• THIS PRINT: William Blake's classic painting Jacobs Dream Ladder (1805). Or view our full range of iconic paintings here: https://etsy.me/2G7OK0A • PLEASE NOTE: All our prints come UNFRAMED and any frame in the images above is for display purposes only so you can get a feel for how it might look on your wall. • CUSTOM REQUESTS: We can often customise our designs. Contact us any time to discuss options. • PAPER: All our prints come on the highest quality art papers and are produced with a full range of 12 pigment inks so they will maintain their vibrant colours for decades to come. A quick explanation of our different paper stocks will follow: Glossy finishes are like what you would get with a photograph. Very reflective and very bright colours. Lustre is a beautiful finish which is somewhere between a Matte and a Gloss. If you're not sure what to choose then Lustre looks fantastic on al prints in our store. If you'd like your item printed onto a stiff watercolour-style paper which has a textured rougher surface then choose our "textured" option. Finally we have a 100% cotton paper which is extra sturdy, displays colours beautifully and is probably the best option if you want a classic Matte (non-reflective) finish. • SIZE: Our prints come in a variety of sizes so please check measurements and choose carefully from the drop down list above. If you need custom dimensions not listed please contact us as we may be able to do a custom size. • REFUNDS: All our prints are 100% guaranteed. If you're not thrilled with your print when it arrives just contact us and we'll accept the return up to a YEAR after purchase! Check through our feedback to see why nobody ever wants to return their prints! • DELIVERY TIMES: Please note we are based in the United Kingdom. If you are ordering from the USA then deliveries will usually arrive in 2 weeks or less but please be aware that this is NOT guaranteed and they can sometimes take up to 4 weeks to arrive due to the irregularities of international transit so before ordering please bare that in mind. If you're in Europe delivery usually takes 1-2 weeks but occasionally as long as 3 weeks. If you're based in the UK like us then typical delivery times are 2-3 days after ordering. • PACKAGING: Prints 12x8" inches and smaller will be packaged in flat, board-backed envelopes. Larger prints are delivered in strong cardboard tubes. If any item were to arrive damaged in anyway (very unlikely!) contact us immediately and we will send a replacement immediately. • OTHER QUESTIONS: Just contact us with the "Ask a question" button at the top of the listing. Feel free to ask about anything. We endeavour to reply as quickly as possible Monday through Friday. • OUR STORE: Please visit our store to see many more prints united under a common theme of exceptional quality! https://etsy.me/2JMU0HM We sell Art, Photos, Poster, Prints, Wall Art, Decor, Quotes, Motivation, Inspiration, Wisdom, Inspirational, Hope Posters, Maths, Economics, Philosophy, Sport, BJJ, MMA, Poems over Paintings, Maps, Streets, Artwork, Graphic Design and much much more. Where we have created the print ourselves we use various techniques from Diffusion, Oil Paints, Pastels, Hand Drawing, Photoshop, Photography and Illustrator.
About The Artwork Acrylic ............................................ Original Created:2022 Subjects:Architecture Materials:Canvas Styles:MinimalismImpressionism Mediums:Acrylic Details & Dimensions Painting:Acrylic on Canvas Original:One-of-a-kind Artwork Size:18 W x 24 H x 0.8 D in Frame:Not Framed Ready to Hang:Yes Packaging:Ships in a Box Shipping & Returns Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments. Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines. Ships From:Canada. Have additional questions? Please visit our help section or contact us.
¡InnovaGoods te ofrece las mejores novedades para tu hogar, como Escalera telescópica Ladescop32 InnovaGoods 3,2 m ! Descubre una amplia gama de productos de calidad que destacan por su funcionalidad, eficacia e innovador diseño: Iluminación, organización, decoración, climatización, jardín, mascotas, limpieza, etc.Esta escalera telescópica ayuda a realizar multitud de tareas con comodidad y seguridad. Su diseño extensible permite ajustar su altura con facilidad. Incluye 2 ganchos de sujeción, es ligera y fácil de transportar y guardar. Soporta hasta 150 kg. Una escalera extensible muy resistente y estable que se puede usar en interiores y exteriores. Ideal para limpieza, pintura, jardinería, bricolaje, reparación, construcción, etc. Telescópica, extensible, 10 peldaños: nuestra escalera telescópica se adapta con facilidad a la altura deseada gracias a su innovador diseño extensible. Alcanza una altura máxima de hasta 3,2 m. Esta moderna escalera ajustable es de gran utilidad para ayudar en multitud de tareas en diferentes lugares de uso. 2 ganchos de sujeción: nuestra escalera de aluminio incluye 2 ganchos extraíbles opcionales que se colocan en la parte superior de la escalera si se desea. Se instalan fácilmente y sirven para mejorar la sujeción de la escalera en la zona de soporte, proporcionando mayor estabilidad y protección. Segura, resistente: esta escalera ultraligera es muy resistente, segura y estable. Sus pies antideslizantes proporcionan una firme sujeción. Los peldaños disponen de bloqueo de seguridad para fijar la altura de forma fiable. El ángulo de inclinación óptimo de uso oscila entre 65º y 75º. Soporta hasta 150 kg. Ligera, fácil almacenaje: esta escalera extensible fabricada de aluminio de calidad es ligera y manejable. Además, incluye correas de sujeción para su almacenaje. Su altura se reduce considerablemente cuando no está extendida, así puede trasladarse o guardarse con mayor comodidad en maleteros de coches, garajes, trasteros, etc. Peso aprox.: 8,8 kg. Multiuso, versátil: esta escalera portátil se puede usar en interiores y exteriores. Ideal para numerosas tareas domésticas en el hogar o fuera de él, como limpieza, pintura, jardinería, bricolaje, reparación, construcción, etc. Material: Aluminio Nailon Polipropileno Color: Metalizado Negro Diseño moderno: Innovador y funcional Tipo: Escalera de tramo extensible Telescópico: Altura ajustable Altura máxima: 3,2 m 10 Peldaños: Bloqueo de seguridad 2 ganchos colgadores móviles: Extraíble Ángulo de reclinación: 65º-75º Pies antideslizantes: Firme sujeción Peso máx. soportado: 150 kg Correas de sujeción: Fácil de transportar y guardar Resistente y duradero: Materiales de calidad Multiuso: Diversos usos y espacios Versátil y adaptable: Uso en interiores y exteriores Fácil de usar, ligero y manejable: Uso cómodo, sencillo y seguro Peso aprox.: 8,8 kg Medidas aprox.: 47 x 80-320 x 6,5 cm Packaging y manual en 24 idiomas: inglés, francés, español, alemán, italiano, portugués, holandés, polaco, húngaro, rumano, danés, sueco, finés, lituano, noruego, esloveno, griego, checo, búlgaro, croata, eslovaco, estonio, ruso, letón.
1999.66 Emil Bisttram (American, born in Hungary, 1895-1976) Tensions, 1939 oil on board Gift of Richard Anderman in honor of Lorenz and Joan Anderman
Die besten Fitnessgeräte für zuhause: Extrem effektiv und dennoch platzsparend, um Muskeln aufzubauen (Muskelaufbau) Fett abzubauen an Bauch, Beine und Po
In Genesis 28, Jacob has a vision of a ladder ascending to heaven. The meaning of this ladder is rooted in why Jesus came to earth.
Helen Frankenthaler in Life Magazine, 1956 When I went to MOMA a few years ago, there were a few artists' work that stopped me in my tracks. Robert Rauschenberg, Cy Twombly, Willem De Kooning and Helen Frankenthaler. In case you've never heard of her, or seen any of her work, I wanted you to see a little bit. Mountains and Sea, 1952 Frankenthaler worked much like Jackson Pollack in the way she poured paint onto the surface of the canvas. She was, however, unique in her use of thinned paint that soaked in and became part of the canvas rather than sit on top of it. Jacob's Ladder, 1957 Mauve District, 1966 Robert Motherwell and Helen Frankenthaler in Provincetown. Savage Breeze, woodcut, 1974 Green Thought in a Green Shade, 1981 Snow Pines, 2004 34-color Ukiyo-e woodcut, printed with 16 woodblocks Amazing! Helen Frankenthaler passed away today at the age of 83. She was a true American gem. - - - - - - 12/28/2011 I found more images of her and her work in real home settings so I thought I would add them. This triptych is called Madame Butterfly from 2000. Elle Decor Helen in her NYC apartment, 1960s
Another post about our weekend in Dartmoor? We definitely managed to squeeze in a lot of adventures into a couple...Read More
EXPLORE THE ENDLESS POSSIBILITIES WITH THIS SURREAL ART PRINT Cloud Painting Art Collage Print by Taudalpoi. This beautiful cloudscape is enhanced by the addition of an interesting character placed in a way to show them painting a mural on a wall. There is something oddly relaxing about it and the child in the shot adds a sense of wonder. It's about the creativity of the young and no matter how small, with a little help from a ladder, they can achieve wonderful things. It serves as a perfect metaphor for the coming of age story, with the ladder being the parent or teacher to help the child achieve their accomplishments. This print will be w wonderful addition to a home to remind each other of how far you have come in a family. That or it's just a cool collage illustration! Choose your size and paper option to order now. Got a question about this print? Fill in a contact form today to find out more. Frame not included. Made to order. Choose from 3 different materials. Print Includes margin around for custom mounting. Delivery to UK in 4-5 business days, 7 days international.
No online game or mobile game can compete with those we played in our childhood. One such is the Snakes and Ladders game.
Jeremy Miranda is an American artist based in New Hampshire. I’d call some of his art surrealist although I’ve never learnt the proper terms, so perhaps that’s wrong! Others are m…
Artist Lisa Adams creates surreal paintings that express her worldview with richly detailed, foreboding imagery and allegorical symbolism. The self-taught
by Yoko Ono Climb up a ladder. Look at the painting on the ceiling with a magnifying glass, and find the word ‘YES’ The interactive object known as Ceiling Painting was an important work shown at Ono's historic 1966 Indica Gallery show in London. The viewer is invited to climb a white ladder, where, at the top, a magnifying glass, attached by a chain, hangs from a frame on the ceiling. The viewer uses the reading glass to discover a block letter "instruction" beneath the framed sheet of glass-it says "YES." It was through this work that Ono met her future husband and longtime collaborator, John Lennon. Q: How did you meet Yoko? John Lennon: There was a sort of underground clique in London; John Dunbar, who was married to Marianne Faithfull, had an art gallery in London called Indica, and I'd been going around to galleries a bit on me off days in between records, also to a few exhibitions in different galleries that showed sort of unknown artists or underground artists. I got the word that this amazing woman was putting on a show the next week, something about people in bags, in black bags, and it was going to be a bit of a happening and all that. So I went to a preview the night before it opened. I went in - she didn't know who I was or anything - and I was wandering around. There were a couple of artsy-type students who had been helping, lying around there in the gallery, and I was looking at it and was astounded. There was an apple on sale there for two hundred quid; I thought it was fantastic - I got the humor in her work immediately. I didn't have to have much knowledge about avant-garde or underground art, the humor got me straightaway. It was two hundred quid to watch the fresh apple decompose. But it was another piece that really decided me for or against the artist: a ladder that led to a painting, which was hung on the ceiling. It looked like a white canvas with a chain with a spyglass hanging on the end of it. I climbed the ladder, looked through the spyglass, and in tiny little letters it said, YES. So it was positive. I felt relieved. It's a great relief when you get up the ladder and you look through the spyglass and it doesn't say NO or FUCK YOU or something. I was very impressed. John Dunbar introduced us - neither of us knew who the hell each other was. She didn't know who I was; she'd only heard of Ringo; I think it means apple in Japanese. And Dunbar had sort of been hustling her, saying, "That's a good patron; you must go and talk to him or do something." Dunbar insisted she say hello to the millionaire - you know what I mean. And she came up and handed me a card that said BREATHE on it - one of her instructions - so I just went [pants]. This was our meeting. The second time I met her was at a gallery opening of Claes Oldenburg in London. We were very shy; we sort of nodded at each other - she was standing behind me. I sort of looked away because I'm very shy with people, especially chicks. We just sort of smiled and stood frozen together in this cocktail-party thing. The next thing was, she came to me to get some backing - like all the bastard underground do - for a show she was going. She gave me her Grapefruit book. I used to read it, and sometimes I'd get very annoyed by it; it would say thing like "paint until you drop dead" or "bleed." Then sometimes I'd be very enlightened by it. I went through all the changes that people go through with her work - sometimes I'd have it by the bed and I'd open it and it would say something nice and it would be all right, and then it would say something heavy and I wouldn't like it. So I gave her the money to back her show. For this whole thing, everything was in half: There was half a bed, half a room, half of everything, all beautifully cut in half and all painted white. And I said to her, "Why don't you sell the other half in bottles?" having caught on by then to what the game was. And she did that - this is still before we'd had any nuptials - and we still have the bottles from the show; it's my first. It was presented as "Yoko Plus Me" - that was our first public appearance. I didn't even go to see the show; I was too uptight. Q: When did you realize that you were in love with her? JL: It was beginning to happen; I would start looking at her book, but I wasn't quite aware what was happening to me. Then she did a thing called Dance Event, where different cards kept coming through the door every day saying BREATHE and DANCE and WATCH ALL THE LIGHTS UNTIL DAWN, and they upset me or made me happy, depending. I'd get very upset about it being intellectual or all fucking avant-garde, then I'd like it, and then I wouldn't. Then I went to India with the Maharoonie and we corresponded. The letters were still formal, but they just had a little side to them. I nearly took her to India, but I still wasn't sure for what reason; I was still sort of kidding myself, with sort of artistic reasons and all that. When we got back from India, we were talking to each other on the phone. I called her over; it was the middle of the night and Cynthia [Lennon's first wife] was away, and I thought, well, now's the time if I'm gonna get to know her any more. She came to the house and I didn't know what to do, so we went upstairs to my studio and I played her all the tapes that I'd made, all this far-out stuff, some comedy stuff, and some electronic music. She was suitably impressed, and then she said, "Well, let's make one ourselves." So we made Two Virgins. It was midnight when we started; it was dawn when we finished, and then we made love at dawn. It was very beautiful. From 'Lennon Remembers' (Jann Wenner editor of Rolling Stone magazine interviewing John Lennon in December 1970)
