Our team here at designbeep.com are always filled with great enthusiasm when we see impressive designs. They inspire us to reach higher with our own work. To showcase these designs, we started Daily Design Inspiration series to feature the most creative and inspired projects within the larger design community. Our design inspiration will include many
Finding the perfect font for a project can be a real challenge, so there’s nothing better than having a huge amount of fonts readily available in your own library to count on. And it’s always good to have websites to count on when you need to look for fonts. That’s why today we gathered 9 …
Building the visual identity for season two of Airbnb Design—Talks
Cloudnola Flipping Out can upgrade your home space much better than any clocks. This sleek clock is made from modern materials with retro designs. Cloudnola Flipping Out has a unique shape too that can make your home space looks more interesting. With a lot of features, your day will be more great with this awesome clock.
Slava Fedutik designed the futuristic packaging for NOBU, the brand looking at classic cocktails in a whole new way.
“My typeface designs are more about what visually pleases me than important aspects of type design such as readability, precision and consistency. They’re about graphic rhythm, flow and balance and act more like design pieces than actual typography. I’m typically inspired by the juxtaposition between different aspects such as thick and thin, organic and machined, static and moving, classic and avant garde, serif and sans, and how I can create forms that find the balance between those qualities.”
Take a look at these 15 must-have books for learning hand lettering and modern calligraphy, getting inspired, and starting to make money with your artwork.
“Herbert Spencer and Colin Forbes, New Alphabets A-Z, New York, 1974.”
Fons Hickman m23 stellt die neue Plakatserie für die Semperoper Dresden vor. Seit 2009 entwickelt Fons Hickmann m23 das gesamte Corporate Design der Dresdner Semperoper, das in jeder Spielzeit einen neuen Auftritt bekommt. Zumindest was die Bilder und Themen betrifft – wobei Schrift, Logo, Illustration und Fotografie vorhanden bleiben – und die markanten Umrisse der...
“My typeface designs are more about what visually pleases me than important aspects of type design such as readability, precision and consistency. They’re about graphic rhythm, flow and balance and act more like design pieces than actual typography. I’m typically inspired by the juxtaposition between different aspects such as thick and thin, organic and machined, static and moving, classic and avant garde, serif and sans, and how I can create forms that find the balance between those qualities.”
After years of sans serif, Carmen Nácher’s striking, dreamy font feels refreshingly human and unprocessed.
