Industrial Design, Product Design, Furniture Design
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アートと工芸をより広く深く知るためのウェブマガジンと、作家の活動を継続的に紹介し、新作や展示会の情報などを定期的にチェック出来るポートフォリオサイトです
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こんにちは！昨日からお送りしている、”自家製”シロップと果実酒づくり。レモンシロップ編では、シロップの作り方や楽しみ方保存瓶のお手入れなどについてお届けしました。今日は、レモン酒編
Point of Purchase Display for Monster Energy - Student Serial Plane Project
holder for beer tin
GLORIFICADOR ILUMINACION LED
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As a sculptor, I never undertook any formal training. I started sculpting in my early twenties, working with the Russian sculptor, Lev Neznansky and it was then that I first discovered my love for carving directly in wood. In the early 1990’s I worked with the Irish sculptor, Cathy Carman where I learned the techniques of casting in bronze and first started exhibiting in Dublin. I subsequently lived and worked in San Diego, California, where I exhibited extensively. After returning to Dublin and after a fifteen year career as an art gallery administrator I returned to working full-time as an artist in 2011. Since then I have exhibited my work in various galleries and art fairs in both in Ireland and England. Artists Statement Sculpture for me is a means of giving form to my personal investigation of a core philosophical question: What is this enigma that we call life? All living matter responds to external stimuli and internalises these external forces, transforming itself through such interactions, and endlessly manifesting ‘a state of suspended tension between being and non-being, in which both being and non-being are unreal and only their incessant interaction, their becoming, is real’, as Austrian philosopher, Ernest Fischer proposes. Carving directly by hand, without making use of any preliminary plans or drawings, my work strives to capture a moment in time of this ephemeral flow of life, in an attempt to give concrete form to this process of becoming. By giving a tangible form to such a constant metamorphosis/transformation, I strive to access the essential and enigmatic element or energy that exists in all things, but that remains elusive and unseen and that can only ever be evoked. For this reason I often work with discarded pieces of wood, everything from old fence posts to sections of door frames or beams salvaged from skips, attempting to uncover the aesthetic potential and inherent energy in that which is often overlooked and considered to mundane and useless, to give a meaning to that which is apparently meaningless. Each finished piece acts as a silent testimonial to the physical process involved in its own making, the transformation from discarded / useless cast off to an object worthy of investigation and contemplation. In this way I attempt to challenge our sometimes fixed and preconceived perceptions, to allow a space for the viewer to re-imagine and to see things in a new light, as this quote from T.S. Eliot succinctly expresses. We shall not cease from exploration And the end of all our exploring Will be to arrive where we started And know the place for the first time Four Quartets: Little Gidding (1942) T.S. Eliot Sculpture has always been a means of giving form to the
Oil bottles for Husqvarna products.
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こんにちは！スタッフの齋藤です。本日より、ちいさな家しごと特集『今年こそ、梅酒づくり！』を公開させていただきます。キッチンやリビングに果実酒の瓶がとんとんとん、、と並んでいる様子。
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