Find out more about the 2021 exhibition Frank Gehry: Spinning Tales at Gagosian Beverly Hills. Installation views, works, editorial content, press, and more.
Graham Caldwell Creates Introspective Glass-Based Structures
每年12月，中環PMQ元創方都會舉行「deTour 2017 創意匯聚十日棚」， …
‘Felt Suit‘, Joseph Beuys, 1970
Find out more about the 2014 exhibition Marcel Duchamp at Gagosian 980 Madison Avenue, New York. Installation views, works, editorial content, press, and more.
Make time this month to watch Christian Marclays The Clock at Tate Modern its worth every second minute or hour you can spare.
For the past twenty years Koenigsberg’s work has been concerned with interlocking lines and the spaces they form. She creates a sense of weightlessness and luminescence by the manipulation of narrow gauge industrial wire, exploring the contradiction between metal elements Read on! →
For the past twenty years Koenigsberg’s work has been concerned with interlocking lines and the spaces they form. She creates a sense of weightlessness and luminescence by the manipulation of narrow gauge industrial wire, exploring the contradiction between metal elements Read on! →
Forget the dress, check out that soup-er mural! It's simply un-can-ny how much it resembles the work of Warhol. More condensed details on the fourth grade's latest masterpiece soon, but for now the h-Andy work of this dress will just have to be suffice. Or is the word "sufficient"? Eh, you say "tomato", I say "shut up, fool!" Because I'm rude like that. I dunno how you spent your weekend, because, as I mentioned, I'm rude and therefore forgot to ask, so lemme just tell you how I spent mine: Making a Campbell's Soup Can Dress in honor of our artist of the month, Andy Warhol. Oh! And did I mention that I almost committed sew-icide (death by sewing a nightmarishly impossible task)? Because I did. Seriously. Each one of those appliqued letters was at least ten years off my life. Which I don't suppose is possible being that there are 19. But whateves. Me and math have never gotten along. You might recall I'm on a bit of a mission to create an outfit for each of our artists of the month. Thus far, I've managed to sew up a Great Wave dress in honor of Hokusai and a splatter-tastic number for Pollock. And now I can add some Andy Warhol to my dress-terpiece wardrobe. Yippie! It only shaved 190 years off my life (and, yeah, it took me from initially mentioning that math problem until now to come up with the answer)! This whole mess, er, dress started when a sweet parent approached me about having the kids create posters for an upcoming canned food drive. I'd already had it in my head that our school's cafeteria needed a new mural and had mentioned such to Rebecca. With her big soon-to-be-an-amazing-art-teacher brain, she thought up the idea of the kids creating a class set of Andy can murals. And the rest is history (with details to come, pinkie swear and spit shake). Check it out: the Souper Dress is a screenprinted paper dress that was made and sold by Campbell’s Soup Company in the late 1960s. Obviously, the creation of this dress was inspired by the one and only Warhol. How I'd love to get my kitten mittens on this number...if only it wasn't selling for hundreds of dollars on that devil website known as ebay. While student teacher extraordinaire was busy workin' on that, I was plotting my outfit to accompany said lesson. Because if it's one thing I've got, it's priorities. And a serious lack of mathematical skillz. My mom happened to spot this dress on a recent thrift store jaunt and, knowing my can-plan, scooped it up for me. Can you believe it's perfectness? I swear this bad boy was just beggin to be Campbell's-soup-ized. To can-onize this dress (because after all the work, I'm declaring this thang a holy relic), I added a silver ban to the top and bottom. I didn't shorten the dress at all although in this side-by-side it appears that way. And, of course, I appliqued the crap outta the thing with all 19 of those letters. Not like I was counting or anything. Ahem. Now I never really go about anything the right way or even the easy way, so if you are gonna embark on your very own Warhol number, might I suggest you go to a legit DIY blog. However, if you are up for a challenge of sew-icidal proportions then, welcome to the Thunderdome, friend! Grab your Xanax and let's hop to it! I began by laying my dress out and placing a sheet of tissue paper on top of that. I kinda love lettering so planning the size of the letters and penciling them in was fun for me...in a I-like-to-pick-at-my-hang-nails fun kinda way. After that, I chose the fabric for my letters and ironed some fabric stiffener to the back. Wait, there's another name for that, right? Because "fabric stiffener" just can't be right. That makes it sound like I showed the fabric some dirty pictures of sewing machines and thread and it got all hot and bothered. And that's just weird. Wait, what were we talking about? Lemme start again, sorry... Iron some stuff on the back of the fabric that will beef it up (heehee), pin tissue paper to fabric and cut. Wow, I managed to get all that out in one sentence when it took me an entire paragraph above. Because I thought the pins would create puckers in the fabric when sewing, I tacked the letters down with Stitch Witchery which is that roll of stuff on the left. And then the appliqueing commenced. Which, as you can see, is just a zigzag stitch really close together. I struggled with turning the curves of the letters which shoulda been a harbinger (the one SAT vocabulary word I actually remember) of what was to come with those curvy swirly "Cambell's" letters. Speaking of...I actually contemplated felting these letters in place knowing they were to be a beast. But I opted to first give it a shot applique-wise and then resort to felting if needed. Are there any pro-applique'ers out there? Because one look at this photo and you can see I'm strugglin'. Pushing all the fabric of the dress through the machine was not my cup of tea. Do the Real Housewives of Applique-town have a certain machine with a longer sewing machine arm, a flatter presser foot and a built-in margarita maker, perhaps? When it was all said and done, I was pretty happy with my goofy dress. Which provoked mucho commentary when I hit the grocery store after school. Here's just a pinch of the convo I engaged in at the checkout counter: Checkout Clerk: Oh! I love your dress! Did you make it?! Me: Um, yeah. I did. CC: Oh my goodness {Calling to the other checkout clerks:} Hey, guys, come over here and see this dress! She made it! Awkward Checkout Clerk: Neat. {Looking in my cart} You aren't buying any soup? That seems weird. Me: Yeah, well. I'm trying to cut back. ACC: That's too bad. {Checkin' my dress out again} I hear it's "Mmmm...mmm...good." Can I help you out with your groceries? Me: {Trying to suppress my freaked'outed'ness}NO! I mean, no. Thanks. Stay tuned for the post on how the fantastic fourth grade created these murals. Until then, finish that soup! AND stay away from Awkward Checkout Clerks. Toodles!
上海南京路 Nanking Road, Shanghai 1930s
感受将全世界作为美术馆的艺术万象，它们的消失比存在更永久
