ArtStation - The facility, Tarmo Juhola https://ift.tt/347Kf0V
Combining light sculpting and 3D modeling, the “Homos Luminosos” are a family of ethereal beings made of constellations of light points carved in a mass of optic fibers, created by artist Roseline de Thelin.
Proposal for the redesign of the Ladopoulos Papermill factory in Patra, Greece that tries to generate an active social and political space.
Image 12 of 19 from gallery of Maidenhill Primary School & Nursery / BDP. Photograph by David Barbour
Angular, geometric shapes, hard edges, and monolithic constructions. You are either in a Lego set or looking at an example of brutalist architecture. It’s a devise style, with some seeing it as the pinnacle of function over form, while others just think of endless, soulless commie blocks, with rotting, exposed concrete.
Image 5 of 21 from gallery of Genmab Research Building / Cepezed. Courtesy of cepezed, Lucas van der Wee
The Copenhagen-based artist øjeRum weaves together antique portraits and classic sculptures with fantastical settings, imbuing each human subject with a layer of depth. Added elements of natural wonder such as starry skies, spooky woods, and breath-taking valleys expand each collage into strateg
Oscillating between the fake and natural, the site investigates the fabrication of artificial landscapes within the context of the LA River. The LA River, an area that was once considered nature, is now a hardscape of concrete that spans 51 miles. The site is transformed into an incubator for...
Sara, 25, Mtl. Fashion & Art to feed the soul.
The Phillips Exeter Academy Library in Exeter, New Hampshire, U.S., with 160,000 volumes on nine levels and a shelf capacity of 250,000 volumes, is the larg ...
A criança é o futuro. O adulto é o presente. O idoso é o passado. Boas frases de efeito, ainda bem que as pessoas, independente da fase da vida, tem passado, presente e futuro... Óbvio que dependendo da idade uns tem mais passado, outros mais futuro, mas, enfim, todos temos um presente. Até cabem umas perguntas: terá futuro uma criança a quem é negada a educação e a saúde? Terá presente um adulto que se vê desempregado sem nenhuma renda? Que passado tem um idoso que se vê abandonado pelos seus familiares e pela Previdência Social? Em que tempo vivem as pessoas amedrontadas, manipuladas e domesticadas? Até na prosperidade econômica aparecem as crises existenciais; como disse Karl Marx: " És menos mas tens mais". Digo eu: o sujeito nunca é feliz em uma sociedade de objetos, porque, como bem escreveu Alexander Supertramp, "a felicidade só existe quando compartilhada." Assim, para termos nosso próprio tempo é preciso ser sujeito com o verbo compartilhar os objetos no presente, aí teremos um futuro... e um passado... Porto Alegre, 18 de março de 2019. Imagem: Pinterest Edu Cezimbra
Created by Rob Mulholland, the photon fairies await your presence in the wilds of Scotland. Just remember: if it bleeds, you can kill it—but these don't bleed. [via r/creepy]
Artist Kathleen Ryan‘s life-sized moldy fruit sculptures are made using over 10,000 glass beads, semi-precious stones and pearls, each of which are attached by steel pins into polystyrene foam bases. They also represent a serious,…
Explore Scallop Holden's 902 photos on Flickr!
ETFE(エチレン-テトラフルオロエチレン) という素材で、単位となる細胞を作り、その細胞がより集まってできる生物のような建築を構想した。空気でできた小さな細胞がだんだん集まって、ひとつの大きな建築ができあがるようなシステムの研究である。このシステムはETFE という透明な膜を三次元加工することでひとつの細胞を作り、その細胞をつないでいくことで、自由に建築を作り上げる仕掛けである。細胞には空気が封入されているが、細胞どうしはチューブによってつながれているので、ひとつの細胞の空気を出し入れすることで、全体の空気圧を調整することができ、全体の形態をコントロールすることができる。 ２０世紀のフランク・ロイド・ライト以来、オーガニック・アーキテクチャーを唱える建築家は多いが、彼らが唱えるオーガニックは、結局は建築のぐにゃぐにゃした外形のことで、それは生物の持つ、本質的なやわらかさとはほど遠い。小さな細胞が様々に結合し、その中を様々な物質が流れながら、環境の苛酷な変化に対応するだけの柔軟性こそが、生物のやわらかさなのである。西欧的で機械的な全体性に代わって、変幻自在な流動性を前提とする生物
Interior designer George Livissianis uses his signature simplicity to express Japanese essence without using thematic stereotypes at Sydney, Australia's new restaurant Cho Cho San.
