von Yuki Stern und Gabriel Elijah 📖 Darum geht’s Vampir Cinis ist auf der Flucht vor der Sonne. Da kommt ihm der einsame Bungalow im Wald wie gelegen. Zu seiner Überraschung en…
Khalili Collections | Islamic Art | The tall flask is exceptionally thinly potted; the curious incised lines under the glaze were caused when the surface...
Jug, fritware, bulbous body and painted in colours with flowrs and saz leaves, Turkey (Iznik), ca. 1540-1550.
The art of blue pottery: A deep tradition exists for the alluring blue pottery. Archeological excavations on the Iranian and Central Asian plateaus have uncovered turquoise blue glazed pottery that dates back to 224AD. These finds included 'pilgrim flasks' and large bowls and grain storage jars..As Persia was a central trading hub the glazing technique were believed to have been introduced from either Egypt or Mesopotamia. The Persian potters were highly innovative and pioneered numerous new techniques. Painting decoration under a clear glaze was first attempted by Islamic potters in Syria, probably during the late 9th or in the 10th
Für einen krossen Start in den Tag! Die leckeren Nestlé Cini Minis Churros orientieren sich an einem echten Trend-Food, denn die köstlichen spanischen Churros erfreuen sich mittlerweile auch außerhalb Spaniens an sehr großer Beliebtheit. Die frittierten Gebäckstangen werden dort gerne zum Frühstück gegessen. Als knusprige Cerealien-Variante erobern die Cini Mini Churros jetzt die Herzen aller Naschkatzen. Freuen Sie sich auf einen knusprigen Snack, der mit der unverwechselbaren Zimtmischung verfeinert wurde. Zusammen mit frischer Milch wird die erste Mahlzeit des Tages somit ein echter Hochgenuss.
Alle Rezepte in IQs Kitchen
Jeder liebt Cini Minis. Zuckrig-süß und wunderbar zimtig verwandeln sie deine Milch in Sekundenschnelle zu einer feinen Zimtbombe. Umwerfend!
Ana Tanrılar, Yardımcı Tanrılar ve Yaratıklar ile ilgili tüm bilgiler Onedio'da! Türk mitolojisi ile ilgili tüm ayrıntılar Onedio'da
昨日の記事のフォトブルーのお皿の写真↓これがピンタレストでたくさんpin！！！してもらったの～インパクトがあるのね～～きっとただおいただけの写真だったけど^^…
Bibliothèque nationale de France, Supplément turc 1063, detail of f. 17v (harvesting mandrakes). al-Qazwini, 'Aja'ib al-makhluqat wa-ghara'ib al-mawjudat (Marvels of Creatures and Strange Things...
This medallion measures six inches across. The ground is linen (black warp and white weft) and the embroidery is worked in linen and silk-ivory (a blend of silk and wool). The design is based on an extant Fatimid ceramic bowl, luster-painted in one color. The bowl is housed in the Museum of Islamic Art, Cairo, item 14930 and was featured in Jenkins, Marilyn. "Muslim: An Early Fatimid Ceramist." The Metropolitan Museum of Art Bulletin, v. 26, no. 9 (May, 1968). I was delighted to find the bowl as it neatly brought together three elements: the Fatimid period, a griffin (the mascot of Northshield), and it could be altered to echo the compass rose motif (also associated with Northshield). To emphasize the compass rose, I simplified the filler between the cardinal points, and highlighted the north indicator circle with the only white embroidery on the piece. I wanted the griffin to be gold (a Northshield convention), and I selected colors from my stash that would accent it. I used stitches found in extant embroidered Fatimid pieces—stem stitch, split stitch, and chain stitch—that were best suited to the different thicknesses of the yarns I selected. It was amazingly difficult to transfer the design onto this dark fabric. I ultimately scaled the design to six inches on the computer, printed it, taped the printout to a sunny window and pinned the fabric to the paper. I used a light colored fabric pencil to trace the general design, then pulled it down and filled in the details with chalk. Because of the nature of embroidery (essentially plunking the fabric every time the needle is drawn through, which causes the chalk to loosen and float away) I used a narrow needle and sewing thread the “draw” the design in running stitch over the chalk, and then covered the running stitch with the embroidery. For more information on extant Medieval Islamic embroidery see: Ellis, Marianne. Embroideries and Samplers from Islamic Egypt. University of Oxford, Ashmolean Museum: University of Oxford, 2001.
Bij afbeeldingen op porseleinen borden denk je al snel aan bloemetjes, abstracte patronen of desnoods een portret van een koning.
