks for crucial details in both the highlights and the shadows, in the brightness and obscurity of each scene. The artist says, "I get caught up in the mix of organic and non-organic human signs: the color of loaves of bread in an Italian bakery window, the reflections of facades in the car’s windshield, the abstracted angles of cornices and architectural detail." New Yorkers will recognize many of the scenes Magsig paints, yet the universal appeal is the atmosphere and mood which attracts those for whom the images hold no personal significance. The painterly quality of the work provides enough photo-like detail to "slow people down to look and wonder about the scene." The artist creates work that depicts New York City as a dynamic metropolis -- although his images are devoid of people. The appreciation Magsig holds for the subjects he paints allows him to create beauty in streets that may escape even those of us who live there. Stephen Magsig lives and works in Detroit, Michigan. Magsig has exhibited nationally and has been reviewed in major publications. The artist’s work is included in many prominent private, corporate and museum collections. This is the second solo exhibition for the artist at the Gallery. Magsig was featured in Art and Antiques Magazine, October, 2001 issue.
Painted from life behind Bauman's typical cerulean lens, A woman stands just left of the center looking ahead. Her arms reach upwards and rest upon her head, fingers laced into her hair. Lit from above, her turned down face is shadowed, and her pale arms vibrantly highlighted. Artist Bio Born in Memphis, Tennessee in 1980 Bauman's family soon after that relocated to Miami, Florida where he followed his older brother into the world of Graffi ti. His early exposure to this art – the constant presence of paints and sketchbooks in his childhood home and frequent trips to local walls and warehouses– provided the younger Bauman with a strong foundation of the basics of design and drawing. But it was the years he spent from 2003 to 2009 studying and later teaching at the Florence Academy of Art, which enabled him to make a tremendous leap as an artist. His instructors taught him to look at the human figure, to see beauty in its proportions– to not, for example, draw the eyes and nose as distinct elements of the face, but to study the structures and anatomy of the head, to draw the atmosphere around the model, they taught him to see all over again. Once graduated, Bauman continued to grow as an artist- closely examining the works of artists he most admired: Dagnan Bouveret, Jules Bastien- Lepage, and Andrew Wyeth, among others. Today Stephens work focuses on the human figure, expressing its mood and depth through color, line, texture, and the unique qualities of the mediums he utilizes- oil paint, watercolor, graphite and charcoal. In 2016, after a decade of studying and teaching in Europe he returned to the United States upon the invitation of The Florence Academy of Art to teach and paint at their U.S. branch in Jersey City, NJ where he is currently the Director of the Anatomy and Ecorche programs as well as continuing to teach drawing and painting in the core program. He is currently represented by, Grenning Gallery in Sag Harbor, NY, and Hersh Fine Art in Glen Cove, NY. Sometimes quiet and contemplative, other times striking and full of color, these paintings appeal to the senses as well as to the mind. They can be both decorative and narrative, infusing the images a sense of more that just what we can see. --- Skill in drawing is fundamental, and among the most important assets a painter can possess. In my years as a student I worked to understand the relationship of drawing to painting in the same way my teachers at the Academy understood it. Now I am taking that skill to it’s expressive ends. --- As an instructor in the Intensive Drawing Program since 2007 and the Painting Program since 2009, teaching the principles of drawing and painting as they were handed down to me I feel that I have learned as much as I have taught, and hope to transmit the same to students.
Passing By (Light) Stephen Greene (1917 - 1999) Date: 1986 Edition: Not from an Edition Acrylic on Board, signed Size: 40 x 30 in. (101.6 x 76.2 cm) Framed Size: Unframed
Michael Hamson Oceanic Art buys and sells Tribal Art from New Guinea, Polynesia and the South Pacific. New Guinea & Oceanic art for sale.
Passing By (Dark) Stephen Greene (1917 - 1999) Date: 1986 Edition: Not from an Edition Acrylic on Board, signed Size: 40 x 30 in. (101.6 x 76.2 cm) Framed Size: Unframed
About The Artwork Self-Reflection comes with personal expectations for growth and life change. This human process takes effort, courage, honesty and motivation to face personal challenges. Many of us are up to this process and journey into the known and unknown. In this painting I have tried to reduce this concept or theme into a level of humor that starts with a mirror and a comb. The image functions as a metaphor for our looking into ourselves, discovering new personal characteristics, that awaken us or alarm us, or motivate us to confront and accept new challenges and possibilities. The human experience in our relationship with others, in the workplace, or in our individual/collective experience and quest to comprehend the deeper meanings and our connections to life. Original Created:2010 Subjects:People Materials:CanvasPlasticOther Styles:FigurativeExpressionism Mediums:EnamelOilFound Objects Details & Dimensions Painting:Enamel on Canvas Original:One-of-a-kind Artwork Size:35.5 W x 51 H x 2 D in Frame:Not Framed Ready to Hang:Not applicable Packaging:Ships in a Crate Shipping & Returns Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments. Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines. Ships From:United States. Have additional questions? Please visit our help section or contact us.
(Robert Adams, exhibit was a collaboration between two of the worlds most important institutions. The same year that the George Eastman House mounted the New Topographic exhibit, the Center for Cr…
An Ostrich racing in front of a melting ice shelf, while a smiley-faced emoji in place of the sun laughs as we continue to ignore the growing climate crisis.
