A “social condenser” — when created through architectural design — facilitates the melding and coalescence of society. Here's a theoretical example of architecture that has been designed around this concept.
Leeds Beckett University
Image 6 of 27 from gallery of House Surrounded by Hedges / Studio Velocity. Courtesy of studio velocity
Image 9 of 15 from gallery of Canyon Lakes / Haecceitas Studio. sketches / Courtesy of Haecceitas Studio
Modern single family residence designed by Breathe Architecture.
Built by Piet Hein Eek,Hilberink Bosch Architecten in 's-Hertogenbosch, The Netherlands with date 2012. Images by Thomas Mayer. In the Van Tulden Street, in ‘s-Hertogenbosch, the Netherlands, in the shadow of the Eurocinema,stands the old dereli...
With a panoply of exhibitions, site-specific installations and special projects, together with events, hosted in seven different districts, that showcase the best in contemporary creations, the London Design Festival is now firmly established on the cultural calendar of the British capital. The year’s edition of the 13-year-old event, also known as the LDF, runs from September 17 through 25. […]
Artwork description: I visited this abandoned vinyl factory (near Rasnov) in Transylvania (Rumania) with Geppe Monrós in 2010 during the ‘Abandoned?’ journey. On this journey Geppe and I travelled 39000km in a camper van through 24 European countries investigating and documenting abandoned places. It is a huge site with wonderful industrial skeletons set in the stunning unspoilt Transylvanian countryside. The design is printed with Epson UltraChrome Pro pigment inks, for longevity on Hahnemühle Photo Matt Fibre 200 gsm fine art paper. There is a white border for easy handling. It is signed and numbered on the back as well as coming with a certificate of authenticity. It is protected and bubble wrapped before being rolled in a cardboard postage tube. Other sizes are available: 90 x 135cm • 385€ • edition size: 5 60 x 90cm • 235€ • edition size: 10 50 x 75cm • 180€ • edition size: 20 40 x 60cm • 145€ • edition size: 30 Please get in touch if you’d like a quote to have it mounted on forex or Dibond aluminium composite and ready to hang on delivery. Materials used: Hahnemühle Photo Matt Fibre 200 gsm fine art paper. Tags:#abstract #blue #abandoned #tower #urbex #industry #skeletons #romania #transylvania
Explore Leeds School of Arts' 537 photos on Flickr!
Image 2 of 24 from gallery of PeacoQ House / UID Architects. Photograph by Koji Fujii / TOREAL
Completed in 2012 in Austin, United States. Images by Paul Bardagjy . In an increasingly generic and de-natured world, we are interested in producing architecture tuned to the specificity of a place. The Edgeland...
Our combined expertise & experience sets us apart – and means we design buildings beautifully with sustainability as their DNA.
Leeds Beckett University
Completed in 2021 in Toshima, Japan. Images by Shigeo Ogawa. 1. Outline/11-1studio. It is a renovation project of the ground floor (factory, office, garage) of the steel-framed three-story building, which was a...
China’s most vibrant city is undergoing a glamorous transformation, putting it on a par with some of the world’s biggest culture capitals.
As Bauhaus design turns 100, it continues to inspire artists and graphic designers alike. To celebrate its impact and demonstrate its versatility, we’ve asked our designer community to reimagine famous logos of today in the Bauhaus design style.
Image 13 of 26 from gallery of Aguas Claras House / Juan Almarza Anwandter. Courtesy of Juan Almarza Anwandter
University of Manchester Renold Building. Altrincham Street - former UMIST campus.
One place I particularly enjoyed in Tripoli, because it looked like the setting for a science fiction movie (or at least a photo shoot for Vogue), was the Rashid Karami International Fair which was…
C.F. Møller Architects is one of Scandinavia’s leading architectural firms, with 90 years of award-winning work in the Nordic region and worldwide
Noriaki Kurokawa, 1970
Completed in 1996 in Switzerland. Images by Andrea Ceriani. Built over the only thermal springs in the Graubunden Canton in Switzerland, The Therme Vals is a hotel and spa in one which combines a complete...
Бенджамин Сабатье
This limited edition Giclée Art Print, designed by Zoltan Toth, comes with a numbered and signed certificate of authenticity. Printed on 100% cotton, acid-free, heavyweight paper using HDR UltraChrome Archival Ink, this artwork reflects our commitment to the highest color, paper, and printing standards.
One of the most important Dutch artists of the Twentieth Century, Jan Schoonhoven (1914-1994) is mostly known for his investigation in light, form, pattern and volume through his serialized, white works, although his artistic maturity followed many developments. Starting with a style influenced...
About The Cube Series was first founded in 2013 through a partnership with an engineer-turned-concrete-artisan in Toronto to make productive (re)-use of a historic, decommissioned pump pattern that had been in storage locally for over a half century. Patterns are the original ‘positives’ used in the production of sand-cast metal parts, a method of casting dating back to 1300BC. While patterns are still commonly used in manufacturing, they are regularly decommissioned and archived in response to industry innovation. There is a growing abundance of unproductive Industrial patterns in foundries and factories. STACKLAB identified that storing these patterns indefinitely is a notable waste of space and resources - especially in a city like Toronto with high rents and high utility costs. For this series, STACKLAB focused specifically on repurposing patterns from 1890-1950. During this period, patterns were often hand carved by skilled craftspeople whose specialized knowledge of metallurgy and woodworking has been mostly forgotten in today’s era of computer-aided manufacturing. The Cube Series proposed a system for converting disused historic patterns into molds to create contemporary sculptural furnishing. The result is The Cube Series that reintegrates decommissioned manufacturing materials into the scaled production of useful, modern objects and celebrates Canada’s rich manufacturing history- two of STACKLAB's guiding interests.
