Margaret Brundage broke two taboos at the same time with her iconic covers for Weird Tales magazine in the 1930s. She was a woman working in the male-dominated world of fantasy art, and her covers were racy and titillating, even for the pulp era.

In Algonquian folklore, the wendigo or windigo is a mythical cannibal monster or evil spirit native to the northern forests of the Atlantic Coast and Great Lakes Region of both the United States and Canada. The wendigo may appear as a monster with some characteristics of a human, or as a spirit who has possessed a human being and made them become monstrous. It is historically associated with cannibalism, murder, insatiable greed, and the cultural taboos against such behaviours.--From Wikipedia, the free encyclopedia -- Choose from our vast selection of stickers to match with your favorite design to make the perfect customized sticker/decal. Perfect to put on water bottles, laptops, hard hats, and car windows. Everything from favorite TV show stickers to funny stickers. For men, women, boys, and girls.

From photography to abstract work, via painting and tapestry, more than 30 artists are showing work at the African Passions exhibition in Évora, Portugal

Explore the rich traditions of Chu Er, the second day of the Lunar New Year. From family reunions to honoring pets, this day emphasizes the values of gratitude, respect, and harmony. Discover the customs that strengthen familial bonds and the important taboos that ensure prosperity and happiness throughout the year.

Sarah Kate Silverman (born December 1, 1970) is an American stand-up comedian, actress, singer, producer, and writer. Her comedy addresses social taboos and controversial topics, such as racism, sexism, politics, and religion, sometimes having her comic character endorse them in a satirical or deadpan fashion. -- Choose from our vast selection of tapestries to match with your desired size to make the perfect custom tapestry. Pick your favorite: Movies, TV Shows, Art, and so much more! Available in small, medium, large. Perfect for decorations in apartments, bedrooms, and dorm rooms.

© British Library Board Many cultures have restrictions or prohibitions on the behaviour of pregnant women, stemming either from the desire ...

Pictures and details of Kiki Smith: Woodland at Timothy Taylor, London, September 13 – October 27, 2018 – Contemporary art with installation views

Explore a global tapestry of superstitions in 'Superstitions Around the World: 13 Mysterious Beliefs' and unlock the secrets of diverse cultural taboos.

"Even when I wanted to die there was a small part of me that wanted to live.”

'Against a universe created and controlled by God, Miró offered us the continuous, changing, and infinite flux of nature. Against immutable laws, he offered us the spontaneous rhythm and ebb-and-flow of the waves of the living world. Against all that was closed and filled with taboos, he offered us clear open spaces. Against the monstrous pride of the powerful, he showed that we are all equal because we are all made of the same flames of stars. To the dispossessed he showed that the whole richness of the universe was in them' -Antoni Tàpies. ‘For me, a painting must give off sparks. It must dazzle like the beauty of a woman or a poem. It must radiate like the flints that shepherds in the Pyrenées use for lighting their pipes’ -Joan Miró Joan Miró 'Untitled' Original offset lithograph Signed lower right, and numbered lower left Image size: 12 x 16 in. Sheet size: 13 x 22 in. Excellent condition With gallery certificate Made on high quality archival paper. Priced reasonably for a Joan Miró signed print. OFFSET LITHOGRAPHY Offset Lithography is a planographic photomechanical printing technique that combines lithography, photography, and offset printing. It is based on the repulsion of oil and water. During this printing process an inked plate bearing an image or text is printed onto a rubber blanket before being transferred (or offset) to its final substrate. The flexible rubber blanket allows for printing on a variety of surfaces including paper, wood, metal, cloth, and leather. It can be used both as a reproductive process and to print original work. Prints can include text, line work, large areas of ink, and halftone images. Offset lithography can also reproduce images originating from other processes such as relief and intaglio. There is no visual distinction between an offset lithograph and a transfer lithograph aside from date or context. Please view our other Joan Miró signed artworks. Gallery Certificates Every single artwork we offer on Etsy comes complete with a gallery certificate of authenticity. This certificate increases the overall value of your collectible artwork significantly, and most importantly, it ensures an easy sale, should you ever wish to sell the piece. Please note the frame is not included in the sale. RETURNS/REFUNDS We offer a full no quibble refund if you are not entirely happy with your purchase. And if you request a refund due to an error on our part, we also refund the return shipping. We want you to have a good experience purchasing from us.

Explore a global tapestry of superstitions in 'Superstitions Around the World: 13 Mysterious Beliefs' and unlock the secrets of diverse cultural taboos.

After exploring taboos surrounding the female body and delving into the contradictory projections of masculinity in the working-class dance halls of her native Jamaica, Ebony G. Patterson has turned to a darker, more sinister subject: murder. Six mixed-medium tapestries and works on paper from the series “Dead Treez” (2015-), plus two performance-related pieces, were displayed in her third solo exhibition at Monique Meloche Gallery.

Known for its grand estates and sandy beaches, Palm Beach, Florida, long ago cemented its reputation for sunbaked luxury, which becomes all the more appealing during the winter months. Now, cresting cultural momentum is transforming it into a year-round destination for art lovers. With additions to the scene like the pre–Art Basel happenings of New […]

All we can do is untie the knots within ourselves then at least a Personalize Your Ultrasound My Little Pumpkin Shirt portion of the tapestry is free there are no right or wrong only lessons experiences that we are all trying to process I'm just grateful for the constant invitation to the moment. From sculptural heels with shell accents to the glow an led lit piece that illuminates the muscles on one's chest Simon huck's a human line is unlike any other fashion show. Homosexuality is a tricky theme to introduce into clothing in Ukraine a country where LGBTQ rights are not protected and where violence against the gay and transgender community is rampant meet two designers who are shattering taboos

About This is from a portfolio Hommage A Rodin. It included a lithograph by Henry Moore, Ossip Zadkine, Berto Lardera, an etching by Robert Couturier and an etching by Henry Georges Adam. Henri-Georges Adam (January 14, 1904 – 1967) was a French engraver and non-figurative sculptor of the École de Paris, who was also involved in the creation of numerous monumental tapestries. Like his contemporaries Jean Arp and Henri-Georges Adams, Vasarely collaborated with the famous Gobelins tapestry factory outside of Paris. His work in these three areas is regarded as among the most extensive of the twentieth century. Henri-Georges Adam was born in Paris on January 14, 1904, to a father from Picardy and mother from Saint-Malo. During his childhood he spent his summers in Saint-Malo and Saint-Servan. In 1918, after attending a watchmaking school, he started working the studio of his father, a jeweler and goldsmith in the Marais district of Paris, where he learned to carve and later to engrave. Then in 1925 he took evening classes at a drawing school in Montparnasse and after a stint at the École des Beaux-Arts in 1926 became a drawing professor of the Ville de Paris. Beginning in 1928 he began to make satirical sketches and political caricatures. "His spirit of cynical and apocalyptic derision is of the same nature as that of Rouault illustrating Miserere de Guerre. Anarchist, pacifist, antimilitarist, Adam reverses all taboos. He does not care about the myths of his country, of his family or his religion", notes Waldemar George. In 1934 Adam got involved with engraving, etching, the use of the burin and the environment of the surrealists, André Breton, Louis Aragon, Paul Éluard. He made his first exhibit in 1934, with a preface by Jean Cassou in 1936 after which he began his violently impressionistic engravings entitled, Désastres de la guerre, in response to the Spanish Civil War. In 1936 he joined the Association of Revolutionary Writers and Artists, where he met painters Maurice Esteve, Alfred Manessier, Édouard Pignon, and Arpad Szenes. He took part, along with Picasso, Matisse, Rouault, Dufy, Fernand Leger, Marc Chagall, Chaim Soutine, Zadkine, Roger Bissière and Édouard Pignon in the exhibition Quatorze Juillet by Romain Rolland at the Théâtre de l'Alhambra, in which Pablo Picasso painted the curtain scene. Mobilized in 1939 and taken prisoner, Adam was assigned as the auxiliary nurse at the hospital Saint-Jacques de Besançon, where he made many drawings of surgeons, soldiers and the wounded. He was eventually released at the end of 1940. He tackled sculpting in 1942, and in October 1943 he, along with Gaston Diehl, Léon Gischia, Jean Le Moal, Manessier, Pignon, Gustave Singier, became one of the fifteen founders of the Salon du Mai. That same year he created the sets and costumes, masks and two four meter-tall statues for Jean-Paul Sartre's Les Mouches which Charles Dullin assembled. He also carved Le Gisant, a tribute to the French Resistance and martyrs, which would be exhibited in the Salon de la Libération. Adam became friends with Picasso, who lent him his studio in the rue des Grands-Augustins where he worked more at ease until 1950. Between 1948 and 1949, at his Boisgeloup estate, near Gisors, he realized among other works, Le Grand Nu conserved by the Musée national d'art moderne. In 1949 Adam presented a comprehensive exhibition of his works, frequently of women's sleek forms, at the gallery Aimé Maeght and in 1952 his copper engravings based on the year's theme of the Month, went on display in the bookstore-gallery La Hune. From 1950 to 1955, he was a professor of design at Antony, at a college which today bears his name. During 1950, he instructed many painters and sculptors (including Raphy). From 1955 the first retrospective of his work was organized at the Stedelijk Museum, Amsterdam In 1956 and 1957, Adam developed one of his most famous suites of engravings, Dalles, Sable et Eau showing scenes of the sea, sand and granite of Penmarc'h, and a series of sculptures named Mutationes marines. He made new tapestries for the French Embassy in Washington in 1957, Meridien for the Palace of UNESCO in 1958, and Galaxie for Air France in New York City in 1961. Baptistery of the Église Notre-Dame de la Prévôté, Moutier, Canton of Berne, Switzerland, (1965-1969) : windows of Alfred Manessier and sculptures of Henri-Georges Adam After a project for Monument du Prisonnier Politique Inconnu in 1951, his Le Signal was erected in front of the Musée du Havre in 1961, the first of his monumental sculptures. The number of Adam's sculptures multiplied: Le Cygne blanc for the Lycée Charlemagne à Vicennes (1962), exposition of Obélisque oblique (1962) at the French Pavilion at the Exposition de Montreal, a set of sculptures and tapestries for l'église de Moutier in Switzerland, for which Manessier created the windows (1963–1967), Mur, a 22-meter-long wall, and La Feuille for the lycée de Chantilly (1965), Trois pointes effilées for the college-city of La Flèche (1965), a monument for Vichy (1960–1966), La Grande étrave for the house of culture of Thonon (1966), Fontaine for the city of Bihorel (1966), Le Minotaure for the college-city of Segré (1967), L'Oiseau de granit and La Grande Table de conférence for the lycée technique de Saint-Brieuc (1967). In 1959 Adam was appointed professor of engraving at the École nationale supérieure des Beaux-Arts and later head professor of the workshop of monumental sculpture. He installed his own workshop and presses in La Ville du Bois, near Montlhéry while many of his exhibitions were presented in museums in France and Europe. In 1961 Adam developed a series of sculptures entitled Cryptogrammes. A retrospective of Adam's work was presented in 1966 at the Musée national d'art moderne in Paris with a foreword by Bernard Dorival. Three of his sculptures and the tapestry Penmarc'h were presented the following year in Montreal. In the middle of a creative whirlwind, Adam died from a heart attack on August 27, 1967, at La Clarté near Perros-Guirec, and lies in the cemetery of Mont-Saint-Michel, the theme of his last tapestry.

If you're a therapist in private practice, attracting therapy clients might is vital, but how can you do it without feeling uneasy or unethical

"After a night like that, whatever you see on my face is the result of strength, not weakness."

Don't let your favourite knit become a meal for a moth!

Explore Siren in the Night's 3884 photos on Flickr!