A major survey exhibition of Carolee Schneemann’s work looks at the artist’s masterful experimentations, across mediums of performance, installation, film and multimedia.

At the end of the 1950s, Carolee Schneemann was painting in a fi gurative expressionistic style. Gradually, however, she turned to assemblage with moving, motorized parts which she called “kinetic theatre”.

Schneemann died from breast cancer on March 5 at the age of 79, and the art world that once criticized her has lauded her a pioneer and influential feminist force to be reckoned with.

While museums are closed to the public, we are spotlighting an inspiring exhibition somewhere around the globe each day.

Print by Carolee Schneemann

Artists, colleagues, and friends remember Carolee Schneemann as a force of nature, a determined visionary, and a generous listener.

Carolee Schneemann, More Wrong Things, 2001 Fourteen video monitors with video loops suspended from the ceiling within an extended tangle of wires, cables and cords, dimensions variable Hales...

The provocative American artist continues to challenge feminist ideologies and identity politics. Footage, drawings and photographs of this innovative artist’s

While museums are closed to the public, we are spotlighting an inspiring exhibition somewhere around the globe each day.

UNStudio’s winning proposal for the first-ever cross-border cable car will connect the cities of Blagoveshchensk in Russia and Heihe in China in just a few minutes.