About The Artwork Paper 300gr, graphite, fixative. Drawing of emotions without a title. Original Created:2019 Subjects:Body Materials:Paper Styles:ContemporaryExpressionismFigurativeImpressionismModern Mediums:GraphitePencil Details & Dimensions Print:Giclee on Fine Art Paper Size:8 W x 12 H x 0.1 D in Size with Frame:13.25 W x 17.25 H x 1.2 D in Frame:White Ready to Hang:Yes Packaging:Ships in a Box Shipping & Returns Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments. Handling:Ships in a box. Art prints are packaged and shipped by our printing partner. Ships From:Printing facility in California. Have additional questions? Please visit our help section or contact us.
Artist: Damian Michaels Title: Interdimensional Being Medium: Watercolor and Inks on Archival Mat Board Year: 2015 Size: 214 x 228 mm Signed front central edge within image.
Jerry N. Uelsmann (born June 11, 1934) is an American photographer, and was the forerunner of photomontage in the 20th century in America. "Jerry Uelsmann is said to be one of the few select group of artists who can be said to have altered the very language of their discipline. Through the use of composite print, this brilliant technician has invented a unique poetic universe that has extended the definition of what is photographic." [1] Uelsmann was born in Detroit, Michigan. While attending public schools, at the age of fourteen, there sparked an interest in photography. He believed that through photography he could exist outside of himself, to live in a world captured through the lens. Despite poor grades, he managed to land a few jobs, primarily photographs of models. Eventually Uelsmann went on to earn a BA from the Rochester Institute of Technology and M.S. and M.F.A. degrees from Indiana University. Soon after, he began teaching photography at the University of Florida in 1960. In 1967, Uelsmann had his first solo exhibit at The Museum of Modern Art which opened doors for his photography career.[2] Uelsmann is a master printer, producing composite photographs with multiple negatives and extensive darkroom work. He uses up to a dozen enlargers at a time to produce his final images, and has a large archive of negatives that he has shot over the years. The negatives that Uelsmann uses are known to reappear within his work, acting as a focal point in one work, and background as another. Similar in technique to Rejlander, Uelsmann is a champion of the idea that the final image need not be tied to a single negative, but may be composed of many. During the mid-twentieth century, when photography was still being defined, Uelsmann didn't care about the boundaries given by the Photo Secessionists or other realists at the time, he simply wished to share with the viewer the images from his imagination and saw photomontage as the means by which to do so. Unlike Rejlander, though, he does not seek to create narratives, but rather "allegorical surrealist imagery of the unfathomable". Uelsmann is able to subsist on grants and teaching salary, rather than commercial work. Today, with the advent of digital cameras and Photoshop, photographers are able to create a work somewhat resembling Uelsmann's in less than a day, however, at the time Uelsmann was considered to have almost "magical skill" with his completely analog tools. At the time Uelsmann's work first came to popular attention, photos were still widely regarded as unfalsifiable documentary evidence of events. However, Uelsmann, along with Lucas Samaras, was considered an avant garde shatterer of this popular mindset and help to expand the artistic boundaries of photography. Despite his works' affinity with digital techniques, Uelsmann continues to use traditional equipment. “I am sympathetic to the current digital revolution and excited by the visual options created by the computer. However, I feel my creative process remains intrinsically linked to the alchemy of the darkroom.”[3] Today he is retired from teaching and currently lives in Gainesville, Florida with his third wife, Maggie Taylor.[4] Uelsmann has one son, Andrew, who is a graduate student at the University of Florida. But to this day, Uelsmann still produces photos, sometimes creating more than a hundred in a single year. Out of these images, he likes to sit back and select the ten he likes the most, which is not an easy process.[3] His photographs can be seen in the opening credits of the television series The Outer Limits (1995), and the illustrated edition of Stephen King's Salem's Lot. In addition, his artwork is featured in the progressive metal band Dream Theater's seventh studio album Train of Thought (2003). en.wikipedia.org/wiki/Jerry_Uelsmann Uelsmann received a Guggenheim Fellowship in 1967 and a National Endowment for the Arts Fellowship in 1972. He is a Fellow of the Royal Photographic Society of Great Britain, a founding member of the Society of Photographic Education and a former trustee of the Friends of Photography. Uelsmann's work as been exhibited in more than 100 individual shows in the United States and abroad over the past forty years. His photographs are in the permanent collections of many museums world wild, including the Metropolitan Museum of Art and the Museum of Modern Art in New York , the Chicago Art Institute, the Samuel P. Harn Museum in Gainesville, the International Museum of Photography and the George Eastman House, the Victoria and Albert Museum in London, the Bibliptheque National in Paris, the National Museum of American Art in Washington, the Moderna Museet in Stockholm, the National Gallery of Canada, the National Gallery of Australia, the Museum of Fine Arts in Boston, the National Galleries of Scotland, the Center of Creative Photography at the University of Arizona, the Tokyo Metropolitan Museum of Photography, the National Museum of Modern Art in Kyoto, and the Museum of Photography in Seoul, Korea. www.peterfetterman.com/artists/jerry-uelsmann/
Getulio Alviani Title: Untitled Medium: Offset lithograph Description: exhibition poster Size in inches: 35.4 x 25.6 Size in centimeters: 90 x 65 Condition: Excellent. This print has never been framed and has been kept in archival storage. The poster will be shipped with the utmost care and attention. A super strong and wide tube is used for the safest way of transportation. All shipments are with tracking information so that you can follow the status of delivery. A signature is required when collecting the parcel. Thank you for visiting my store!
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AOS Image Archive 12/30/1886 - 05/15/1956 The Bones Go Last Austin Osman Spare: Cockney Visionary. Jerusalem Press 2010
2006. Edition of 300 16” x 20” (41 x 51cm) Screen-print on soft acid free archival paper Signed and numbered
DAISUKE YOKOTA Untitled (Bedroom),2015 - inkjet print
Nothing is wasted in the garden :)
Anders Petersen
Born in small-town Wisconsin, Garek’s work is an exploration of his beginnings and experiences living in Metropolitan New York and Chicago and the people who affected his life. The honest portraits come not from the need to recreate reality, but from the lens through which he sees his own life. Garek is a self taught artist, musician and internet personality.
Black and white Polaroid proof by Peter Whyte of a clown. From the collection of a former Polaroid Corp. photographer and technical film specialist.
Untitled (Nr. 0232) Photography 18" x 24" Edition of 24 by Ben Cope & Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-year photographic journey through Baja, Mexico. Ben Cope and Rowan Daly began their travels in 2014, working their way through the towns of la Salinas, Baja Mar, and Cantamar, down through Ensanada and la Bufadora. This series of photographs depicts the pair’s adventures and explorations. Off the Grid documents the textures, people, and places visited during this incredible journey. Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic sculpture and photography from Columbus State University. He maintains a successful career with a diverse portfolio including fashion, editorial, celebrity portraiture and advertising. He is widely known for his celebrity and fashion portraiture, which has been published internationally in publications such as Harper’s Bazaar, Elle, GQ, The Work Magazine, Fucking Young, and l’Officiel, and has shot international campaigns for such clients as Adidas, L’Oréal, Paul Mitchell, and Vidal Sassoon. He has photographed Selena Gomez, Jennifer Lopez, David Lynch, Alex Rodriguez, RuPaul, Chris Brown, Snoop Dogg, and Moby, among others. Rowan Daly is a Los Angeles based photographer with a BA in Political Science from the University of North Florida. His work ranges from album covers to videography, editorial and photography. He has photographed for Tyga, Nick Jonas, Hypochondriac, and Anthony Raneri. His work has been featured on the covers of publications such as Miami Living, Conexiones Magazine, The Hedonist, La Palme Magazine, and C’est Prune.
From the archive of arts agency Autograph, these photos depict the lives of black Britons, from sound systems to strident politics
