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Original information about the work of art from Belvedere (© Copyright - Belvedere - www.belvedere.at) Natale Schiavoni, who once "il pittore delle grazie" was called, that reputation was primarily for his depictions of women. In addition, his oeuvre includes numerous portraits, religious subjects and historical genre scenes. After first attempts as an engraver he turned the miniature painting, worked since 1807 at the court of the viceroy of Italy in Milan and was established in 1816 by Emperor Franz to Vienna. He portrayed the members of the imperial family and the aristocracy and enjoyed high reputation (sustainable appreciation Emperor Franz I commented later in the purchase of the 1,832 issued in the Brera in Milan picture "The Penitent Mary Magdalene" for the imperial art collection. The work was discussed in the contemporary press in long treatises and took place in autumn 1836 at the reopening of the Art Gallery in the Upper Belvedere lineup. Today it is owned by the Austrian Gallery Belvedere). 1821 Schiavoni left with his family (his sons Felice and Giovanni were also a painter) settled in Venice. The image formats were from now larger, the range of topics wider. Late thirties, beginning with the presentation Malinconia (Melancholy, 1837, Milan, Galleria d'Arte Moderna), the painter employed reinforced with the pictorial implementation of allegorical terms such as "seduction", "temptation", "evil", " List "," first love ", etc. As a medium for the clarification he preferred the female half-length piece. The audience these representations were well received, less, however, in the press, which accused him penchant for decorative and Spruce, drawing incorrectness and repeating already found ideas. This image is titled The sadness. is typical of Schiavoni that he needs no explanatory Beiwerkes expressed the state of mind. The woman alone is sufficient, their posture, inclination of the head and the pose of the hands. The black, tüllartige scarf bare shoulders partially covered, and the weeping willow in the background have only underlining function. Museo Civico P. Revoltella in Trieste there is an almost equal representation, which was made in the previous year; Differences are only in detail, in the hairstyle, the position of the veil, the clothes (the Vienna picture shows in cutting a lapel pin), but above all in the background, the picture is just a generously draped curtain in Trieste. In comparison, the Vienna image appears delicate painted and intimate expression, the pain of the woman is formulated ideal type by complementing the weeping willow. [Source: Grabner, Sabine: Natale Schiavoni. The sadness in: New Acquisitions. Master of Heiligenkreuz to Krystufek, exh. Cat. Osterreichische Galerie Belvedere, Vienna 15.09.-21.11.1999 (temporary exhibition of the Austrian Gallery, 224), S. 40f] Background data about the artwork Name of the painting: "Sadness" Artwork classification: painting Broad category: modern art Temporal classification: 19th century Created in: 1841 Age of artwork: 170 years Artwork original medium: oil on canvas Original size (artwork): 73 x 59 cm Signature: signed and dated lower right: N. Schiavoni / 1841 Exhibited in: Belvedere Location of museum: Vienna, Austria Website: Belvedere License of artwork: public domain Courtesy of: © Belvedere, Vienna, inventory number: 8956 Creditline of artwork: purchase from the Dorotheum, Vienna in 1994 Short overview of the artist Name: Natale Schiavone Jobs: painter Artist category: modern artist Art styles: Realism Life span: 81 years Born in the year: 1777 City of birth: Chioggia, Veneto Year died: 1858 Deceased in (place): Venice About this article Print categorization: art print Method of reproduction: digital reproduction Production method: digital printing Production: German production Stock type: production on demand Product usage: home décor, art print gallery Alignment of the image: portrait format Aspect ratio: 1 : 1.2 (length : width) Implication of side aspect ratio: the length is 20% shorter than the width Materials available: metal print (aluminium dibond), poster print (canvas paper), acrylic glass print (with real glass coating), canvas print Canvas print (canvas on stretcher frame) size options: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" Acrylic glass print (with real glass coating) options: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" Poster print (canvas paper): 50x60cm - 20x24", 100x120cm - 39x47" Aluminium print size options: 50x60cm - 20x24", 100x120cm - 39x47" Framing of the art copy: no frame Choose your preferred product material We offer a range of various materials and sizes for every product. In order match your personal requirements perfectly, you can choose among the following product customization options: Canvas print: A canvas print, which should not be confused with a canvas painting, is a digital copy applied onto cotton canvas material. Further, a canvas creates a nice and comfortable feeling. Your canvas of your favorite artwork will allow you to transform your custom art print into a large size artpiece. Canvas prints are relatively low in weight, which means that it is easy to hang up the Canvas print without the help of extra wall-mounts. That is why, canvas prints are suited for any type of wall. Aluminium dibond: These are metal prints on aluminium dibond material with a true depth effect. For our Direct Print On Aluminum Dibond, we print the chosen artpiece on the surface of the white-primed aluminum material. The direct print on Aluminum Dibond is one of the most demanded entry-level products and is a truly sophisticated way to showcase fine art reproductions, since it puts all of the viewer’s attention on the artwork. Poster print (canvas material): The poster is a UV printed flat canvas with a slightly roughened texture on the surface, which resembles the original masterpiece. Please bear in mind, that depending on the size of the poster print we add a white margin between 2-6cm round about the painting, which facilitates the framing with your custom frame. Acrylic glass print (with real glass coating): The print on acrylic glass, which is sometimes labelled as a an art print on plexiglass, will change an original artwork into beautiful wall décor. Background information on the article The 19th century painting titled Sadness was made by the artist Natale Schiavone. The original version has the exact dimensions of 73 x 59 cm and was manufactured with the technique oil on canvas. "Signed and dated lower right: N. Schiavoni / 1841" is the masterpiece's original inscription. What is more, the work of art is included in the Belvedere's digital art collection, which is one of Europe's most famous museums with three locations that blends the experience of architecture and art in a unique way. The modern art masterpiece, which belongs to the public domain is being provided with courtesy of © Belvedere, Vienna, inventory number: 8956. Creditline of the artwork: purchase from the Dorotheum, Vienna in 1994. On top of that, alignment of the digital reproduction is in portrait format with an aspect ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. The painter Natale Schiavone was an artist, whose style can be attributed primarily to Realism. The artist lived for a total of 81 years, born in the year 1777 in Chioggia, Veneto and passed away in the year 1858 in Venice. Important information: We try the best we can to depict our art products as accurate as possible and to exhibit them visually in our shop. Nevertheless, the colors of the print products and the printing may vary to a certain extent from the representation on the screen. Depending on your screen settings and the nature of the surface, colors can unfortunately not be printed one hundret percent realistically. In view of the fact that all the fine art prints are processed and printed manually, there might as well be minor deviations in the exact position and the size of the motif. This text is protected by copyright © - www.artprinta.com (Artprinta)
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Wazir Khan Mosque Lahore Punjab Pakistan The mosque was commissioned by the chief physician to the Mughal Court, Ilam-ud-din Ansari, who was widely known as Wazir Khan. Wazir Khan later became the subedar, or Viceroy of Punjab,[6] and commissioned several monuments in Lahore.Wazir Khan owned substantial amounts of property near the Delhi Gate, and commissioned the Wazir Khan mosque in 1634 in order to enclose the tomb of Miran Badshah, an esteemed Sufi saint whose tomb now lies in the courtyard of the mosque. Prior to construction of the Wazir Khan Mosque, the site had been occupied by an older shrine to the saint. The mosque's interior was richly embellished with frescoes that synthesize Mughal and local Punjabi decorative traditions, while the exterior of the mosque was lavishly decorated with intricate Persian-style kashi-kari tile work. Wazir Khan's mosque superseded the older Maryam Zamani Mosque as the Lahore main mosque for congregations Friday prayers. Wazir Khan's mosque was part of a larger complex that included a row of shops traditionally reserved for calligraphers and bookbinders, and the town square in front of the mosque's main entrance. Wazir Khan Mosque features South Asia's first example of a purpose-built Central Asian charsu bazaar, or four-axis bazaar - although in the Wazir Khan Mosque adaptation, two of the four axises are aligned as the mosque's entryway, while the other two form the Calligrapher's Bazaar.
Regent wants to get electric short-hop air travel to customers as soon as possible, and its Viceroy seaglider might be the way to make it happen. The Viceroy is a cross between an aircraft and a hydrofoil, similar in concept...
Beer on the pier? If you insist... As is clear from this blog, my public profile and, let's be honest, my physical profile, I l...
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The family album of Viscount George Goschen provides a snapshot of the pomp and pageantry the British aristocracy enjoyed in India in the 1920s and...
