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Going underground: detail of artist Simon Patterson's wryly playful take on the iconic London Underground map featuring lines of film stars, comedians and philosophers instead of stations You may not know it, but this blog has just celebrated its first birthday, so what more fitting moment than right now to better address one of its…
Illustration, Adobe Photoshop, Procreate
Temporary wooden pavilion by Morag Myerscough and Luke Morgan inside the Library of Birmingham decorated with neon words and symbols.
In 2019, the MAJ (Youth Art Exhibition) celebrated its 30th anniversary and Sesc invited us to develop the project’s new logo, as well as the identity, visual universe and signage of the commemorative edition.
Sumo is a pencil sharpeners with much safer operation and universal design.
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Manufacturing professionals who read Edward Tufte‘s books on visualization may be stunned to discover that their 3D pie charts, stacked bar charts, and green safety crosses are chart junk. These charts are common, both on shop floor performance boards and in management presentations. But they are information-poor, and their decorative elements distract, confuse, and occasionally mislead. […]
Life is a photographic project of Raffaele Montepaone, a young artist from Vibo Valentia, who can already boast of national acknowledgement. Life started 2007, the first shots were made at Stilo, a remote little town in the province of Reggio di Calabria. It was there that Raffaele embarked on his research which is still going on. His first portrait was that of signora Concetta, an absolute symbol of the popular tradition at Stilo. It was that shot, which deserved to be selected for the exposition within the framework of expo art, as part of Affordable Art Fair held in Milan, where Raffaele deserved the appraisal of the Milan critics and became second best among the young artists. Faces and hands, wrinkled by the time and hard work, is the motif, that fascintates the artist. Raffaele travels to little Calabrian villages with his Nikon, and creats exciting images, registering customs and traditions of a hundred year-old Calabrians. Man and the earth, which is in the man’s wrinkles, are in the centre of his project. He does not register routine rural life, but creates personal portraits, in which the life lived and ordeals gone through emerge. His images are capable of evoking the memories of reality of those days. In his shots, Raffaele strives to capture a memory of the Calabria which is disappearing, because the ‘new olds’ will not be anything like those whose photographical portaits he makes. The novelty of what he is doing, compared to those who have already taken this route, is that Raffaele does not limit himself to the mere imaging of old people in Calabrian villages, but manages to extract from their hands, their faces, and their worn-down objects all the pathos of a life lived in hard work and suffering and the reasons why the life of people of Calabria in the last century was filled with dignity. The world, which Raffaele shows through his works is challenging and romantic at the same time. He shows people who live simple lives in places where time stood still, far away from big cities, and whose pace of life is only determined by nature. The powerful symbolism present in almost all his works, has a great impact potential. The lives of his old ladies, many of whom are widows, are rooted in the fields and prayers. In his shots, he never fails to notice a wedding ring on the finger, the symbol of the faith to those who are not here any more, but who are still respected. Nor does he fail to see multiple images of the saints, hangning in their modest homes, which often consist of only one room, but are maintained as palaces. Women with wrinkled and tired faces, who are getting ready to start their day in the field, with their simple rituals and habitual dedication, make their grey hair into elegant chignons,or in complicated plaits and posture in front of the camera, which catches every detail of a life completely devoted to earth. Old ladies who finish their days, holding a rosary in their hands, which is also worn by the time, and which they hold tightly in their hands sharing their hopes in life with it. A new image of rural Calabria – very personal and elegant, full of contrast, shades and nuances, like the lives which these a hundred year-old Calabrians have lived. Life, this is Raffaele Montepaone’s project.
Explore Intern. Forum Of Visual Practitioners ifvp.org's 5321 photos on Flickr!
Tower House is a landmark Art Deco building in Lewisham, London. When design consultancy Two Times Elliott was commissioned to brand the space and create promotional material to sell the commercial unit, they chose Proto Grotesk as the primary typeface. The building was used a
This Bauhaus type is both balanced and efficient. The number of different curves incorporated in the font are minimized, each letter deviating only slightly from another.
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Graphic Design, Typography, Glyphs App
