Whether it’s documenting the lives of showgirls or an unfolding revolution, Susan Meiselas' open-ended approach gives the images a life of their own.
Whether it’s documenting the lives of showgirls or an unfolding revolution, Susan Meiselas' open-ended approach gives the images a life of their own.
With the Prince Street Girls series, Susan Meiselas has accomplished something subtle but radical: a body of work devoted entirely to how women regard each other without the infiltration of a male perspective.
Pina, Carol, Roe and Dee in front of Pina’s doorway. Little Italy, New York City, USA. 1976.
As a selection of her work goes on display as part of this year’s Deutsche Börse Photography Foundation Prize in London, the image-maker opens up about the striptease series that kickstarted her career
Susan Meiselas has spent five fearless decades at the frontline of history, photographing revolutionaries, teenagers and risque carnival dancers
Le fotografie di Susan Meiselas a Palermo per una grande mostra al Centro Internazionale di fotografia di Palermo diretto da Letizia Battaglia.
Havana, Cuba. Photograph by Susan Meiselas (1977) via Magnum Photos
Whether it’s documenting the lives of showgirls or an unfolding revolution, Susan Meiselas' open-ended approach gives the images a life of their own.
“I don't retouch myself, but I find the whole process fascinating – when women decide to do it and when they don’t, and of course they should have the right to, or not to”
Photographer Susan Meiselas provides a darkly captivating journey into an exclusive S&M sex club where women hold the power
Exile on Prince St., Susan Meiselas
Whether it’s documenting the lives of showgirls or an unfolding revolution, Susan Meiselas' open-ended approach gives the images a life of their own.
"Molotov Man" (Susan Meiselas, Nicaragua, 1979)
20 years on, Susan Meiselas' iconic photos of Pandora's Box S&M club in New York City are as powerful as when they were taken.
Exhibition at Danziger Gallery, New York (2018/01/11-2018/03/03). From 1972 to 1975, Susan Meiselas spent her summers photographing and interviewing women who performed striptease at small town carnivals around New England...
Now in its 22nd year, the Deutsche Börse Photography Foundation Prize is awarded each year to image-makers who've made the biggest contribution to the medium in the previous 12 months in Europe. This year the shortlisted artists are: Laia Abril, for her publication On Abortion; Susan Meiselas, for the retrospective exhibition Mediations; Arwed Messmer, for his exhibition RAF – No Evidence / Kein Beweis; and Mark Ruwedel, for the exhibition Artist and Society: Mark Ruwedel. The winner of the £30,000 prize will be announced at The Photographers’ Gallery on 16 May 2019.
20 years on, Susan Meiselas' iconic photos of Pandora's Box S&M club in New York City are as powerful as when they were taken.
Susan Meiselas has spent five fearless decades at the frontline of history, photographing revolutionaries, teenagers and risque carnival dancers
Susan Meiselas’s seminal work presents a nuanced view on the dynamics of America’s traveling ‘girl shows’ in the early 1970s
L’appareil photo est une excuse pour être à un endroit où vous ne seriez pas autrement. Cela...
With the Prince Street Girls series, Susan Meiselas has accomplished something subtle but radical: a body of work devoted entirely to how women regard each other without the infiltration of a male perspective.
Drawing on more than four decades of experience photographing around the world, legendary Magnum photographer Susan Meiselas shares direct, critical advice for anyone invested in the documentary tradition.
URBAN 2023 Photo Awards Contest + Exhibits at Trieste Photo Days
Susan Meiselas’ work on the Kurdish people’s historic, and ongoing, struggle for statehood
