Chilean artist Jose Romussi adds embroidery to paper photographs to extracts a third dimension, and thus a nascent personality, out of an otherwise flat image. By doing so, Romussi opens space for alternative interpretations and methods of viewing a staged image. The artist refers to his work as an "intervention," and in many ways, his intentions are similar to other contemporary artists who use yarn as a method of interrupting the norm. Like "Yarn Bombing," which is often performed as a softer act of graffiti in public places, Romussi's compositions attempt to re-define notions of beauty while simultaneously drawing attention to social issues, such as the re-appropriation of African patterns and other non-Western traditions in high fashion.