Oil on canvas; 44.5 x 31 cm. Hungarian painter. After years of study in Pest, Vienna and Rome, he painted a lot of altar pictures in dry academic style under the influence of the Italian Renaissance (Roman Catholic church in Sajószentpéter), historic pictures ("Árpád is Raised on the Shield") and portraits ("The Orczy Family", "Pál Szemere", etc.). He also copied pictures by Italian, Spanish and Dutch masters.
"Cristina Trivulzio Belgiojoso" (1832) By ~ Francesco Hayez
Young woman drawing ( detail ) Sineddoche pittorica By M.D.Villers #artlovers #DonneInArte
@CatarinaCabral @cristob45 @mhall55nine @robtropper @LuciaTassan @SonokHakan @jukkaisorinne @ersu1880 @iv_boks @agustin_gut @195501 @sn1547 @redne2013 @_LouisQc @albertopetro2 @_rjardon @neblaruz @Johancath @BrindusaB1 ℰ𝓈𝒸𝓊ℯ𝓁𝒶 𝒹ℯ ℱℴ𝓃𝓉𝒶𝒾𝓃ℯ𝒷𝓁ℯ𝒶𝓊.Los amantes
💠 L'ARTE intensifica il senso della vita. #DayAfterART #Venice Miss Thompson Laura Knight, http://t.co/gW5qtgH0zc
ab. 1617 William Larkin - Francis Bacon, 1st Baron Verulam and Viscount St Albans (Trinity College)
1652 Adriaen Hanneman - Johan de Witt
“Lady in Pink, Bernhard #Gutmann #DonneInArte #ArtePerLArte #PostImpressionism @Asamsakti @emanuelaneri14 @SabriMasce”
#Buongiorno #Donneinarte #Artlovers "La modella" 1910 #Chagall @alecoscino @silvia_lablonde @battiata62 @cobixreyes
"A Widow’s Mite", 1870, John Everett Millais. (via)
Joan of Arc in Real Life Saint Joan of Arc is far more than a worthy subject for stained-glass windows, although that is how her biographers often portray her. Fortunately, we have the records of two judgments to set the record straight. As is common with heroes deemed “larger than life,” Joan is seen through […]
The Bookworm’s Table (1890s). Claude Raguet Hirst (American, born Claudine, 1855-1942). Watercolor over graphite on cream, moderately thick, rough-textured wove paper. Brooklyn Museum. Hirst abandoned...
