Photographer Menno Aden has been documenting how young people in Berlin find themselves homeless due to the gentrification of poorer areas. taken from an unusual bird's-eye perspective, Menno's work has won this year's 'Home, my Place in the World' Photographic Award organised by Accademia Apulia
Imagen 6 de 7 de la galería de Arte y Arquitectura: El fotógrafo Menno Aden captura pequeños espacios de vida con cámaras instaladas en sus techos. Fotografía de Menno Aden
Imagen 5 de 7 de la galería de Arte y Arquitectura: El fotógrafo Menno Aden captura pequeños espacios de vida con cámaras instaladas en sus techos. Fotografía de Menno Aden
Il fotografo Menno Aden fotografa case e stanze da dove non le guarda mai nessuno
Room Portraits | Menno Aden Through challenging camera angles Menno Aden abstracts most familiar actual living environments and public interiors into flattened two-dimensional scale models. A camera...
Photographer Menno Aden likes to look down on his subjects, but in about the least pretentious way possible. To him, it’s just another way of seeing...
Room Portraits | Menno Aden Through challenging camera angles Menno Aden abstracts most familiar actual living environments and public interiors into flattened two-dimensional scale models. A camera...
Photographer Menno Aden likes to look down on his subjects, but in about the least pretentious way possible. To him, it’s just another way of seeing...
Por los métodos de diseño y proyección que utilizamos, arquitectos, interioristas, delineantes... estamos acostumbrados a imaginarnos los espacios en planta. Pero a la hora de la verdad, nos enfrentamos a estos entornos en tres dimensiones y desde...
Getting a bird’s eye view can result in some seriously cool Instagram pictures. If you’re anything like artist Menno Aden, though, that isn’t anywhere near interesting enough. For his Room Portraits, Aden mounted a camera on the ceiling of a bunch of different rooms and took top down pictures that put everything in perspective (or remove
In compositions of steep vertical formats, landscape emerges as a well-ordered aesthetic system. Paths, hedges, grass strips and walls become continuous bands of colour and structure. The extreme cropping of the photographs works against the usual vastness of landscape and expects the viewer to continue the initially limited picture on his own. As if arranged according to a flat plan, everything fits into a system of order and spatiality is smoothed out in two dimensions.
