Joseph Clement Coll (1881-1921) died at too young an age, of appendicitis. A cynic might call that tragic event "a smart career move" because Coll's pen-and-ink+brush style would rapidly fall out of illustration fashion during the 1920s. On the other hand, he did produce some illustrations in other media that were competently done. That competence plus his sense of portraying dramatic action might have stood him well had he lived longer. His brief Wikipedia entry is here. A more personal appraisal by Jim Vadeboncoeur Jr. is here, and a Muddy Colors post about him by Greg Ruth is here. Coll produced a huge amount of illustrations during his comparatively short career, so there naturally was variation in quality. Below I present a collection of what I consider his better work. Most of his illustrations were vignettes or non-framed full-page illustrations with plenty of white space. When he did framed illustrations or illustrations of night scenes, the results were usually murky looking -- an effect hard to avoid given his preferred medium. Gallery Strong composition. A confrontation with Fu Manchu. Fu Manchu again. Another striking composition. A "King of the Khyber Rifles" illustration from 1916 (Kelly collection) that's so cluttered and murky that some of the action is lost. A "framed" illustration, also from the Kelly collection, where the penwork works against the subject matter again. Here we find penwork augmented by spots of bold brushwork. Another example of Coll's brushwork-plus-line. There might be some water-thinned ink or ink washes here too, but one would have to view the original art to be sure. A fine example of Coll's brush+line. I wonder if some of this was scratchboard. It's framed, but not as heavy as in some examples above. At the top of the image appear to be U.S. Cavalry troopers, and the female might be Victory. Perhaps the 1916 Mexican incursion rather than the Great War.