Companion effect to K Devices 'Moor' This time, as the name suggests, focusing on mangling your audio with a myriad of modulation effects. Very effective , though like 'Moor' i find the layout slightly confusing !! Max For Live audio effect designed to modulate anything you want in Ableton Live PURE MODULATION MAGIC Thanks to powerful pattern creation and twisting features, Twistor creates modulations that are not possible to obtain with other modulators! MAIN FEATURES Any Time Resolution Set the exact time resolution you need for your steps: 1/8, 3/4, 7/8, 3/16T, 15/1D, 13/32 and so on. Exclusive Step Duration Set exclusive duration for each step: 25, 50, 75, 100, 150, 200, 400% of the global time resolution. This opens to crazy new possibilities! HOW IT WORKS Twistor is easy to master. You can start considering a classic step sequencer modulator: steps of a given duration sending values to a controlled parameter, according to a time resolution. The main difference with a classic step sequencer is that in Twistor each step can have different duration: by modifying the single step duration, and by manipulating the entire pattern. The modulator signal is scaled by minimal and maximal values, to perfectly fit your target’s range and purposes. You can change the duration of the pattern, changing time resolution, or using the Rate parameter to let a given length of 1 bar become one half, the double of it, one time and a half, etc, always keeping the same number of steps, and, very important, the sync with Live’s transport! You can modify the sync position of your pattern with Shift: if you have time resolution equal to 8n, and you set Shift at 50% (the range is 0-100% of the time resolution), then all your sequence will be delayed by 16n. You can use Bend to let the playhead make movements from linear, to exponential, or logarithmic, dynamically changing the duration of each step, always keeping the given length for the whole sequence! Isn’t amazing?! Let’s talk about the duration of each step. You can modify the duration of each step manually, listening to the results, and keeping an eye on the Resulted Length. This will bring you far from the grid concept, opening to new possibilities: your ears only can evaluate the results. Or, you can choose to gone wild, but all staying in the safe sanctuary of the grid, setting a Main Length, locking it with the toggle on bottom right corner of the device, and hitting the random button; Twistor will generate again different durations, but now their sum will always give the original length of the pattern. This features gives, it’s guaranteed, amazing results!
Incredibly versatile and fully featured beat making software which can also be used to create full songs . Seems a steep learning curve is needed to know all the different things that Geist2 is capable of doing . But well worth delving into, as this is probably the best one of its kind out there! The original Geist was the successor to FXpansion's earlier software groovebox, Guru. It comes as no surprise, then, that Geist2 takes the already winning formula of its predecessor and improves it in enough areas to constitute a must-have upgrade for existing users and an even more compelling proposition for newcomers. Before we get into its new features, let's start with a summary of what Geist is all about... Ghost is the machine Essentially, Geist2 is an MPC-style pad-based 'groove DAW', complete with sampling, sequencing and song construction, that runs standalone or as a VST/AU/AAX plugin. At the top of its hierarchical structure (Global) are eight Engines. These are effectively eight instances of the whole instrument brought together in a single interface, so you can run, say, a drum kit into one, a bass in the next, a set of vocal samples in another, etc. Each Engine houses 64 pads (up from the 16 of Geist), and each pad comprises up to eight stacked sample layers, which can be split by velocity, triggered using round robins, or selected at random. Every level of the hierarchy (Global, Pad and Layer) can host up to six of Geist2's built-in effects, and has its own mixer, complete with sends to four Global auxiliary effects returns. Live sampling is another key feature, with direct-to-pad recording of external signals or Geist2's own output, and automatic, non-destructive slicing of loops across the pads. Sequencing of pads is done using a familiar pattern sequencer that stores up to 24 patterns of 1024 steps each and features automation lanes for Volume, Pan, tuning, timing Shift, effects sends and much more. Patterns can be arranged into Scenes, and strung together as arrangements manually or in real time, making Geist2 a full-on production environment in its own right - albeit one that still can't host other plugins. Window repair The original Geist could be undeniably fiddly at times, due to the awkward disconnect between its inflexible interface and the multi-layered complexity of its architecture. While the latter hasn't been lessened (nor should it be!) for Geist2, the GUI has been utterly transformed by the transition to vector graphics and Retina/HiDPI compatibility, and the introduction of a muted, more contemporary new look. Not only is the whole window now freely resizable with no effect on graphical fidelity, but every panel within it can also be stretched vertically and horizontally (to a greater or lesser extent, depending on the individual pane), with pads reshaping to fit, scrollbars appearing as required, and multiple automation lanes now viewable for each pad in the Sequencer. It's wonderfully liberating and a vast improvement over the previous setup, but we're surprised there's no option to save workspaces for instant recall - big pads for performance, fullscreen sequencer for sequencing, huge mixer for mixing, and so on. A few specific elements have been sensibly relocated, too. The Engine and Global Mixers are now unified, and the previously oversized pattern keys section has been shrunk and moved to the top of the Pattern panel, for example. More importantly, the Sampler has been greatly reduced in size and prominence from its previous dedicated panel to a pop-out extension of the pad section, with no loss in functionality. Indeed, it's actually gained a choice of Assign modes for capturing each take to the next Layer, Pad or both, or sending it to the Slicer, which makes the process of on-the-fly kit creation faster and more fun than ever. Speaking of the Slicer, while it's not seen much change beyond a UI redesign, it's worth noting that it can, of course, distribute its slices across four times as many pads now, making those enormous sliced kits much easier to play and sequence than before. By far the most significant addition to the Pattern Sequencer is the same independent pattern lane length adjustment that we dug so much in FXpansion's Tremor drum machine. Simply drag the end point of a lane to the left to set its length, generating all manner of polyrhythms as each lane cycles around its specified number of steps. That's all the headline new stuff covered, then, and to wrap up in the space remaining: Geist2 also now includes the acclaimed Bloom delay and Maul distortion among other effects additions, making 47 modules; Vintage mode emulates the sound of old-school samplers; and as well as all the original Geist content, you also get a whole new factory library of samples, kits and projects. The price of power Sitting somewhere between evolution and revolution, Geist2 makes enough changes to feel like a whole new instrument in certain areas and the same groove production powerhouse that we already knew and loved in others. The new interface and TransMod system are worth the upgrade price alone, but independent pattern length, more pads, improved effects and Sampler Assign modes join them to make Geist2 a dazzlingly powerful tool for any dance, urban and electronic producer - both in the studio and on stage. It might not be the most intuitive piece of music software around, but what it lacks in immediacy it makes up for in functionality, creativity and speedy workflow.
To get to grips with Obscurium there is somewhat of a steep learning curve. The complexities of notes/chords/sounds this can generate though is amazing and you can run it by plugging in any of your own vst instruments. Obscurium is a generative synthesizer and timbral organism. Feeding on scales, chords and synthesis, producing vivid harmonics paired with an elaborate aesthetic. It is the source of a dazzling array of organic and lively sounds, delivering spherical pads, bubbly arpeggios and deadly percussion attacks. The playful user interface streamlines the complexity of the inner workings: You can freely change and swap all parameters and motion lanes leading to hundreds of new sounds from the init preset, so you can realise unique and surprising sequences in a matter of a few clicks. Thanks to its VST hosting feature, you can host any of your sound generator plugins in Obscurium for fresh sounds. 8-voice Saw, Pulse, Super-Saw und FM Synthesis More than 400 excellent presets incl. pads, drums, atmos Motion Sequencer delivering sequential melodies and sounds, plus Plugin Automation Draw Tools, Modifiers and Super Obscure Mode to build and modify sequences Generative harmonies at your fingertips or normal MIDI-Input Shift Fader to freely swap parameters and targets VST Plugin Hosting
What do i need another delay for? One might ask! Well 'HY-Delay4' is a delay on steroids with many features and sound capabilities not found elsewhere - except for' Bluecats' 'Latereplies'. The drag and drop modulation,effect processors,macros and randomizers takes it all to another level! HY-Delay4 is a multi mode delay. There are 6 main processes (Delay, Amp, Waveshaper, EQ, FX1, FX2). You can change the order of these processes. Also, you can modulate those parameter values with 4 modulation units and 4 macro controls. Main Features: 5 delay modes(Simple, Dual, Grain, Groove. PM) + Bypass mode. Changeable process order(Delay, Amp, WS, EQ, FX1, FX2). Drag and drop for modulation assignment. 4 modulation generators(5 types). 4 macro controls. Side-chain input for Ducker and Envelope follower. Randomizer. Re-scaleble interface. Free Version: 1 delay mode(Simple delay). EQ. Ducker. Randomizer.
For anyone new to modular synthesis Tal-Mod makes it much easier to get to grips with than most. A myriad of routing posibilities , patching cables etc is much more simply laid out here , which can to say the least become extremely complex . Not he best looking GUI but does have custom color skins available, orange is pretty cool. Great sounding synth and well worth getting into! TAL-Mod is a virtual analog synthesizer with an exceptional sound and almost unlimited modulation possiblities. Its special oscillator model is able to create a wide range of sounds, from classic mono to rich stereo leads, effects and pads. Routings can be done with virtual patch cables. Just connect a modulation output with a modulation target. After that it's possible to adjust the intensity of the modulation. You don't need to be a modular expert. The plug-in is suitable for beginners and experts! Features 3 oscillators with optional saw, pulse, triangle and sine waveforms. 1 additional noise oscillator with adjustable color. 2 high quality analog sounding resonance filters with different modes (LP, HP, Notch, All Pass, BP). Different filter routing possiblities (parallel and serial). With the possiblity to choose the oscillator sources. Full stereo signal path. FM / RingMode support. 2 oscillators support hard sync for saw, pulse, triangle waveforms. Create stereo sounds and rich harmonics with additional oscillators (up to 7 sound generators per oscillator for osc I and osc II). 2 lfo's with different waveforms, sync, trigger, unipolar modes and the possibility to modulate the rate. 3 adsr's. Modulation envelope with spline or optional step mode. Trigger and host sync mode. Almost unlimited modulation possibilities with patch cable routing. Optional sequencer or arpeggiator. Basic effects: high pass filter, chorus, eq, reverb and delay. Mono and polyphonic mode. Microtuning support. Resizable UI. You choose your favorite UI colors. And a lot more...
One of the best, if not THE best reverb plugins out there.Not surprising as this comes from the makers of Valhalla which are also some of the finest reverbs to be had. This one though, unlike some of the those, has a much more simpler interface and just a sprinkling of presets which is just fine to get you tweaking more, and everything comes across as just plain easier to use in my opinion. The overall sound is just spot on , EOS reaks quality. The infinity mode is cool by the way! A MUST have!! Eos 2 is a massive update our Eos algorithmic reverb. With an all-new entirely procedural GUI (featuring full Retina and Windows HiRes compatibility), a new cross-platform preset mechanism, a new reverb algorithm, the addition of crossover controls, the addition of VST3 versions, and a ground-up rebuild for future-proofing, Eos 2 is a worthy successor to our all-time best-selling plugin. Eos consists of four high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Three different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is not possible with convolution 'verbs
Amazingly detailed arpeggiator with a myriad of options which are not available on the majority of arpeggiators.. This is almost like a DAW in its own right where you can chain sections together to create complete sequenced arrangements. THE NATURAL EVOLUTION OF AN ARPEGGIATOR ADAPTED TO OUR TIMES Nora is a groundbreaking arpeggiator with DAW technology that employs advanced editing tools to create phrases with ease. It allows the creation of quality solo melodies, rhythmic bass lines or stabs, instantly. SAMPLE ACCURATE PREMIUM MIDI ENGINE The engine has been re-designed from scratch to offer precision at sample-level. This way, we obtain output that is loyal to the input, without any kind of latency. ALL THE POWER OF A DAW IN ONE PLUG-IN We employed the workflow of a cutting-edge DAW for a creative, simple and quick edition with a complete integration among the modules. Nora can be sequenced by either a linear manner or by patterns triggered by MIDI. IT INCLUDES: · 8 tracks, 8 independent arpeggiators and 64 patterns per track · Real-time quantizer with user-defined patterns · Hundreds of presets · Complete real-time edition · Simple and fast workflow · 2 random phrase generators & 2 mutators · Very low cpu usage · Highly customizable interface with over 400 parameters
All that gear and software can get pretty expensive. Don't fear. If you're looking to save a buck or two this year, check out these 25 Mac free plugins.
Here are the Best Free Vocal VST Plugins online that can be used with FL Studio, Reason, Ableton Live, and other VST supported software.
Yet another great sounding synth, (previously rack instrumernt for Reason) making for a more unique sound with PhaseDistortion and WaveShaping. QUAD was the first-ever Rack Extension synthesizer built from the ground up for Reason by the Rob Papen team and is now also available as VST/AU/AAX plugin. The sonic palette is huge, through the vast modulation possibilities that QUAD has to offer. The sound sculpting tools start in each Oscillator and are the Phase Distortion and WaveShaper. These tools are brought to life by 2 XY-Pads in each Oscillator, which can be moved through an extensive modulation matrix. QUAD’s Oscillators are complemented by two top-notch analog-modeled Filters, which have different routing options, an arpeggiator, and two high-quality effects processors. Welcome to the new refreshing synthesizer QUAD – not only available in Reason but available to all! Quad is delivered with over 750 presets!
Darksichord Darksichord is a free plugin instrument for Windows & Mac. Darksichord featuring a multi-sampled Harpsichord,
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A formidable VST amp for heavy metal fanboys and shred aficionados, Nick Crow 8505 lead has been in the game for a while now. It comes in handy for adding that powerful and jaw-dropping raw punch to your guitar tone and makes it sound more intense and “heavy”.
This time of year I always find myself itching to change up my home décor. Maybe it’s the weather change. Maybe it’s the notion of fall marking a new beginning, as it always has since I was little. Maybe I’m just bored. Whatever the reason, lately I’ve been finding myself less interested in frilly, feminine […]
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FREE. The perfect vintage clav plugin. Great sounds, simple to use, very low CPU.
For some of us, summer brings with it more free time. Time we don’t often have when we trudge through the grind of working regular jobs. This list of the best 5 free VST synths was compiled to lessen the searching time of audio enthusiasts, hobbyists and professionals alike, in search of the best quality free synth plugins available so far this year. Sonigen Modular – Sonigen Oddly enough, we’ll start out with a 32-bit VST synth from Sonigen. (Dare […]
VST plug-in for authentic Atari ST chipsounds. Emulates the built in YM2149 sound chip with a decent plugin user-interface.
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Mo’ Verb is a reverberator, based on original algorithms, combining simulation of spring and digital reverbs.
Here are the 62 free Vocal VST plugins. Check out this amazing list if you are searching for free VST plugins for vocals.
