París (Francia 🇫🇷), 07 de Junio de 1848 – Atuona (Islas Marquesas, Polinesia Francesa 🇵🇫), 8 de Mayo de 1903. Gauguin buscó paraísos a lo largo de su vida con los que experimentar gracias al …

Paul Gauguin (1848-1903), Les Alyscamps, Arles, 1888, oil on canvas, 92 x 73 cm, Musée d'Orsay The Alyscamps at Arles

How to go from clueless amateur to generational talent (or at least live life a little more creatively).

Maurice Denis (Granville, November 25, 1870 - Paris, November 13, 1943) was a French painter, and one of the leading artists and theoreticians of the Symbolist movement. Denis studied at the Académie Julian (1888) under Jules Lefebvre and at the École des Beaux-Arts. Reacting against the naturalistic tendencies of Impressionism, Denis fell under the influence of the work of Paul Gauguin, whose style was also much admired by Denis’s fellow students Paul Sérusier, Édouard Vuillard, Pierre Bonnard, and Ker Xavier Roussel. With these friends, Denis joined in the Symbolist movement and its later offshoot, the group of painters collectively called the Nabis. The quasi-mystical attitude of the Nabis was perfectly suited to Denis’ highly religious nature. In 1890 Denis expressed the underlying principle of much modern painting in the following often-quoted words: “It should be remembered that a picture, before being a warhorse, a nude, or an anecdote of some sort, is essentially a flat surface covered with colours assembled in a certain order.” Later, however, after visiting Italy, Denis became greatly influenced by the works of the great Italian fresco painters of the 14th and 15th centuries and began to place emphasis on subject matter, traditional perspective, and modelling, as in Homage à Cézanne (1901). Denis’s monumental mural decorations are to be seen in many French churches as well as on the ceiling of the Champs Élysées Theatre in Paris. In 1919 he, along with Georges Devallières, founded the Studios of Sacred Art. His work was one of the chief forces in the revival of religious art in France. [Kröller-Müller Museum, Otterlo, Netherlands - Oil on canvas, 61 x 37.5 cm]

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Parau na te Varua ino (Les mots du Diable), Gauguin sur toile, poster, aluminium, ArtFrame ou tirage encadré.

Today we put our magnifying glass on the Talisman painted in 1888 by the French painter Paul Sérusier. A painting that can be described as prophetic, at the origin of the Nabi movement.