Portland, Oregon, campagna.cc Many independent furniture designers get their start working in wood simply because it’s an easy-access, no-minimums-required material. For Cody Campanie, though, it’s a birthright — he’s a third-generation woodworker who grew up amidst makers in rural New York, and went on to form a studio around bringing his subtly edgy aesthetic to the traditional craft. What is American design to you, and what excites you about it? It’s difficult to discuss what American design is without acknowledging the complexity of American history and how American creativity has been born from eras of conflict and contradiction. For example, Josef Albers, who taught at the Bauhaus and sought refuge in the U.S. after leaving Nazi Germany, was appointed a teaching position at Black Mountain College in North Carolina with the help of architect Philip Johnson, a Nazi sympathizer. Here, Albers mentored the sculptor Ruth Asawa, who was held in an internment camp on the west coast by the U.S. government because she was Japanese-American. This highlights the entanglement of politics and our identity as a country of immigrants with American existence and American design. Once again, we’re in an era of stark conflict and contradiction. But within the pain of the last year, there have also been reasons for excitement. There’s a growing awareness and support of young, talented designers from many backgrounds who are pushing against existing structures and norms. People have a renewed understanding of the importance of craft and quality and are backing small businesses and artisans who make things with their hands. This reading of American design is less about an aesthetic, but more in keeping with an expression of our ever-evolving understanding and criticism of the complexity of our nation. What are your plans and highlights for the upcoming year? Over the last year, I’ve been collaborating with my friends at the architecture and design studio Anderson Su on a cabin located in a very special place: Orcas Island in Washington State. We’ve constructed the entire cabin from the ground up (literally, pouring the foundation) and are set to finish early in the new year. It’s been an incredible experience to work at a larger scale while keeping a high level of detail in the craft. From the roof to custom furniture pieces that will be housed within, the entire structure feels like building one big, intricate cabinet. In addition, I’m looking forward to creating some new pieces from materials … Continue reading Campagna